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THE NOTABLE 


PERCY R. PYNE 2°, COLLECTION 


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NEW YORK 


ILLUSTRATED CATALOGUE 


OF THE 


NOTABLE COLLECTION 


OF 


VIEWS OF NEW YORK AND OTHER 


AMERICAN CITIES 
HISTORICAL CHINA AND BOOKS 
RELATING TO NEW YORK 


FORMED BY 


MR. PERCY R. PYNE 2” 


TO BE SOLD WITHOUT RESERVE OR PROTECTION 
ON THE EVENINGS HEREIN STATED 


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CATALOGUE DESCRIPTIONS WRITTEN BY MR. ROBERT FRIDENBERG 


ca POLS 
THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY, OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 


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THE AMERICAN ART ASSOCIATION: 

DESIGNS ITS CATALOGUES AND DIRECTS 

ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY > 


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CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 


or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. ‘Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which - 
it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


INTRODUCTION 


The Percy R. Pyne 2d Collection of New York City and other Amer- 
ican Views is the most important and complete that has ever been offered 
at public sale. 

The proportion of items that is unique, or nearly so, is astonishingly 
large and does credit to the owner’s taste, judgment and generosity. No 
form of collecting, within recent years, has shown such unusual increase 
‘n interest and value as this department of Americana. Aside from the 
factor of local patriotism and civic pride which prompts many, who are 
not interested in any other form of pictorial art, to seek representations 
of views and scenes that appeal to them on sentimental grounds, there is a 
large and growing number that seeks everything of rarity and value that 
sheds light on the early history of the metropolis. The economic neces- 
sity for frequent change and rebuilding and the rapid march of improve- 
ment have caused the destruction of most of the old monuments, and 
these old views are the only reminders of previous conditions. Aside from 
this is the fact that lithographic art, which early reached a high degree 
of excellence in this country, is well adapted to the reproduction of archi- 
tectural and topographic drawings and adds largely to their decorative 
value. This medium has been used more largely than any other. The pro- 
portion of original oil-paintings and water-colors is much larger and far 
more important than is usual in collections of this character. The grow- 
ing scarcity of these prints, and the greatly increased demand, make this 
dispersal an opportunity that the wise collector will take intelligent 
advantage of. The catalogue has been carefully compiled in the belief 
that its importance and the consequent necessity for accuracy will not 
only aid present-day collectors but make it a useful reference book for 
the future. The explanatory notes have been condensed as much as 
possible. The prints are, in the main, in excellent condition, but imper- 
fections or injuries are invariably recorded. The beauty of the illustra- 
tions, especially those in color, and the large number of important items 
carefully selected for reproduction, make this publication of the Amer- 


‘can Art Association the most important catalogue of its kind. 


ROBERT FRIDENBERG. 


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FIRST EVENING’S SALE 
MONDAY, FEBRUARY 5, 1917 


AT THE AMERICAN ART GALLERIES 


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BEGINNING AT 8.15 0 CLOCK 


Catalogue Numbers 1 to 155, inclusive 


NEW YORK CITY 
GENERAL VIEWS & PLANS 


All Framed and Glazed unless otherwise noted. 


Measurements, in inches and sixteenths, rendered decimally for convenience, 
a newly designed quadrature, suggestive of the square of four, being now 


first used for that purpose. 


1. NIEUW AMSTERDAM. [1656.] 


Line. Rectangle, 2.6 x 12.8 
Novi Belgii | noveque Anglice nec non | partis | Virginie 
tabula | multis in locis emendata a | Nicolao Joannis Vischero. | 


Nieuw Amsterdam | op t Eylant Manhattans. | 


At foot of the first published issue of the map, before the towns: “Gomoe- 


nipa” “Tamaica” and “Philadelphia.” Colored. 


2, NIEUW AMSTERDAM. 


Same as the above, “a” and the sixth line erased and replaced 
by “per Nicolaum Vischer.” In left center, between the two 
fortified camps is added: “Alter Modus apud Minnessincos | 


Ander Manier — der — Minnessincksche | Dorpen” |, and in 
lower left: “cum Privil: Ordin: General: Belgii Foederati.” The 
three towns added. 

The second issue. Colored. 


3. PLAN 1664. 

Lithograph. Rectangle, 22. x 27.10 
“The Duke’s Plan.” | A Description of the | Towne of Manna- 
dos: | or new Amsterdam | as it was in September; 1661 | lying 
in lattitude 40°: and 40™: | Anno: Domini | 1664 | 1664 | 
(Eight lines) | George H. Moore. | New York: December, 1858. | 
(Six lines) | Richard Sims Manuscript Department | Lith. for 
D. T. Valentine’s Manual, for 1859, &c., &c. 


Colored, slight repairs. UNrFropen. 


4. NIEUW YORCK. 
Line. Rectangle, 2.5 x 11.14 
Novi Belgii | noveque Anglie nec non | Pennsylvanie et Partis 
Virginie tabula | multis in locis emendata, a | Iusto Danckers | 
Nieuw Yorck, | eertijs Genaemt | Nieuw Amsterdam. | 


A close copy of the first Vischer except that it has “Philadelphia.” 
Colored. 


5. NOVUM AMSTERODAMUM. 


Line. Rectangle, 4015 x 6.6 
From Ogilby’s America, London, 1671, with full sheet of text. 


6. NIEUW-AMSTERDAM “RESTITUTIO”. 
Line. Rectangle, 2.12 x 15. 
Totious Neobelgii Nova et Accuratissima tabula. | Apud 
Reinier & Iosua | Ottens | Amstelodami | Restitutio. | Nieuw- 
Amsterdam onlangs Nieuw jorck genaemt, | ende hernomen bij 
de Nederlanders op den 24 Aug: 1678. | eindelijk aan de Engelse 


weder afgestaan | (Key of three lines) | 


At foot of map. 


7. NEW YORK. 
Line. Rectangle, 2.12 x 11. 
In lower left of: “A Mapp of | New Jersey, | in | America, | 
By John Seller,| and | William Fisher.” 17. x 21.8. At top 
center over main inscription, which is in oval cartouche, a scale 
of “English leagues”, and under cartouche crowned Arms of 
Great Britain and motto. In right center palisadoed camps: 
“Modus muniendi | The manner of the Indian Fortifications | 


| No. 7—Continued | 

Towns Houses and Dwelling places” | At upper right edge of 
rectangle containing the view two: “Indian Canoos | or smal 
Boats made of y° barke of trees.” In lower right corner 
crowned Arms of Great Britain with obliterated ‘York’? above 
it faintly showing under the word “Part”. In lower left of 
rectangle other erasures indicated. The view is the Allard 
1673 type, and the date about 1677. 


THE ONLY OTHER COPIES KNOWN ARE IN Pusiic Lisraries. 


| Illustrated | 


8. NEW YORK. 


Line. Vignette, 2.12 x 14.8 
New-York, | (Jos: W. Moulton, del.) —in 1673. — (Rob*. 
M. Gaw, sc.) | 


Colored. 


9. NEU JORCK SIVE NEU AMSTERDAM. 
Line. Rectangle, 2.13 x 14.3 
Recens edita | totius | Novi Belgii, | in America Septentrionali | 
siti, | delineatio | cura et sumtibus | Tob. Conr. Lotteri, | Sac. 
Ces. Maj. Geographi | August. Vind. | Cum Gratia et Privil. 
etc. two lines) | 
At foot of map. 


10. NIEU AMSTERDAM. 


Line. Rectangle, 8.6 x 10.12 
Nieu Amsterdam, | at. New Yorck. — 1 | In America. | Covens 
et Mortier exc. cum Priv. ord. Holl. et Westfr. | T Doesburgh 
fe | 


Title in wreathed cartouche, palm-leaf border. It is a state of one of the 
most pleasing of the early views and THE ONLY KNOWN IMPRESSION. 


11. NIEUW AMSTERDAM. 


Etching. Rectangle, 8.6 x 10.12 
— 79. | Nieu Amsterdam at. New York | Carolus Allard excudit 
cum Privelegio ordinum Hollandie et Westfrisia — A Maijer 
fei | 

Title in scroll; leaf border. A male figure seated at left holding up small 


animal, a female standing at right holding basket; animals, etc. 
VERY SCARCE. 


12. NIEU AMSTERDAM 
Etching. Rectangle, 6.11 x 8: 
Nieu Amsterdam at. New York | Carolus Allard — | 


Colored. ExcrssIvELY SCARCE. 


13. NIEU AMSTERDAM. 1702. 
Line. Rectangle, 8. x 10.8 
Nieu Amsterdam, een stedeken in Noord Amerikaes | Nieu 
Hollant, op het eilant Mankattan: namaels Nieu jork genaemt, | 
to en het geraekte in ’t gebiet der Engelschen. | (Title repeated 
in Latin, three lines) | Pet: Schenk — Amsteld. C. P. | 92 | 


The searce first issue before the number was erased. Colored. 


14. NIEU JORK. 


Line. Rectangle, 5010 x 7.5 
Nieu Jork. | P. Schenk exe. | 

Title in ornamental tablet at top, with three festoons of fruits 
and flowers. Leaf border. With similar views of Nombred 
dios. Panama. S. Salvador. Caput S. Augustini. At foot 
of map: Nova Totius Americe Tabula | Gedrukt By | Petrus 
Schenk | Const en Caart | Verkooper | Op de Vygendam | 
Tot | Amsterdam | Met Previlegie. | 


In lower left, figures, plants and animals emblematic of America; and in 
lower right, another scene, with the Rape of Proserpine. Colored. Tie 
ONLY KNOWN COPY, 


[Illustrated in color | 


15. NEW YORK. 1717. 
Photo-lithograph. Rectangle, 10.14 x 37. 
South Prospect of the City of New York. | By William Bur- 
gis, 1717. | Copyright 1898, J. F. Sabin.| 


16. PLAN 1781. 
Lithograph. 17 x 21.14 
Facsimile of an original Map in the possession of G. B. Smith, 
Street Commissioner — Pub®** by G. Hayward, Lithographer 
N°. 1 Cortlandt S*. New-York, May 1834 


First Issvur. 


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17. NEW YORK. (1783) 
Line. Rectangle, 4.12 x 10.7 
New York (Key in upper right) | 


Over view of Quebec, on undivided sheet with views of Mexico and Fall 
of Niagara. Colored. 


18. NEW YORK. (1733) 
Line. Rectangle, 4.12 x 10.7 
New York (Key in upper right) | W. H. Toms sculp. | 


19. NUW YORK. 


Line. Rectangle, lol x 201 
Nuw York | 
Under a similar “Quebee”, and opposite similar “Fall of 
Niagara” and “Mexico” on map, 19. x 18.12: Nouvelle Carte 
Particuliére de Amérique, | ou sont Exactement Marquées 
. le Cana- | da ou Nouvelle France. . . Guati- | mala, le 
Darien, . . . et la Terre Fermé. | A Map | of the Britisch 
Empire in | America | with the French Spanish | and the Dutch 
Settlements | adjacent thereto by Henry Popple. | a London. | 
Grave, par Jean Conr.Back. | 1756. | 


To right plans of Annapolis Royal, Boston, New York, Charles Town, St. 
Augustine, Providence, Cartagene, and ten others. 


20. NEW YORK. (1788) 

Line. Rectangle, lol x 2.2 
New York | 

Under a similar “Quebec,” and opposite similar “Fall of Niaga- 
ra” and “Mexico.” On map: Carte Particuliére de l’Amérique 
Septentrionale. | A Map | of the British Empire in | America | 
with the French, Spanish | and the Dutch Settlements | adja- 
cent thereto by Henry Popple | at Amsterdam | Printed for 
I. Covens and C. Mortier. | T. Condet s. | 


To right, plans of Annapolis Royal, Boston, New York, Charles Town, St. 
Augustine, Providence, Cartagene, and ten others. Not framed. 


—— (1733) 
Line. Rectangle, 2.8 x 1.2 
New York | 
Cut out of the large map: [America Septentrionalis. | A Map | 
of the British Empire in | America | with the French and Span- 
ish | Settlements adjacent thereto | by Hen. Popple. | W. H. 
(2) 


Tome sculp. 


21. FORT GEORGE WITH THE CITY OF NEW YORK. 


Line. Rectangle, 17.12 x 12s 
I. Carwitham Sculp | 85 — | A View of Fort George with the 
City of New York from the S W. | Printed for Carington 
Bowles Map & Printsellers, at N°. 69 S‘. Pauls . . . London. | 


Before change of title and publisher. Slight injury in lower left corner. The 
Holden copy of an important and desirable print. Colored. Very scarce. 


[Illustrated in color | 


22. NEW YORK. 


Line. Rectangle, 402 x 5.14 
New York a City in N America inhabited by English and Dutch 
subject to the K. of England. | A New & Correct | Map | of the 
Trading Part of the | West Indies, | including the Seat of 
War | between G". Britain & America | Likewise the British 
Empire in | America, | with the French and Spanish | Settle- 


ments adjacent thereto; 


Adorn’d with Prospects of y° | most 


considerable Towns, Ports, | Harbours &c. therein contain’d | 
from the latest & | best Observations, | To The Right Hon”. 
Lord Howe, | Commander in Chief of the Fleet in America, | 
This Map of-the Seat of War is humbly | dedicated by his 
Obed*. | Ser'. Rob‘. Sayer. | London Printed for Rob‘. Sayer 
Map & Printseller at the Golden Buck near Sergeants Inn Fleet 


Street. | 


VERY SCARCE. 


23. NEW YORK. (1741) 


Line. Rectangle, 4012 x 5.12 
New York | References. | (Column of fourteen names) | . | 
New York is situated in 40 4°, 40 ™'™, N. Lat*. on an Eminence 
(thirteen lines) | A new map of | North America, | wherein is 
exactly described all y® European | settlements, with whatever 
else is remarkable | in the West Indies, | from the latest and 


Adorn’d with 
considerable | Towns, Harbours, | &e. 


best Discoveries ; 


views | and plans | of the most 


In border, at upper right of map. The other views are Quebec and 
Mexico, and the plans are Chibucto Harbour and City, Halifax, Cartagena, 
Harbour of New York, Charles Town in South Carolina, Boston in New 
England, Havana, Kingston Harbour in Jamaica and Porto Bello. 


CESSIVELY SCARCE, 


24. NEW YORK. 1761. 


Line. Rectangle, 6.4 x 20,12 
Engrav’d for the London Magazine 1761. | The South Pros- 
pect of the City of New York, in North America. | 


25. HOWDELL-CANOT VIEW. (1761) 


Line. Rectangle, 12.8 x 19.11 
A South East View of the City of New York, in North Amer- 
ica.— Vue de Sud Est . . . | Drawn on the Spot by Cap‘. 


Thomas Howdell, of the Royal Artillery, Engraved by “P. 
Canot. | London Printed for John Bowles . . . Cornhill age 
New Colledge... . . —. . . 7 The Prison. | 


The Holden copy. Very scarce. 


26. HOWDELL-CANOT VIEW. (1761) 


Line. Rectangle, 12.10 x 19.11 
A South West View of the City of New York, in North Amer- 
ica.— Vue de Sud Ouest . . . | (two lines as in previous item) | 


1. The Harbour. . . —. . . 7 Brew-house. | 


Colored. VERY sCARCE. 


27. NEW YORK. 
Line. Rectangle, 6. x 10.4 
8 | A South West View of the City of New York, in North 
America. | Printed for Carington Bowles, at his Map & Print 
Warchouse, N°. 69 in S*. Pauls Church Yard, London. 


The Howdell view, with three men and a dog introduced into foreground. 
VERY SCARCE. 


28. NEW YORK. 


Line. Rectangle, 3.11 x 7ol 
A South West view of the City of New York, in North 
America. | 


A copy of the Howdell-Canot view, with the large open field in center 
foreground. From the Universal Museum and Complete Magazine, 1766. 


29. NEW YORK. 


Line. Rectangle, 3.15 x 6.14 
N°. xxx. | A View of New York, Governors Island, the River 
&c. from Long Island. | Published as the Act directs by A. 
Hamilton Jun’. near St. Johns Gate Nov’. 1, 1776. | 


A later copy of the Howdell-Canot view, with the field occupied by ma- 
neeuvering troops. From the Town and Country Magazine. 


30. NEW YORK. 


Another impression, lacking serial number. 


31. RATZER VIEW 


Line. Rectangle, 48, x 35.8 
To His — Excellency | Sir Henry-Moore, Bar*. | (Five lines) | 
This Plan, | of the City of New York and its Environs, | Sur- 
vey’d and Laid down: | (Two lines) | B. Ratzer | (Two lines) | 
Tho*. Kitchin sculp‘. Engraver (etc. two lines) || Plan | of the | 
City of New York, | in | North America: | Surveyed in the 
Years 1766 & 1767. | References, | (Two columns) | (Three 
lines) | London, Publishd according to Act of Parliament, 
Jan’. 12, 1776; by Jefferys & Faden, Corner of S* Martins 
Lane, Charing Cross.— | A South West View of the City of 
New York, | Taken from the Governours Island at * 


The most important, accurate and desirable plan. Folded in the original 
marbled paper pull-off case with printed label: “Environs of New York. 
Printed & Sold by W. Faden. | (Successor to the late Mr. Jefferys) | 
Charing Cross.” 

‘VERY SCARCE. 


32. PLAN OF NEW YORK. 1775. 


Line. Rectangle, 23: x 19.6 
Plan | De New-York | et des Environs | Levé par Montresor 
Ingénieur en 1775. | A Paris. | Chez le Rouge rue des Grands 
Augustins | 1777. | Nouvelle York. | Novum Eboracum, Capi- 
tale d’une Province (etc. eleven lines) | 

In upper left inset: Port de | New-York | Very scarce. 


33. THE WOODED HEIGHTS VIEW. 


Aquatint. Rectangle, 8.6 x 16.5 
A View of New York from the North West. 


The title is written in, the plate never having been lettered. It is an 
unusually correct and attractive view, showing the wooded heights of the 
lower part of the city, and is the most desirable of the period. Fine example 
with large margins. Very scarce. 


[ Illustrated | 


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34. NEW YORK. (1777) 


Aquatint. Rectangle, 4.6 x 18.9 
New York, with the Entrance of the North and East Rivers. | 


On plate, 29.10 x 21.6, with similar: 

A View of the Highland of Neversunk, N. W. b. W. four Miles distant, 
with the Light House, on Sandy Hook. N. W. | Note. This Highland is 
very remarkarable as the Coast Southward of it is low with Sand Beaches, 
and from its Northern End a low Sandy Beach extends with Clumps of 


Shrub Pines, at the extremity | of which stands the Light House of Sandy 
Hook. | 


The South Shore of I.ong Island, ten leagues Eastward of Sandy Hook, 
four Miles distant. 

The Light House on Sandy Hook, S. E. one Mile | 

The Narrows, (between Red and Yellow Hook, on Long Island, & the 
Kast Bluff of Staten Island,) bearing S. b, W. | Publish’d . . . Octr. 4, 1777, 
by J. F. W. Des Barres, Esqr. | 

First issue. Colored. Very scarce, 


35. 
Another impression of : “The Light House on Sandy Hook, S. E. 


one mile’’ alone. 


36. NOUVELLE YORCK. 


Etching. Rectangle, 9.15 x 15.11 
Collection des Prospects.—Vue De La Nouvelle Yorck.— | — 
Gravé par Balth Frederic Leizelt | New Yorck.—La nouvelle 
Yorck. | (Ten lines in two columns) | Se vend 4 Augsbourg 
etc.) | 

Colored, Not framed. 


* 


37. NEW YORK. [1796.] 
Line. Rectangle, 15.4 x 21. 
New York. | 


The view, accurately drawn and of the greatest interest, shows the west 
side of the city from the Battery to a point north of Trinity Church; “the 
great house built for General Washington,” or “Government House,” and 
the “churn” being prominent. In the left foreground, a man-of-war at 
anchor. One other copy of this state is known, One other copy of a later 
and altered state is known only from the reproduction in Valentine’s Manual 
for 1862. Colored. ‘Tite Most IMPORTANT ITEM IN THE COLLECTION. 


[See Frontispiece | 


38. NEW YORK. (1796) 
Etching. Rectangle, 12.9 x 18.4 
View of the City and Harbour of New York. | taken from Mount 
Pitt. | the seat of Iohn R Livingston Esq"*| 


The title in ornamental panel below, in pen and ink, as are the very few 
others known of this beautiful print. The colors mellowed by age. 


[ Illustrated | 


39. NEW-YORK. 1798. 
Wood-cut. Oblong. 
A View of the City of New-York from Brooklyn Heights, in 
1798 by Monsieur C. B. Julien, de S*. Memin &c.— Published 
by .M. Dripps from an Original Drawing now in possession of 
J. C. Brevoort Esqr. | of Brooklyn. | 


The scarce orIGINAL, later used in Valentine’s Manual, 1861. Finely colored. 


40. NEW YORK FROM HOBUCK. 1800. 


Aquatint. Rectangle, 13.4 x 18: 
Alexander Robertson Delineavit —Francis Jukes Sculpsit. | 
New York | From Hobuck Ferry House New Jersey. | London 
Pub*. March 31°. 1800. by F. Jukes N°. 10 Howland Street 
and by Al. Robertson Columbian Academy Liberty Street New 
York | 


The Holden copy of an unusually attractive view. Has been varnished, 
colored. Very scarce. See No. 445, 


41. NEW YORK FROM HOBUCK. 


Water-color. Rectangle, 16.12 x 22.15 
New York. ; 
Signed: C. Lorenzen. 1821. 


42. NEW YORK FROM LONG ISLAND. 1801. 
Aquatint. Rectangle, 13.8 x 19.8 
Drawn by John Wood.— Eng*. by W. Rollinson. | New York 
from Long Island | Published by J. Wood & W. Rollinson New 
York February 14". 1€01. | 


A fine impression, though toned by time, of an unusually attractive print. 


VERY SCARCE. 
[ Illustrated | 


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43. WHITE HORSE VIEW. 


Line. Rectangle, 18.14 x 23.14 
Painted by William Birch — Engraved by Samuel Seymour | 
The City of | New York In The State of New York North 
America | Published Jan’. 1. 1808, by W. Birch, Springland, 
near Bristol, Pennsylvania. 


The first state with the White Horse near fallen tree; wharf and sail near 
center of foreground, and large tree at right. The view is taken from 
Brooklyn Heights. Inscription space has been creased from earlier fram- 
ing. TurrEE OTHERS KNOWN. Sce No. 462. 


[ Tlustrated | 


44, PICNIC PARTY VIEW. 


The White Horse and fallen tree erased and a Picnic Party of four sub- 
stituted; the wharf and sail replaced by shrubbery, two trees introduced 
at the left, and another added to left of the large one at the right, improv- 
ing the artistic quality of the composition. The second issue. The Holden 
copy. Fine and brilliant impression. Colored. 


45. NEW YORK. 1804. 


Aquatint. Rectangle, 11.12 x 17.13 
Painted by J. Ward.— Engraved by C. Ward. | View Of The 
Spot Where Gen. Hamilton Fell, At Weehawk. | 


Hamilton’s monument in the foreground, the City in the distance. A proof 
before the printer’s line. A beautiful print, finely colored. ONE orHER 
KNOWN. 


[Illustrated in color | 


ie: 46. NEW YORK. 1807. 


Aquatint. Rectangle, 9.10 x 16: 
| Dom™. Serres R A. del—Edw*. Orme —Excudit—J. Clarke 
& J Hamble sculp. | A Schooner With A View Of New York.— 
Gvélette, Et Vue De New York. | Published & Sold Jan’. 1. 
1807, by Edw*. Orme, 59, Bond Street, London. 


Serial number scratched. Colored. 


47, PLAN 1817. 
Line. Rectangle, 19.1 x 18.15 
This | Actual Map | And Comparative Plans | Showing 88 years 
growth of the City of | New York, | Is inscribed to the | Citi- 


[ No. 47—Continued | 
zens, | G. B. King. sc. N. Y. 1817. | By The Proprietor | David 
Longworth | Published by David Longworth 11 Park 1817.— 
Engraved by Ja*. D. Stout. | 


In lower left: Plan of New York | In | 1729 | Surveyed by James Lyne. At 
top vignettes of N. York City Hall, Asylum, New York Hospital, New 
York Institution, and City Hotel. 
Colored; in folder, VERY scARCE. 


48. NEWYORKS HAMN OCH REDD. 


Aquatint. Rectangle, 8.10 x 18.10 
Rit af Klinckowstrém.—Gr. af Akrell | Newyorks Hamn och 
Redd | Fran Brooklyn pa Longisland. | 


The drawing was made in 1818 and the print, with the companion Brodway- 
Gatan, No. 171, was published at Stockholm, 1824. Of unusual artistic 
quality. Stained in lower right. 


p 


\| 49. NEW-YORK VUE DE L’OUEST, (1818) 


Lithograph. Rectangle, 6.5 x 9.7 
Pl. 8 | des*. et Lith. par Ed de Montule | New-York vue de 
VOuest. | 


VERY SCARCE. 


50. NEW YORK FROM GOVERNORS ISLAND. 


Line. Rectangle, 14.12 x 23.8 
Painted, by W. G. Wall.—Engraved by I. Hill. | New York, 
From Governors Island. | N°: 20 of the Hudson River Port 
Folio, | Published by Henry I. Megarey New York.| 


Fine copy of the first issue. Colored. 


51. WALL-HILL VIEWS. 1823. 


Line. Rectangles, 15.12 x 24.12 
Engrav’d by I. Hill. | New York From Weehawk. | To Thomas 
Dixon Esq’. this Plate is respectfully Inscribed by his Obliged 
Serv’. | Will™. G.: Wall. | Painted and Published by Will™.. 
G. Wall New York 1823. | 


Engraved by I. Hill. | New York from heights near Brooklyn. | 
(Three lines as in previous item.) | 


First issues of an unusually attractive and decorative pair in fine condition. 
Colored. VERY scARceE. (2) 


52. WALL-HILL WATER-COLORS. 
The original water-color drawings of the Wall-Hill pair. From the Wm. 
F, Havemeyer collection. OF THE GREATEST ARTISTIC AND HISTORIC INTEREST. 


(2) 
[ Illustrated | 


58. NEW-YORK FROM BROOKLYN HILLS. [1825.] 
Lithograph. Rectangle, 7.6 x 11.12 
State of New-York. | Lithog'® par J. Milbert——Imp”™ de C. 
Motte. | View of the City of New-York | taken from Brooklyn 
Hills. | 


VERY SCARCE. 


54. NEW-YORK FROM WEAHAWK.  [1828.] 
Lithograph. Rectangle, 7.9 x 11.2 
1° Livraison Amérique Septentrionale Etat De New-York— 
Pl. 1. | Lithographié par Deroy.—Dessiné d’apres nature par I 
Milbert. | Vue de New-York prise de Weahawk.—N?°. 1—View 
of New-York taken from Weahawk. | (Title repeated in Latin 
and German) | Imp Lith de Bove dirigée par Noel ainé & C’. 


First issue, India proof, finely colored. 


55. NEW YORK. 
Lithograph. Rectangle, 7.11 x 11.6 
New-York. | 
Milbert type. Colored. 


56. NEW-YORK FROM WEEHAWK. 
Lithograph. Rectangle, 9.9 x 14012 
Alex. J. Davis. design’. & eng". Lithography.—Printed by 
M. Williams N° 49 Sulivan Street New York. | New-York 
From Weehawk. | 


One of three known perfect copies. 


57. NEW YORK FROM WEEHAWKEN. 
Oil-painting. Rectangle, 21. x 28.4 


View of the City from Weehawken. Unsigned but of excellent execution, 
about 1830. An unusually artistic composition in fine condition. 


58. 


59. 


60. 


61. 


62. 


63. 


NEW YORK FROM SOUTH BROOKLYN. 
Lithograph. Rectangle, 6.9 x 12.14 
A view of the City, from South Brooklyn, in the upper right 
corner of a plan, 21.12 x 34.2 of Monroe, Henry and Hicks 
streets each side of Prospect street. A frontispiece to a pros- 
pectus of sale of “Prospect Hill, Situate South of, and adja- 
cent to the Village of Brooklyn.” 8°. New York 1880. 


Colored. No orHER KNOWN. 


NEW YORK. 
Lithograph. Rectangle, 3.10 x 6.2 
New-York. | 


An early copy of the J. Duprée, published by Hinton. Very scarce. 


NEW YORK FROM BEDLOE’S ISLAND. 
Oil-painting. 23012 x 32. 
An original oil-painting, of excellent execution, unsigned, but 
undoubtedly by John G. Chapman. About 1835. 


NEW YORK FROM BEDLOE’S ISLAND. 
Oil-painting. Rectangle, 17.8 x 238.12 
New York from Bedloe’s Island. Showing the lower part of 
the City, Ellis Island, Castle Williams and Brooklyn Heights. 
See No. 129. 


NEW YORK FROM GOVERNORS ISLAND. 
Water-color. Rectangle, 16.2 x 24.15 


New-York, from Governor’s Island. 
An amateurish and crude effort, but of decided interest; about 1835. 


NEW-YORK FROM THE BAY. 1836. 
Aquatint. Rectangle, 16.9 x 25.8 
Painted by J. G. Chapman.—Published by Henry I. Megarey, 
New-York.—Engraved by J. W. Bennett. | New-York. | Taken 
from the Bay near Bedlows Island | 


A fine example of one of the most important and beautiful views of the 
period. Colored. Very scarce. 


[Illustrated in color | 


No. 52. <A Parr 


eat | | 


Z, 
Se 

on 
a) 


64. HORNOR VIEW. (18386.) 
Etching. Vignette, 12.8 x 31.8 
Drawn & Engraved by T. Hornor.—Printed by W”™. Neale. 
| New York from Brooklyn | 


Interesting from the variety of old and unusual types of ferry-boats and 
steamships in the East River. Colored. VeEry scarce. 


65. HORNOR VIEW. (1836.) 


Another impression. 


66. NEW YORK FROM BROOKLYN HEIGHTS. 


Aquatint. Rectangle, 19.10 x 31.138 
Painted by J. W. Hill.—Published by L. P. Clover New York. 
—Engraved by W. J. Bennett | New York, | from Brooklyn 
Heights | (Copyright 1837, by Lewis P. Clover) 

References in three lines. A fine original colored impression of an un- 
usually pleasing view. VERY SCARCE. 


[Illustrated in color | 


67. NEW YORK FROM BROOKLYN HEIGHTS. 


Another impression of a later state; uncolored. 


68. NEW YORK FROM WEAHAWK. 


Aquatint. Rectangle, 12.12 x 17.10 
Garneray pinx'.—Himely sculp | Vue De New York. | Prise 
de Weahawk. | A View of New-York, taken from Veahawk. | 
A Paris chez Hocquart ainé Succ’. de Basset rue S*. Jacques 
N°. 64.—Déposé. | New-York Published by Bailly Ward and 
Cc’. 

A i fine example, beautifully colored, of an artistic composition of 


unusual decorative value. See No. 466. Very scarce. 


[Illustrated in color | 


\| 69. NORTH CAROLINA, U. S. SHIP. 


Lithograph. Rectangle, 9.12 x 13.2 
U. S. Ship North Carolina, 102 Guns. | Lith: & Pub: by N. 
Currier,—(Copyright 1844 by N. Currier—) 


The view, in background, shows the West side of the City from Castle 
Garden north. Colored. VERY SCARCE. 


70. HAVELL VIEWS. 1844. 
Aquatints. Rectangles, 8.14 x 32.5 
Painted & Engraved by Rob‘. Havell. | Panoramic View Of 
New York, | From The East River. | The Vessels drawn by 
J. Pringle——Printed by W. Neale. | Entered . . Act . Con- 
gress . . . 1844 by Rob‘. Havell, . . . New York. | Published 
by Rob‘. Havell, Sing Sing, N. Y. | W™. A. Colman, 203 Broad- 

and Ackermann & Co 96 Strand London | 


way 


(One line of references) | Panoramic View of New York. | 
[Taken from the North River.] | Drawn & Engraved by Robt. 
Havell.—Printed by W. Neale. | Entered . . Act . Congress, 
. . . 1844, by Rob‘. Havell, . . . New York. | Published by 
Rob‘. Havell, Sing Sing New York. | and W™. A, Colman . 
203 . Broadway. | Ackermann & Co 96 Strand London | 


Finely colored. <A very beautiful pair. Very scarce. (2) 


[Illustrated in color | 


71. NEW-YORK FROM WEST HOBOKEN. 


Lithograph. Rectangle, 15. x 22.8 
Painted from nature by Charmaille—Printed by Auguste Bry.— 
Drawn’ on stone by Jacottet, figures by Bayot. | A View Of 
New-York And Its Environs | Taken from the heights of West 
Hoboken. 


Colored. A beautiful print, slightly spotted. Very scarce. 


[ Illustrated | 


72. NEW-YORK FROM FORT COLUMBUS. 1846. 


Aquatint. Rectangle, 16.12 x 26,12 
From a sketch by F. Catherwood Esq.—Eng. by Henry Pap- 
prill | Henry I. Megarey New York. | New-York. | Taken 
from the North west angle of Fort Columbus, Governor’s 
Island. | Entered . . . Congress . . . 1846 by H. I. Megarey 
. New York. 
A fine and perfect copy of an interesting and attractive print in the early 
issue and rarely found with the copyright line. Colored. Very scarce. 


( 73. NEW YORK 1848 

| Line. Irregular oval, 6.8 x 11.12 

/ New Jersey—Hudson Riv—Castle Garden—Battery—Trin- 
ity Ch. S*. Pauls.—City Hall—Merchants Exchange—U. S. 


[ No. 73—Continued | 

Revenue Office—U. §. Hotel—Corlears Hook—Kast Riv.— 
Brooklyn | New York | (Copyright 1848 by J. H. Colton New 
York. 


In elaborate scroll with steamer, frigate, and soldiers in a row-boat in 
foreground. Cut from a wall map. 


74. NEW-YORK FROM WILLIAMSBURGH. 1848. 


Lithograph in colors. Rectangle, 20. x 82.5 
Drawn from Nature and, Lithographed—(Copyright 1848 by 
R. A. Bachia)—by E. W. Foreman and E, Brown JEN: 
York. | (References in two lines) | New-York and Environs. | 
From Williamsburgh. | Published by Williams & Stevens, 353 
Broadway, New York, and Ackermann & C°. 96 Strand, Lon- 
don. | Printed by Sarony & Major 117 Fulton St. N. Y. | 


Of unusual interest as showing the marked contrast with the present con- 
dition of the Brooklyn side. Very scarce. 


75. NEW YORK, FROM WEEHAWKEN. 1848. 


Lithograph. Rectangle, 8.1 x 12.9 
Lith. & Pub. By N. Currier,—(Copyright 1848 by N. Cur- 
rier,)—152 Nassau St. Cor. Of Spruce N. Y. | View Of New 
York, | From Weehawken. | Vue De New York, | de Weehawken 
| Ansicht Von New York, | von Weehawken | 626. | 


Fine proof impression from the uncleaned plate. Not framed. 


76. NEU YORK. 


Lithograph. Rectangle, 5ol x 6.9 
=O. | Lithog. v Droesse.—V. 5*. | 4°79. New York. 


“~ NEW YORK FROM WEEHAWKEN. 
Lithograph. Rectangle, 12.10 x 21.11 
Palmer, Del—(Copyright 1849 by N. Currier,)—N. Currier, 
Lith. N. Y. | View Of New York. | From Weehawken—North 
River. | (Twenty-four references in three lines) | Pub. by N. 
Currier, 152 Nassau St. cor. of Spruce N. Y. 
Colored, Stained. VERY SCARCE, 


78. NEW YORK. 1849. 


Lithograph. Rectangle, 11.5 x 16.12 
Palmer. Del.—(Copyright 1849 by N. Currier,)—N. Currier, 
Lith. N. Y. | View Of New York. | From Brooklyn Heights. | 
(Two lines of references) | Pub. by N. Currier, 152 Nassau 
St. cor. of Spruce N. Y. | 


Fine coloring. 


“9. NEW YORK. 1849. ; \ 0 ) 


Another impression; colored. 


80. NEW YORK FROM JERSEY CITY. 


Lithograph. Rectangle, 8.2 x 12.14 
Lith. & Pub. By N. Currier,-—(Copyright 1849 by N. Currier) 
—152 Nassau St. Cor. Of Spruce N. Y. | City Of New York, | 
From Jersey City. | (References, nine in two lines) | 626. 


Colored. Fine example. Very scarce. 


81. NEW YORK FROM JERSEY CITY. 


Another impression; colored. Has been varnished. 


82. NEW-YORK. 1849. 


Lithograph. Rectangle, 18.7 x 27.12 
Drawn From Nature And On Stone By C. Bachman.—Lith. 
Of Sarony & Major 117 Fulton St. N. Y. | (Copyright 1849, by 
J. Bachman) | New-York. | Published By John Bachmann, 5 
Rector St. N. York. | 


Looking south from Union Square. Colored. Very scarce. 


83. NEW YORK. 1849. 


Lithograph, tinted. Rectangles, 12.2 x 38: 
[Sketched & Drawn On Stone by C. W. Burton.—Printed By 
Sarony & Major. | (One line of references) | Jersey City.— 
New York From Staten Island. | (Two lines of references) | 
New York From Staten Island And Brooklyn City. | (Publi- 
cation line) | ] 


The two views are of the greatest rarity. This example is a beautifully 
colored proof before all letters on India paper, undivided and unique. The 
inscription is from the ordinary issue. 


a ae ee 
oe 4 


84. NEW YORK FROM ST. PAUL’S CHURCH. 1849. 


Aquatint. Rectangle, 21.5 x 36.5 
Entered . . . Congress . . . 1849 by Henry I. Megarey.. . 
New York. | New York | From the steeple of St. Paul’s Church, 
looking East, South and West. 


Proof before artist’s line, the word “Proof,” and the words: “Glass | Paints 
—& Oils” at the top of Hopkins & Crow’s building near the extreme right. 
With stamp: H. I. Megarey | New York. | 

The Holden copy. Colored. No orHerR KNOWN. 


[ Illustrated | 


85. NEW YORK. 1850. 


Lithograph. Rectangle, 8.11 x 11.11 
New-York | Drawn from nature by Aug. Kollner.—New York 
& Paris, Published by Goupil & C°.—Lith. by Deroy.—Printed 
by Cattier. | 46 | General View | (from Brooklyn.) | (Copy- 
right 1850) 


Beautiful example of an attractive print. Colored. 


86. NEW-YORK. 1850. 
Lithograph. Rectangle, 22.2 x 32.7 
Drawn From Nature And On Stone by J. Bachman.—(Copy- 
right 1850 by J. Bachman)—Printed By J. Bachman 218 Wil- 
liam Street New York. | Birds Eye View | Of | New-York & 
Brooklyn | . 


Looking north from the Bay. Publication line covered. Colored. 


87. NEW-YORK. 1850. 

Same as above. Arms of the City added below. Entirely 
relettered: Drawn From Nature & On Stone By J. Bachman— 
(Copyright 1851 by J. Bachman)—Printed by J. Bachman | 
Birds’ Eye View Of | New-York & Brooklyn. | Published By 
John Bachman, 72 Beekman S‘. New York. | (Twelve refer- 
ences in two columns at sides of title.) 

Colored. Fine and perfect copy. Not framed. 


88. NEW YORK. 


Lithograph. Rectangle, 5.13 x 801 
New York. | Niirnberg bei G. N. Renner & C’. 


From Weehawken. Colored. VERY scarce. 


89. NEW YORK FROM CASTLE WILLIAMS. 
Lithograph. Rectangle, 14.11 x 24.6 
Etats-Unis | —L. Lebreton. | Lebreton del. | 9. | New-York | 
Vue prise du Fort de William-Castle. || New-York | Tomado 
desde el castillo de William-Castle. | Paris—Bulla Fréres, 16, 
rue Tiquetonne.—Imp. Becquet a Paris. 


An interesting view. The artist has taken liberties with the architecture 
of the fort. Colored. VeEry scarce. 


90. NEW-YORK PAQUEBOT. 
Lithograph. Rectangle, 13:12 x 20:8 
Louis Le Breton | Dessiné d’aprés nature et Lithog. par 
Louis Le Breton.—23—Imprimé par Auguste Bry, 134, rue 
du Bac. | New-York. | Arrivée du Paquebot Transatlantique. 


Lacks last line. Colored. VeEry scarce. 


91. NEW-YORK PAQUEBOT. 
Lithograph. Rectangle, 8.7 x 12.4 
New-York.—New-York. | Aankomst van den Paquebots Trans- 
atlantique.—Arrivee Du Paquebot Transatlantique. 


A fictitious but very interesting view. Colored. No ortmaer KNowN. 


92. NEW YORK VON DER SEESEITE. 


Lithograph in colors. Rectangle, 9.2 x 14.3 
New York | von der Seeseite aus gesehen | Druck u Verlag v 
A. Felgner in Berlin. | Des Auswanderers Sehnsucht. 

From Williamsburgh, about 1850. Very scarce. 


93. NEW-YORK. 
Lithograph. Rectangle, 16.12 x 23.12 
N°. 72 | Dessiné d’aprés nature par Bachmann.—Lithographié 
par Asselineau | Vue Générale De New-York | Prise a Vol 
D’Oiseau | 


Lacks publication line. Colored. 


‘ON 


t~ 


0 


94. NEW YORK. 1851. 


Lithographs. Rectangles, 16. x 2104 
View Of New York From West Hoboken. | (Copyright 1851 by 
J. Haasis) | On Stone by C. Gildemeister.—Drawn from Nature 
by J. Bornet.—Print by Nagel & Weingartner | Souvenir Of 
New York. | 


Companion view from Governor’s Island. 


Surrounding the views are eighteen small rectangular special subjects: 
High Bridge—South Ferry.—City Hall—Castle Garden.—Croton Reser- 
voir. | Trinity Church.—Grace Church. | University —Institution For The 
Blind. | Odd Fellows Hall.—Post Office. | Custom House.—Merchants Ex- 


change. | Astor Library.—Bowling Green.—Halls of Justice [Tombs]— 
Barnum’s Museum & Astor-Place Opera-House. | 
Fine coloring. A VERY SCARCE PAIR. (2) 


95. NEW-YORK. 


Lithograph. Rectangle, 10.11 x 15.9 
Verlag v. H. Trommer, Neu-Gersdorf.—Steindr. v. A. Gocht, 
Neu-Gersdorf. | New-York. | 


From the Bay. Colored. Very scarce. 


96. NEW YORK FROM UNION HILL. 


Lithograph. Rectangle, arched, 19.3 x 2%012 
Drawn from Nature & on Stone by J. Bornet.—(Copyright 
1853 by David M°. Lellan)—D. & J. M®. Lellan, Litho. 26 
Spruce St. N. Y. | The City Of New York | The Crystal Palace 
—Hoboken—Jersey City. | From Union Hill, New Jersey. 
Lithographed & Published by D. & J. M’. Lellan, 26 Spruce 
Street, New York 

Not framed. 


97. NEW YORK. 1855. 


Line. Rectangle, 29.12 x 4604 
B. F. Smith. Jun. Del,—W. Wellstood, Sc. | New York, 1855. | 
From The Latting Observatory. | Printed By H. Peters. | 
Respectfully dedicated to the Citizens of the United States by 
the Publishers, Smith, Fern & Co. 340 Broadway New York. | 
(Copyright 1855 by Smith Fern & Co.) 


View looking south from 42d Street, showing the Reservoir and Crystal 
Palace in the foreground, and extending to the Narrows. The squares on 
the east side of Fifth Avenue, opposite the present Public Library, are 
vacant save for one cottage. Brooklyn appears as a small town and Jersey 
City as a village with a few scattered houses. One of the most interesting 
views of the period, showing marked contrast with the marvelous growth 
since, The first issue, with the early copyright date. Colored. 


98. NEW-YORK. 1855. 


Aquatint. Rectangle, 29.2 x 50.12 
Painted By J. W. Hill.—(Copyright 1855, by F. & G. W. 
Smith.)—Engraved By C. Mottram. | Proof—New-York 
—Printed by M®°.Queen, London | London, Paul & Dominic 
Colnaghi & C°. 13, & 14, Pall Mall East.—Published by F. and 
G. W. Smith, 59, Beekman Street, New York.—Paris F°*. 
Delarue, rue J. J. Rousseau 18. | 


99. NEW YORK 1855. 


Lithograph. Rectangle, arched, 23.4 x 33.14 
Drawn from nature & on stone by J. Bachmann.—(Copyright 
°1855 by J. Bachmann,)—Print of A. Weingirtner’s Lith’. 
N. Y. | (References) | New York. | Published by L, W. Schmidt, 
191 William St. New-York. 


From south of Governor’s Island. Wrry scarcer. 


100. NEW YORK. 1856. 


Lithograph. Rectangle, 24.14 x 29. 
Sketched And Drawn On Stone By C. Parsons.—] (Five lines 
of references) | City of New York. | New York, Lith. And 
Published By N. Currier, 152 Nassau Street. | (Copyright 
1856) | 


Fine copy. Colored. Very scarce. 


101. NEW YORK. 1858. 


Lithograph. Rectangle, 19.11 x 33.4 
Sketched & Drawn On Stone By C. Parsons.—(Copyright 
1858 )—Lith. By Currier & Ives, N. Y. | View Of New York. | 
Jersey City, Hoboken & Brooklyn. | 


Lacks publication line. 


102. NEW YORK FROM GOVERNORS ISLAND. 


Lithograph. Rectangle, irregular, 10.3 x 18.5 
View Of The City of New York | From Governors Island. | 


The foreground shows a railed battery with two mounted and three rows 
of unmounted cannon. In centre, under the field, an erased inscription. 
VERY SCARCE. 


1038. NEW YORK. 1859. 


Lithograph in colors. Rectangle, 18.10 x 12.1 
W. Gauci, Lith—London; Published Jan’. 15*. 1859, By E. 
Gambart & C°. 25, Berners St. Oxford St. & 8, Rue De Brux- 
elles, Paris.—M & N. Hanhart, Imp‘. | New York City, 
Weehawken. | 


VERY SCARCE. 


From 


104. NEW YORK. 1861. 


Line. Rectangle, 11. x 241 
[Copyright 1861, by George Ward Nichols] | Painted and 
Etched by Geo. L. Brown.—Finished by A. H. Ritchie. | 


A signed artist’s proof on India paper, of the first state of an unusually 
beautiful print. Very scarce. 


105. NEW YORK. 1867. 


Line. Rectangle, 18.6 x 26,12 4 
Printed by H. Peters, N. Y.—(Copyright 1867 by R. Lexow) 
—Engraved by R. Kupfer, N. Y. | New York, | Und Umgegend. Hy) 
Pramie zum sechszehnten Bande des New Yorker Belletristischen{ 4. 
Journals. | Published At 40 John St. N. Y. | (Ninety refer- 
ences in ten columns at sides of title.) | 


106. NEW YORK. (1867.) 


Line. Rectangle, 9213 x 14.14 
Long Island State of New York. | (Ten lines of references) | 
Harnisch sculpt. | Harnisch | New York and Environs. | New 
York und Umgegend. | 

An early state of the plate later published in the Manual, 1869. Colored. 


107. NEW-YORK. 
Lithograph. Rectangle, corners rounded, 13.2 x 19.10 
Amérique | Paris L. Turgis J"°. Imp’. Edit”. r. des Ecoles, 60— 
New-York, Park Place, 46 | 14 | Vue Générale De New-York— 
Vista General De New-York | 
Colored. 


Pe 


108. NEW YORK FROM BATTERY 


Lithograph in colors. Rectangle, 15.2 x 23.12 
(Copyright 1874 by Geo. Degen) | Published By Geo. Degen, 22 
Beekman St. N. Y.—Print.: by “G- Schlegel, 97 William St. 
N.Y. | New York, | Taken From Battery Place. 

Colored. Not framed. 


109. NEW YORK. 


Lithograph. Rectangle, 18.8 x 32. 
Drawn By J. Bachman—Copyrighted.—Print. Snyder & Black. 
| (References, twenty-six in four lines) | View Of New York | 
Published By J. Bachman, 80 Bower St., Jersey City Heights. | 
Torn at upper right. Not framed. 


SPECIAL SUBJECTS 


110. AMERICAN EXPRESS. 


Lithograph. Rectangle, 14.2 x 19.6 
From Nature By Otto Botticher 333 Broadway N: Y-— [Turn 
Out Of The Employees | of the | American Express Company | 
Cor: Hudson Jay & Staple Streets New York City June 21. 
1858 | Published by Otto Botticher 333 Broadway N. Y. | 
[Copyright 1858. | 


Colored. Two lines covered. VERY SCARCE. 


111. AMERICAN HOTEL. 


Lithograph. Rectangle, 8. x 12:14 
Imbert’s Lithography. | American Hotel. N°. 229 Broadway 
New York opposite the Park. | Blake & Boardman. | 


At the bottom of the print is written: “Architecture by Davis, figures by 
Canova.” The view shows the south corner of Barclay Street with part 
of the Lydig mansion. To the north appear the residences of John McVicar 
and Philip Hone. Finely colored. ixcressIVELY SCARCE. 

Outline pen-and-ink drawing by A. J. Davis, showing, the American Hotel 
and houses on Broadway, between Barclay Street and Park Place, framed 
with the lithograph. 


$8 “ON 


B pgeriee 


112. AMERICUS ENGINE Co. 
Lithograph. Rectangle, 20.9 x 17.6 
Americus 
An Engine-house with “6” over the door. An old hand-drawn 
engine is seen in the large door-way and another on the walk. - 
Said to represent the building 269 Henry St., near Montgomery ; 
and “Boss” Tweed’s old company. About 1855. 


Colored. Very scarce. 


118. ARCADE BATHS. 


Lithograph. Vignette, 8.9 x 8.10 
A. J. Davis del’, 42 Exchange.—Imbert’s Lithography, | N°. 
39 Chambers S‘. New York, Opposite The Rotunda. | Rebuilt 
on the Scite of the [formerly] New York Bath. | Warm, Cold, 
Shower, and Vapour, [Sulphur, and other medicated] Baths, 
in marble and tin tubs The ear has succeeded in sup- 
plying the Bath with 


On the building appears: Pablié Bath. | Arcade Bath. | Ladies—Gentlemen: 
| 39 | Arcade—Bath. 


Fine example. Very scarce. 


114. ARCADE RAILWAY. 


Lithograph in colors. Rectangle, 17.12 x 24.6 
Proposed Arcade Railway. | Under Broadway, | [View Near 
Wall Street.] | Ferd. Mayer & Sons, Lith—| 96 & 98 Fulton 
Street, N. Y.—||—address 156 Broadway, N. Y. |—Melville 
C. Smith, Projector. 


The view shows Broadway, looking north from the Soldiers’ Monument, 
on the left, and the Metropolitan Bank on the corner of Pine Street. First 
issue. VERY SCARCE. 


115. ARCADE RAILWAY. 


Another impression; second issue. 


116. ARCHITECTURAL IRON WORKS. 
Lithograph in colors. Rectangle, 11.8 x 18.2 
—Sarony, Major & Knapp. Lith. 449 Broadway. New York. 
—| View Of The Architectural Iron Works | 13°. & 14°. St®. 
East River, New York. | 


VERY SCARCE. 


117. HOTEL ASTOR. 


Lithograph in colors. Rectangle, 25.8 x 28.5 
Niagara—Buffalo. | Hotel Astor | Times Square, | New York | 
Wm. C. Muschenheim. | 


At sides of title, inset views of “Roof Garden” and “Orangerie.” Not 
framed. 


118. ASTOR HOUSE. 


Lithograph. Rectangle, 15.11 x 22012 
F. Schmidt, del.—N. Y. Litho. of Endicott, 359, Broadway.— 
I. Rogers, Architect. | Park Hotel. | On Broadway, Barclay & 
Vesey-Sts’. New York. | Dimensions. | 201 f. 1 in. on Broad- 
way—154 f*. on Barclay-Street—146 ft. 6 in. on Vesey-Street— 
Height 77 f*. top of Cornice. (Copyright 1834 by I. Rogers.) 
Sides of blank inscription space inlaid; copyright line in facsimile. This 


impression hung in the office of the Astor House previous to its demo- 
lition. Two oTHERS KNOWN. 


[ Illustrated | 


119. ASTOR PLACE RIOT. 
Lithograph. Rectangle, 8.4 x 12.11 
Lith. & Pub. By N. Currier,—(Copyright 1849)—| Great Riot 
At The Astor Place Opera House | On Thursday Evening May 
10 1849. 


Forrest-Macready riot. The Holden copy; repaired. VERY SCARCE. 


120. ATHENASUM HOTEL. 


Lithograph. Rectangle, 10.9 x 1404 
A. Fleetwood’s litho’. | Atheneum Hotel, Broadway, New York. 
| E. Windust. 


No. 347, corner of Leonard street. Framed to title. VERY SCARCE. 


121. BURNING OF BARNUM’S MUSEUM. 


Lithograph in colors. Rectangle, 10.4 x 14014 
Burning of Barnum’s Museum, July 18, 1865. 


sity oN 


Woliets BRD Shy gepbogy Abate Mak dg tes STD SO ym int, 


SNES Hew Ce 


“MHOA MIN SAS-AISZA YF AVYIONWA AYMGVOUS NO 


“TSLOR SEY di 


en BURNING OF BARNUM’S MUSEUM. 


Water-color drawing. Rectangle, 6.11 x 9.2 


Ruins Of Barnum’s American Museum, | The Morning After / /, 


The Fire, | July 14" 1865. | 


BATTERY AND CASTLE GARDEN 


123. CASTLE GARDEN. 
Blue platter 14012 x 18.8 
E Pluribus Unum | Castle Garden Battery | New York | E Wood 
& Sons Burslem Warranted | Semi China. 


A beautiful rich blue, in perfect condition. The view shows the broad 
Battery Walk, Castle Garden at the end of a bridge supported on four 
piers, and Castle Williams and Governor’s Island in the distance. 

Halsey (R. T. Haines. Pictures of Karly New York on Dark Blue Staf- 
fordshire Pottery. 1899) page 109. 


| Illustrated | 


124. ESPLANADE. 


Blue platter 14.4 x 18.8 
Esplanade & | Castle Garden | N. Y:—R S. 


Deep blue, in perfect condition. On a sail at the right: “R. S. | Cobridge | 
Pottery” the mark of Ralph Stevenson the Staffordshire potter. 
Halsey page 112. 


[ Illustrated | 


125. LANDING OF LAFAYETTE. 
Blue platter 16, x 21. 
Landing of Gen. Lafayette | At Castle Garden New York 16 
August 1824 | 
(J. & R. Clews) Halsey page 120. 


| Illustrated | 


126. LANDING OF LAFAYETTE. 
Blue salad bowl. Diameter, 10.6 
Landing of Gen. Lafayette | At Castle Garden New York | 16 
August 1824. 


Depth 5., flower and leaf decoration. 


| Illustrated | 


130. 


131. 


132. 


. BATTERY AND CASTLE GARDEN. 


Lithograph. Rectangle, 7.8 x 12.4 
A. J. Davis del.—Lithography of Imbert. | View Of The Bat- 
tery And Castle Garden New York. | 


Immaculate copy of a perfect example of early American lithography. 
Fine original coloring; from the Holden collection, IxcesstvELy SCARCE. 


. BATTERY AND CASTLE GARDEN. 


Crudely colored wall-paper design with views of the Battery 
and Castle Garden, Custom House, Trinity Church from Wall 
Street, Trinity Church, and the City Hall, in five arched com- 
partments. 


. BATTERY AND CASTLE GARDEN. 


Oil-painting Rectangle, 17.8 x 28012 
The Battery and Castle Garden. Shows the Battery Park, 
Castle Garden, Castle Williams, the Bay etc. 

See No. 61 


BATTERY AND CASTLE GARDEN. 
Lithograph. Rectangle, 9. x 13: 
Castle Garden, | printed at the Fair of the American Institute. 
1846. 


No oOrHER KNOWN. 


BATTERY AND CASTLE GARDEN. 
Lithograph. Rectangle, 8. x 12.9 
Lith. & Pub. By N. Currier,—( Copyright 1848 by N. Currier, ) 
—152 Nassau St. Cor Of Spruce N. Y. | Castle Garden, New 
York. | From The Battery. | 624. | 


Fine original coloring. , 


BATTERY BY MOONLIGHT. 
Lithograph. Rectangle, 8.1 x 12.4 
Lith. & Pub. By N. Currier,—(Copyright 1850 by N. Currier) 
—152 Nassau St. Cor. Of Spruce N. Y. | The Battery, New 
York. | By Moonlight. | 10 | 
Colored. 


7 
4 oy" 


a 


133. BATTERY BY MOONLIGHT 
Lithograph in colors. Rectangle, 12. x 18.9 
Castle Garden, | New York. 


On mount with blind stamp: “Moore, McQueen & Co, London.” 
A_ beautiful moonlight scene, looking towards the bay and showing the 
hills of Staten Island. A fine and artistic production. Very scarce. 


| Illustrated | 


134. BATTERY AND CASTLE GARDEN. 
Lithograph. Rectangle, 904 x 13.4 
Modern Ark of Noah—(Copyright 1850 by W. Schaus,) | 
The Second Deluge. First appearance of Jenny Lind in 
America. Published by W. Schaus 289 Broadway | 


Curious caricature, representing the populace with heads of asses, sheep and 
other animals pressing toward Castle Garden. Barnum, as an ape in a 
tree, with his fingers to his nose. No orHer KNOWN. 


135. JENNY LIND’S FIRST APPEARANCE. 
Lithograph. Rectangle, 9.8 x 14. 
Lith. & Pub. By N. Currier,—(Copyright 1850 by N. Currier) 
—152 Nassau St. Cor Of Spruce N. Y. | First Appearance Of 
Jenny Lind In America, | At Castle Garden Sept’. 11‘? 1850. | 
Total Receipts $26.238. 


Colored. Of unusual interest and vERY SCARCE. 


N 136. BATTERY AND CASTLE GARDEN. 


Lithograph. Rectangle, 7.14 x 11.10 
Lith. Of G. W. Lewis 225 Fulton St. N. Y. | 


Cut from music-sheet, “Castle Garden Schottisch.” Colored. 


187. BATTERY AND CASTLE GARDEN. 
Etching. Rectangle, 5.14 x 12.2 
De Bonsonge sculp. | Batterie De New-York | Paris Cadart & 
Luquet, Editeurs. | 


See No. 272. 


BAY AND HARBOR 


188. BAY FROM STATEN ISLAND. 
Blue platter. 15. x 18212 


Bay of New York from Staten Island. 
Fruit and flower decoration. E W & S Celtic China. 


[ Illustrated | 


139. BAY AND HARBOR. 
Oil painting. Rectangle, 21. x 29.8 


Castle Williams, on Governor’s Island, at the left, the frigate Washington 
in central foreground, the fortifications of Bedloe’s Island at the right. 
The Narrows and the hills of Staten Island in the background, About 1835. 


140. BAY AND HARBOR. 


Line. Vignette, 7.6 x 10o4 
Vig. xxxiii. | Ch. Bodmer pinx. ad nat.—Bougeard mp. 
Salathé sculp. | Einfahrt Des Hafens Von New-York—Entrée 
Du Port De New-York | von Staten Island aus—prise de 
Staten Island. | Entry To The Bay Of New-York | taken from 
Staten Island. | Coblenz, bei J. Holscher.—London published 
by Ackermann & C°*. 96 Strand. 1'*. Septem. 1839.—Paris, 
Arthur Bertrand, editeur. 


141. BAY. 
Oil-painting. Rectangle, 11.x 17. 


A crude but interesting scene showing Governor’s Island, the Bay, the 
hills of Staten Island, Jersey City, Castle Garden and the Battery park. 
Two large men-of-war and a six oared barge appear. About 1850. 


142, “BAY: 
Lithograph. Rectangle, 8.38 x 11.8 
Lith. & Pub. by N. Currier,—2 Spruce St. N. Y. | New York 
Bay. | From The Telegraph Station. 


Colored. 


SSI “ON 


NMOA MAN S od 
‘NEGUVS FTLSVO 


143. BAY AND HARBOR. 


Lithograph. Rectangle, arched, 14.6 x 37.8 
Drawn From Nature By Bornet.—Figures By E. Valois— 
Drawn On Stone By E. Valois | Staten Island Ferry.—Atlantic 
Docks.—Governor’s Island.—-F*. William. Narrows.—Staten 
Is*. Quarantine.—Bedlow’s Is’..—French War St’. Mogadore. 
—Hllis’ Is*.—U. S. M. S. Baltic.—Jersey City.—Castle Gar- 
den. | Bay Of New York | Taken From The Battery. | (Copy- 
right 1851, By Edward Valois) | Printed At D. McLellan’s 26 
Spruce S‘, N. Y. | 

Fine example, in perfect condition. It shows better than any other print 


the cosmopolitan character of the Parade. Two ormers KNowN. 


[ Illustrated | 


144. BAY AND HARBOR. 


Lithograph in colors. Rectangle, 23.6 x 36.4 
Drawn from Nature & on Stone by John Bornet—Entered 

. 1854 by Nagel & Weingiirtner . . . N. Y.—Print by 
Nagel & Weingirtner N. Y. | (References three lines) | Pano- 
rama of the Harbor of New York, | Staten Island and the 
Narrows. | Published by Goupil & C°. 366 Broadway, New- 
York. 


145. UPPER AND LOWER BAY. 
Lithograph. Rectangle, 8.8 x 12.6 
Published By Currier & Ives.—125 Nassau St. New York | 
Castle Garden—Bedloes Island—Bergen Point | Upper And 
Lower Bay Of New York. | From the Battery looking South- 
west. 
Colored. Not framed, 


146. PORT OF NEW YORK. 
Lithograph in colors. Rectangle, 20.10 x 33.4 
Parsons & Atwater, Del.—(Copyright 1878, By Currier & 
Ives,)—| (References in six lines) | The Port Of New York. | 
Birds Eye View From The Battery, Looking South. | New 
York, Published By Currier & Ives, 115 Nassau St. | 
Colored. 


147. BELVEDERE HOUSE. 
Line. Oval, 3.8 x 6, 


J. Anderson, del.—I Scoles, sc. | View of Belvedere House. | 


From the New York Magazine, August, 1794. Site now bounded by Mont- 
gomery, Clinton, Cherry and Monroe Streets. 
VERY SCARCE, 


148. BLACKWELL’S ISLAND. 
Lithograph. Rectangle, 10.12 x 1504 
F, F. Palmer, Del.—( Copyright 1862)—Lith. Currier & Ives, 
N. Y. | Blackwell’s Island, East River. | From Eighty Sixth 
Street, New York. | New York, Published by Currier & Ives, 
152 Nassau S*, | 


Finely colored. 


149. OLD BOWERY THEATRE. 
Lithograph. Rectangle, 9.14 x 11.12 
On Stone by A. J. Davis.—I Town Architect. N. Y.—Imbert’s 
Lithography. | New York Theatre | Erected 1826. Front on 
Bowery 75 feet. Depth 170 feet. | 


The Old Bowery, destroyed by fire in 1828. India proof. 


150. OLD BOWERY THEATRE BURNING. 
Lithograph. Rectangle, 8:11 x 11.13 
Printed & Publ". by H. R. Robinson.—52 Courtlandt St: N. Y. | 
Burning Of The American Theatre Bowery. | Between Two & 
Three o’Clock on Sunday Morning, Feb:’ 18'". 1838. | The 
Third Conflagration. 


In fine condition. No ortmer KNOWN. 


[Illustrated in color | 


151. BOWERY THEATRE BURNING. 


Lithograph. Rectangle, 8.14 x 12.10 
Lith. & Pub. by H. R. Robinson 142 Nassau St. N. Y.—| The 
Burning Of The Bowery Theatre On The Evening Of The 25™. 
Of April 1845, 


E, 
VERY SCARCE, 


e 
& 
= 
& 


ee Phe ie nae pee ow mS on agice £3 Ree nen anh aa Hane 


152. BOWLING GREEN WASHINGTON. 
Printed Chintz. Rectangle, 24.14 x 18.10 


A view of the Fort and Bowling Green, showing the empty George III 
pedestal, and the evacuation of New York by the British ships and boats. 
The background of an elaborate composition with a whole length portrait 
of “Geo. Washington,” copied from the original engraving by C. Tiebout 
after Charles Buxton, M.D. published by Smith, 1798, and No. 676 in 
Charles Henry Hart’s Catalogue of the Engraved Portraits of Wash- 
ington, 1904. 


The copy, of which not over half a dozen are known, was: “Printed & 
Published at Glasgow by C. G. 1819.” 


158. BOWLING GREEN STATUE. . 
Line. Rectangle, 20. x 80. 
Painted By Johannes A. Oecrtel.—Published By John C. 
M°.Rae. | Pulling Down The Statue Of George HI. | By The 
“Sons of Freedom.” | At the Bowling Green City of New York, 
July 1776. | (Copyright 1859 by John C. M°.Rae) 


154. OLD BREWERY. 
Lithograph, tinted. Rectangle, 9.2 x 13.4 
C. Parsons, °52. | Lith. Of Endicott & C°. N. Y. | The Old 
Brewery At The Five Points N. Y. | As it appeared Dec’. 1**. 
1852 previous to its being torn down by the Ladies Home 
Missionary Soc’. of the M. E. Church, | 


155. BROAD STREET. 


Etching. Rectangle, 7.15 x 10.13 
W H | Wallace | 


Atist’s proof, one of twenty-five copies, showing the foot of Broad Street 
and the Old Canal, 1645. 


BURNING OF THE AMERICAN THEATRE BOWERY. i 
Betuven THe k Three 0 Click on Sonduy Mormcng. Feb 18 * 1§8S 
= The Third Conflu gration 


No. 150 


Y Be OD ee eae ae ~ ae DY Re ( ne 
a = NSaltinnone en's : SS Waiglaird 
a ey ~~" 


No. 393 


SECOND EVENING’S SALE 
TUESDAY, FEBRUARY 6, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


Catalogue Numbers 156 to 325, inclusive 


BROADWAY 


156. BROADWAY. 


Aquatint. Rectangle, 9.5 x 13.6 
Broad Way from the Bowling Green. | W™. I. Bennett Pinx*. 
et Sculp’. | Henry I. Megary. | 


Fine example. Colored. Very scarce. See Nos. 275 and 359. 


157. BROADWAY. 
Lithograph, tinted. Rectangle, arched, 19.5 x 33.14 
—Lithogr & printed by F. Heppenheimer 22 North William S*. 
N. Y. | View of Broadway, New-York. | from Exchange Alley 
to Morris Street | West Side | Published by W. Stephenson & 
Co. 252 Broadway N. Y. | A. D. 1855. | 


From No. 29 to No. 55. Colored. No orHEer KNOWN. 


[ Illustrated | 


158. BROADWAY. | 
Lithograph, tinted, Rectangle, 10.2 x 15.11 
Lith. Ferd. Mayer & Co. 96 Fulton St. N. Y. | Albany Street, 
extended to Broadway | As it will appear; the Revolutionary 
Monument, recently erected, being moved fifty feet south. | 
Ought the improvement to be made? 


Two others known. 


159. BROADWAY. 


Lithograph. Rectangle, arched, 17.6 x 36.15 
—Published by W. Stephenson Gilsey Building 169 Broadway 
New York.—Lith. Of Boell & Michelin Gilsey Building, New 
York. | Broadway, N. Y. 1856. | West Side from Fulton to 
Courtland Street. | 


Colored. JixcEess1vELY SCARCE. 


160. BROADWAY. 


Photo-lithograph. Rectangle, 28.8 x 31.8 
Copyright By J. J. Fogerty 115 Nassau St. N. Y.—Am. Photo- 
Litho; GoaNi x4 

Broadway, north from Cortlandt street and Maiden Lane. Evidently 
issued for advertising purposes, about 1880, but has become very scarce. 


| Illustrated | 


161. BROADWAY. 


Water-color. Rectangle, 10.6°x 14.12 
Broadway, corner of Fulton St: 1830. | (By C. Burton) | 


162. ST. PAUL’S CHURCH AND THE BROADWAY STAGES: 


163. 


Lithograph. Rectangle, 18.4 x 24. 
H Reinagle, delin. & Exe'.—Pendleton’s Lithography, N°,, .9, 
Wall-Street. | View of St. Paul’s Church artd the Broadway 
Stages, «Nay. 

In point of interest and importance this may be considered the second in 


the collection. About 1830. Copied in Valentine’s Manual, 1861. Colored. 
THREE OTHER PERFECT IMPRESSIONS ARE KNOWN. 


Colored reproduction of Valentine Manual copy of above. 
3.9 x 112: 


164. SLEIGHING IN NEW YORK. 


Lithograph in colors. - Rectangle, 21.8 x 30.8 
D. Benecke N. Y.—| 55.—| Composed & lith. by Th. Benecke.— 
(Copyright 1855 by L. Nagel)—Printed by Nagel & Lewis, 122 


Ty Me ee eed ac Smet a A peel eee 


AGL “ON 


“Seer 


) » GOS ie 


“CQ ABMpROdG 2 mig My Sq paquayqny 


yeag staa08 o jaeds OSuByINy uro0sy 


“WL AEN EVA EV OEE £6 ATS, 


aaaueced eh 
BE 


HE 


uO ll 


1738. LINCOLN’S FUNERAL. 


Lithograph in colors. Rectangle, 18.11 x 25.6 
W. M. Raymond M’f’g C°. | Proprietors & Manufacturers Of 
| Metallic Burial Cases & Caskets. | 348 Pearl St. New York. |-—- 
Schumacher & Ettlinger Lith’. 15 Murray St. N.Y. 


Broadway, looking North from Park Place, including City Hall, ete., and 
showing President Lincoln’s Funeral in New York.. No orHEr KNOWN. 


174. BROADWAY. 


Lithograph. Rectangle, 18.15 x 32.10 
—Lith. & Printed by Dumcke & Keil, N°. 12 Frankfort St. 
N. Y. | Broadway | From Warren To Reade St. | Published by 
W. Stephenson & C°. 252 Broadway, N. Y. | A. D. 1855. | 


In the field the name of the artist, but undecipherable except for the initial 
“B.” THREE OTHERS KNOWN. 
* 


175. BROADWAY AND CANAL STREET. 


Aquatint. Rectangle, 17.11 x 27. 
Drawn & Etched by T. Hornor.—Aquatinted by J. Hill. | 
Broadway, New-York. | Shewing each Building from the 
Hygeian Depot corner of Canal Street, to beyond Niblo’s Gar- 
den. | Printed by W. Neale | Published by Joseph Stanley & 
C°. | (Copyright by Jos®,, Stanley & C°,,) | January 26",, 
1836. 


A finely colored and brilliant impression of the original issue of a most 
interesting print. Perfect copies, with complete lettering, are vERY scaRce. 


176. BROADWAY. 
Lithograph. Rectangle, arched, 17.6 x 34014 
—Lith. of J. Bien 107 Fulton St. N.Y. | Broadway, New- 
York | from Canal to Grand Street, | West Side. | Published 
by W. Stephenson & C°. 252 Broadway N. Y. | A. D. 1856. 


Colored. ONE oTITER KNOWN. 


177. BROADWAY WINTER SCENE. 
Aquatint. Rectangle, 23.8 x 84c7 
Painted By H. Sebron—Engraved By P. Girardet | New- York | 
_ Winter Scene in Broadway—Scéne d’Hiver dans Broadway. | 
New-York—Published by M. Kneedler, 366, Broadway. 1**. 
October 1857. | Imprimé & Publié par Goupil & C'*. Paris. 
London.—Berlin Verlag von Goupil & C'*. 


Interesting street scene, with six-horse passenger sleigh, fire engine, ete. 
Looking south from about Prince Street. 


se 


178. BROADWAY. 
Lithographic Panorama of the West side of Broadway from 
N°. 1 to about N°. 203, four sections joined, as it appeared 
about 1858. Shows unusual detail and artistic treatment. 


Colored. 


179. BROADWAY. 
A Panoramic View Of Broadway, New York City, Commencing 
At The Astor House. Colored wood-cut, in three sections; 
from Gleason’s Pictorial. 


BROOKLYN 


180. BROOKLYN. 1846. 


Lithograph in color. Rectangle, 14.10 x 36. 
Printed In Colors—Drawn From Nature & On Stone By E. 
Whitefield.—By F. Michelin, 111, Nassau St. | View Of Brook- 
lyn, L. I. | From U. S. Hotel, New York | (Copyright 1846 by 
EK. Whitefield.) | 


181. BROOKLYN. 1858. 


Lithograph. Rectangle, 23.10 x 38.8 
Painted by J. W. Hill—(Copyright 1853)—Smith, Bro™. 
Del. | Brooklyn, L. I. | Published by Smith Brothers & C®, 225 
Fulton St. N. Y. 1853.—Printed By Endicott & C°. N. Y. | 


The view includes the New York side of the East River and Wall Street 
Ferry. First issue; framed to title. Colored. 


182. BROOKLYN. 1854. 


Line. Rectangle, 23.10 x 4004 
B. F. Smith Jun. Del.—A. Merwin, Direxit.—Wellstood & 
Peters Sc. | Brooklyn. N. Y. 1854. | Respectfully dedicated to 
the Citizens of Brooklyn by the Publishers: H. Fern & Co. 218 
Fulton St. New York. | (Copyright 1853 by Smith Fern & 
Co.) | 


183. BROOKLYN BRIDGE. 


Photo-Eng. Rectangle, 19. x 25. 
Shugg Bros, Photo Eng. N. Y.—R. Schwarz Des. 18. Cort- 
Jandt St. N. Y. | Engraved And Published By Shugg Bros., 
24 Cortlandt St.. New York.—Printed By Burrow-Giles Litho. 
Co., Grand, Centre And Baxter Streets, New York. | The 
a River Bridge. | With Entrance From New York 
Side. 


At sides descriptions and names in two columns. Colored. 


184. BROOKLYN COURT HOUSE. 


Lithograph in colors. Rectangle, 18.14 x 26.9 
George F. Nesbitt & Co. New-York.—Designed by Gamaliel 
King & Herman Teckritz, | Architects and Superintendents. | 
Kings County Court-House. | Brooklyn, L. I. | 


Artistic and decorative. 


185. BROOKLYN. PIERPONTS DISTILLERY. 
Lithograph. Rectangle, 7.9 x 11. 
1°. Livraison—Amérique Septentrionale—Etat De New-York. 
—PI. 2. | Lithographié par L. Sabatier fig par V. Adam.— 
Dessine d’aprés nature par J. Milbert | Distillerie de Mr’. 
Pierpont sur l’isle Longue.—N°. 2.—Pierponts Distillery on 
Long Island. | (Title repeated in Latin and German) | Imp. 
Lith de Bove dirigée par Néel ainé & C°. | 
At foot of present Montague Street. Colored. First issue. 


186. BROWN’S COFFEE HOUSE. 

Lithograph. Rectangle, 12.14 x 7.8 
Robinson’s Lith. 142, Nassau St. N. Y. | Brown’s Coffee House 
& Dining Saloon. | This Establishment has been fixed up in the 
neatest style, at N°. 71, Pearl St. New York. It being located 
in | the centre of the business part of the city, (facing Coenties 
Slip; near Broad St Hanover Square & other great | thorough 
fares) presents great inducements to Merchants, Clerks & 
others, & likewise to Country Merchants whose business | draws 
them to that part of the city—George Brown (late of Lovejoy’s 
Hotel) | 


Modern impression. 


Tai, 


188. 


189. 


190. 


igs 


192. 


CENTRAL PARK 


CENTRAL PARK. 
Lithograph. Rectangle, 21. x 19.6 


A bird's-eye view of Central Park, At top and bottom eight inset views. 
About 1855. Colored. 


CENTRAL PARK DRIVE. 
Lithograph. Rectangle, 1704.27.12 
A proof before all letters of The Grand Drive, Central Park 
N. Y. Published By Currier & Ives 1869. 


Very scarce. Not framed. 


“CENTRAL PARK LAKE. 


Lithograph. Rectangle, 11.2 x 15.6 
—(Copyright 1862 by Currier & Ives)— | Central Park, The 
New York, Published By Currier & Ives, 152 Nassau 


Lake. 
St, 


Colored. 


CENTRAL PARK SKATING. 
Lithograph in colors, Rectangle, 16.12 x 27s 
(Copyright 1861 By J. H. Bufford) | Skating On Central 
Park, New York. | Lith. & Published by J. H. Bufford 318 
Washington S‘. Boston. 


VERY £CARCE. 


CHATHAM SQUARE. 
Lithograph. Rectangle, 8.1 x 12.10 
EB. R.— | Lith. & Pub. By N. Currier,—152 Nassau St. Cor. 
Of Spruce N. Y. | Chatham Square, New York. | 609. 


Fine example. Colored. 


CHURCHES 
FIRST CONGREGATIONAL CHURCH. 
Lithograph. Rectangle, 12.8 x 8.4 


D. H. Arnot, Draugh".—(Copyright 1845 by D. H. Arnot )— 
Penwork Lith. | Entrance To First Congregational Church, | 
Broadway. New York. mdecexlv. | 

Colored. 


g Se NOSY a de ee ye 
yen Bye tr my Dd BAC sede? 
Palo apne ee. MIN VOGAL Ste De 10 Hype) pi ere aden) Ae Og 
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193. SECOND CONGREGATIONAL CHURCH. 


Lithograph. Rectangle, 9.14 x 12, 
D. | A. J. Davis del.—J. R. Brady Architect.—Imbert’s lith- 
ography | Second Congregational Church N. Y. | Erected 1826 
Corner of Prince and Mercer Streets. Front Sixty three feet. | 
Destroyed by fire, 1889. Colored. 


194. SECOND CONGREGATIONAL CHURCH. 


The original water-color signed by the artist and architect. 
Congregational Church, New York. | Corner of Prince & Mercer 
streets. Grecian Doric. Length 80 ft Breadth 68 ft. | A. I. 
Davis, | Delin‘ | J. R. Brady, | Arch’. | J. R. Brady Archt. | 


195. GRACE CHURCH. 


Lithograph, tinted. Rectangle, 11. x 7:7 
On Stone by C. W. Burton—Renwick Arch‘. | Grace Church 
from Broadway New York. | Ackermann’s lith. 120 Fulton S¢*. 
N. ¥. | 


196. CHURCH OF THE HOLY CROSS. 
Lithograph in colors. Rectangle, arched, 24.14 x 19.8 
H. Engelbert Architect 179 Broadway N. Y.—G. Schlegel 
Lith. 97 William S‘. N. Y. | Church of the Holy Cross | 424, 
Street N. Y. Rebuilt 1867 & 1868. | Rev. Patrick M°. Carthy, 
Pastor. 
Stained. 


197. OLD METHODIST CHURCH. 


Aquatint. Rectangle, 10.2 x 13.138 
I. B. & P. C. Smith Pinx*. | A Correct View of the Old Methodist 
Church in John Street N. York | The first erected in America. 
Founded A. D. 1768. | Sold by Myers & Smith 59 Fulton 
Street. | 


The old colered sexton, Peter Williams, appears in the doorway. Pub- 
lished in 1824. Fine impression, original coloring. VERY scaRce. 


198. OLD METHODIST CHURCH. 


Lithograph, tinted. Rectangle, 18.14 x 27o4 
The First Erected In America Founded A. D. 1768. | Dedicated 
by the Rev*. Philip Embury | Second Church Rebuilt 1817. | 
(Dedicated ete.) |—Third Church Rebuilt A. D, 1841. | Dedi- 
cated by Bishop Hedding. | The old Rigging Loft as it now 
stands 120, | William Street 1844. Formerly Cart and Horse 
Street. | (Copyright 1844.) | Respectfully inscribed to the Trus- 
trees and Members of the First Methodist Episcopal Church in 
John Street, New York, by Joseph B. Smith. | Lith. Of Endi- 
cott, 22, John St. N. York.—For Sale At R. C. Bull 11. Park 
Row. | ete. 


Besides the four views there are three tablets of Boards of Trustees. 
VERY SCARCE. 


199. OLD METHODIST CHURCH. 


Lithograph, tinted. Rectangle, 13.7 x 17.15 
L. W A | Endicott & Co. Lith. 59 Beekman St. N. Y. | The 
First Methodist Church and Parsonage In America. | John 
street, New York. | Church Edifice dedicated by Philip Em- 
bury, 30°. October, 1768. | 


200. OLD METHODIST CHURCH. 


201° Se 


Line. Rectangle, 10.4 x 17.8 
Painted By Joseph B. Smith.—(Copyright 1868)—Engraved 
By Lewis Delnoce. | The First Methodist Episcopal Church In 
America. | This edifice was erected. 1768. on Golden Hill. [now 
John street ] City of New York, was taken down & rebuilt, 1817, 
& re rebuilt 1841. | From The Original Painting In The Pos- 
session Of Joseph Smith, M.D. | 


ALPHONSUS CHURCH. 


Lithograph in colors. Rectangle, 19.12 x 13. 
Lith. By Hatch & Co. 34 Vesey St. N. Y.—F. G. Himpler, 
Archt. 212 Broadway. | St Alphonsus Church New York, | 
South Fifth Avenue near Canal. | 
On the site of the Lafayette theatre. ; 


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No. 215 


202. ST. 


203. ST. 


204. ST. 


205. ST. 


206. ST. 


BERNARD’S CHURCH. 


Lithograph in colors. Rectangle, 16.1 x 13.2 
The Graphic Co. 39 & 41 Park Place, N. Y. | P. C. Keely, 
Architect.—Rev. Gabriel A. Healy, Pastor. | Interior of St. 


Bernard’s Church | W. 14". St. New York City. 


MARK’S CHURCH. 


Lithograph. Rectangle, 12.8 x 18.2 
A. J. Davis, Architect.—on stone by, J, B, Kidd S. A.—Buf- 
ford’s Litho” 114 Nassau St. N. Y. | St. Marks Church, New 
York. 


The East River is seen to the right of the church, the intervening fields 
unobstructed. About 1827. The original issue, with the early address. 
ONE OTHER KNOWN. 


PATRICK’S CATHEDRAL. 


Etchings. Rectangles, 19.12 x 14.12 
Copyrighted by F. E. Parshley, N. Y. 1889. Max & Albert 
Rosenthal Del. & Sculp. James Renwick Architect. 


The Exterior; Remarque: portrait of the architect. 

The Interior; Remarque: Archbishop John Hughes. 

The Transept; Remarque: Archbishop John McCloskey. 

The High Altar; Remarque: Archbishop Michael A. Corrigan. 


Signed proofs on Japan paper; the execution better than most work of 
the period. 


The Transept and High Altar are not framed. 


PATRICKS CATHEDRAL. 
Pencil drawing. Rectangle, 23.12 x 17.4 
1912—Monk. 


Well finished; from the south west. 


PAUL’S CHURCH AND CHURCHYARD. 
Etching. Rectangle, 24.2 x 16.13 


Viewed from the west. Printed in brown. Japan paper proof before 
letters, with remarque of sickle and hour-glass; signed by the artist, H. R. 
Blaney. 


207. COOKE’S MONUMENT ST. PAULS. 


208. 


209. 


TN 


Aquatint in colors. Rectangle, 15.8 x 12.14 
Erected | To | The | Memory | Of | George Frederick Cooke | 
By | Edmund Kean | Of | The | Theatre Royal Drury Lane | 
1821. | Three Kingdoms claim his birth, | Both Hemispheres 
pronounce his worth. | 

Painted by Smith.—Engraved by G & C. Hunt. | The Actors 
Monument. | The late Edmund Kean, Esq". Contemplating 
the Tomb he caused to be erected to the Memory | of George 
Frederick Cooke, in Saint Paul’s Church Yard, New York, 
America. | (Sixteen verses in double columns) | W. T. Mon- 
crieff. | Inscription on the coffin containing the Body, deposited 
in a Vault in Old Richmond Church Yard, on Saturday, May 
25,. 1838. | “Edmund Kean, Died 15". May, 1833, Aged 45.” 
| London Published May, 1833, by J. Moore, N®., 1, West Street 
top of Upper S*. Martins Lane. | 


At bottom a mezzotint bust portrait of Cooke. The view shows the west 
front of St. Paul’s Chapel, the Park Theatre and Edmund Kean and Dr. 
John W. Francis before the monument. 


. THOMAS’ CHURCH. 


Lithograph. Vignette, 9.8 x 15: 
Imbert’s Lithography—J. R. Brady Architect—A. J. Davis 
del. | St. Thomas Church. | Broadway | 


Framed with it, the original drawing 13.8 x 16.10 by A. J. Davis showing 
front and south side. 


ST. THOMAS CHURCH. 


Church Of St. Thomas, N. York. | Front 64. . . Length 113 
Ft. | Drawn by A. J. Davis, N. Y. | 


An original drawing, 7.9 x 9.14, probably made for the New York Mirror 
print. 


. CHURCH OF THE TRANSFIGURATION. 


Lithograph. Rectangle, arched, 14.12 x 19.6 
From Nature & On. Stone By J. A. Shearman, N. Y. | To the 
Rev. Mr. G. H Houghton and the Congregation of the Epis- 
copal | Church Of The Transfiguration | This representation of 
their House, of Worship, is respectfully dedicated | By their 
Obleged Servant. | J A S. | 


First issue. VERY SCARCE. 


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211. CHURCH OF THE TRANSFIGURATION, 
Lithograph. Rectangle, arched, 7.7 x 8.8 
To | Mrs. George Holland | That Little Church Around the 
Corner | Rev. G. H. Houghton’s Church. N Y | Song and 
Chorus. | Words by—Dexter Smith.—Music by | C. A. White. | 
Boston, | White, Smith & Perry. | 298 & 300 Washington St | 


(Copyright 1871) | J. H. Buffords Lith 190 Washington S*. | 
With the music; not framed. 


212. RUINS OF TRINITY CHURCH. 1776. 


Lithograph. Rectangle, 10.6 x 12.1 
Ruins of Trinity Church. | As seen after the memorable Con- 
flagration of Sept’. 21°. 1776, by which Four hundred and 
ninety three | buildings comprising about a sixth part of the 
City of New York was laid in ashes. From a sketch | taken on 
the Spot by the late Thomas Barrow Esq®. one of the Vestry 
of said Church || On Stone by J. Evers.—Lith. & Published by 
J. Childs N. Y. 


No oTrHER KNOWN. 


[ Illustrated | 


gio t RINITY CHURCH (OLD). 


Line. Rectangle, 11.6 x 8.13 
Drawn, Engraved & Published, by J. A. Rolph, 72, Carmine 
St. New York. | Trinity (Old) Church, New York. | Founded 
1696, destroyed by fire 1776, rebuilt 1788, and finally, taken 
down 1839, | [Copyright 1840, by John A. Rolph, | | 


A fine copy. VERY scarce. 


214. TRINITY CHURCH. 

; Lithograph. Vignette, in rect., 19,12 x 15.14 
Rich*. Upjohn, Esq’. Arch'—Drawn on stone, by John For- 
syth & E. W. Mimee. | Birds-Eye View | of | Trinity Church, 
New-York. | (Copyright 1847, by John Forsyth,) | 


A very interesting view in perfect condition. The Jersey shore in the 
background shows a few widely scattered houses. In the river shipping 
is indicated, and the old gable-roofed buildings in the middle ground are 
interesting reminders of the past. Issuing from the church is what appears 
to be a procession of charity children. Two orners KNowN. 


215. CIRCULAR MILL. 
Water-color. Rectangle, 9.12 x 18.8 
The Circular Mill, foot of King St. New York, 18383. Signed : 
“Drawn by J. W. Hill, New York, 1833.” On the building to 
the right: “New York C. Re. . .” 


The mill occupied the center of the square bounded by West and Wash- 
ington, King and Hamersley (present West Houston) Streets. 


[ Illustrated | 


CITY HALL 


216. STADTHUYS. 


Lithograph, tinted. Rectangle, 7.03 x 8.14 
G. Hayward & Co. 171 Pearl St. N. Y. | The Stadthuys Of 
New York in 1679 | Corner of Pearl St. and Coentijs slip. | 


Title only exposed. 


217. FEDERAL HALL. 


Line. Rectangle, 14.4 x 20.10 
—C. Tiebout Delineate & Sculpsit. | A Perspective View of the 
City Hall—in New York taken from Wall Street. 


In centre, Arms supported by Liberty and Justice with motto: “Excelsior.” 
Slight repair in rfght margin. From the Lossing collection. Tiree orHers 
KNOWN. 


[ Illustrated | 


218. FEDERAL HALL. 


Lithograph in colors. Rectangle, 13.4 x 19.12 
From The Original Drawing By George Holland—Lith. & 
Printed In Colors By C. Currier, 83 Spruce S*. N. Y. | A View 
Of The Federal Hall Of The City Of New York, | as appeared 
in the year 1797; with the Adjacent buildings thereto. | 
Drawn expressly for D. T. Valentine’s Manual. | 


First issue. VERY SCARCE. 


219. CITY HALL. 


220. 


221. 


222. 


224. 


Aquatint. Rectangle, 17. x 28.2 
Drawn by W. G. Wall, Engraved, Printed & Colour’d iad & 
Hill | City Hall | (To the Hon”, Philip Hone, ete., two lines) | 
Published . . . Dec". 20". 1826, . . . New York.—Copy Right 
Secured | 


A beautiful example of the most artistic and attractive representation. 
Colored. Very scarce. 


[ Illustrated | 
CITY HALL. 
Blue plate. 10: 
Beauties of America | City Hall | New York | J. & W Ridgway 
Halsey, page 50. 
[Illustrated | 
CITY HALL. 
A duplicate; lighter blue. 
[ Illustrated | 
CITY HALL. 


Light blue sugar bowl. Oval, 504 x 404 


Two flat handles, no cover. The view on both sides. Stubbs. 


She eyCiry HALL. 


Water-color. Vignette, 12.6 x 18.4 
City Hall | Lithographed and Colored by | A. J. Davis | 


An unfinished proof, the inscription in ink, showing the front and east 
elevations, and the houses, including the “Am. Acad. Fine Arts” on Cham- 
bers Street. An important and beautiful specimen of the artist’s work. 


CVEyY HALL. 
Lithograph. . Rectangle, 8. x 12.6 
al. Schutz. | Lith. & Pup. By N. Currier,—152 Nassau Street 
N. Y. | City Hall, New York. 
Colored. 


225. CITY HALL. 


Lithograph. Rectangle, 8.4 x 12.8 
Lith. & Pub. By N. Currier,—152 Nassau St. Cor. Of Spruce 
N. Y. | City Hall, New York. sre 

Framed to title. 


226. BURNING OF THE CITY HALL. 
Lithograph. Rectangle, 8.1 x 12:4 
Lith. & Pub. By Currier & Ives,—152 Nassau S‘. N. Y. | 
Burning Of The City Hall New York, | on the night of the 
17'.. August 1858. | Supposed to have taken fire from the fire 
works exhibited in commemoration of the successful laying of 
the Atlantic telegraph Cable. | 597. | 


Fine copy. Colored, VeERY scarce. 


CITY HALL PARK 


227, THE CITY HALL: PARK. 


Lithograph. Rectangle, 12.38 x 17.8 
—From An Original Drawing.— | New York City Hall Park. | 
North End, 1825. | 


Fine copy of an unusually scarce print. 


228. THE CITY HALL PARK. 


Lithograph, tinted. Rectangle, 11.12 x 17.12 
Bachman del. & Lith.—(Copyright by Williams & Stevens) 
New York City Hall, Park And Environs. | Published by Wil- 
liams & Stevens, 353. Broadway N. Y. | 

See No. 368. 


229. CITY HALL PARK 1842. 


Lithograph. Rectangle, 7.14 x 12.4 
Croton Water Celebration 1842 | (Copyright 1842 by J. F. 
Atwill) | Published by J. F. Atwill, 201 Broadway | 


The view shows the Park and fountain, Broadway and Chatham street 
looking north. The drawing of the figures crude, but the print of decided 
interest. 


No. 220 No. 338 No. 221 
No. 281 No. 126 


7) : = > ar 


230. CITY HOTEL. 
Etching. Rectangle, 12.2 x 16. 
City Hotel 133 Broadway Corner Of Thames Street 1848 
Shows also the “New England House” to the south. 


231. CLAREMONT. 

Oil painting. Rectangle, 26. x 34. 
A crude, unsigned, but very interesting painting of Claremont, 
with numerous pleasure vehicles, equestrians, etc. A flag over 
the main building bears, “Claremont,” and one over the wing, 
“EK. Jones.” In right background the Church of St. Mary’s, 
Manhattanville, and the Convent of the Sacred Heart are intro- 
duced. Tradition has it that the painting was made, about 
1855, by a tramp artist, in return for hospitality. 


[Illustrated |- 


232. CLARENDON HOTEL. 
Line. Rectangle, 5. x 7To4 
Demerest 2 Pine St. N.Y.— | Clarendon, New York. | Corner 
4. Avenue & 18'". Street | O. C. Putnam—Proprictor. 
Not framed. 


233. COLLECT POND. 
Lithograph. Rectangle, 15.12 x 23.12 
We Are Indebted To The Original Idea And Mechanical Genius 
Of John Fitch, Of East Windsor, Conn. | The perseverance and 
indefatigable attantion to the use of Steam of Robert Fulton 
Esq. P*. The wealth, exalted and estimable character of Rob- 
ert R, Livingston Esq. Chancellor of the State of N. York, and 
American Minister to France, | Drawn & Lith. By J. Penni- 
man; 8014 Canal St. N. Y.—F. Michelin’s Lith. 111, Nassau 
St. | (Copyright 1846, by John Hutchings) | Origin Of Steam 
Navigation. | “Honor To Whom Honor Is Due.” | A View Of 
Collect Pond And Its Vicinity, | in the City of New York in 
1793. | On which Pond, the first boat, propelled by paddle 
wheels and screw-propellers, constructed by John Fitch, six 
years before Robert Fulton made trial of his boat upon the 
River Seine, in France, and ten years prior to his putting into 
opperation his boat | Clermont in New York; with a repre- 


[ No. 2338—Continued | 

sentation of the boat and its machinery, on the Collect pond. | 
By John Hutchings. | N°. 3, Wesley Place, Williamsburgh, 
L Island. | 1846. 


The Collect Pond occupies the center, with the streets and the Tombs 
indicated on the plan. In the upper corners are representations of two 
steamboats, one with triple-screw propeller and the other with uncovered 
paddle-wheels. Below are, the “Perseverance” and “The Model Boat.” 
At the sides an account of John Fitch, certificates, remarks, description, 
ete. 

Has been varnished. Tire vERY SCARCE FIRST ISSUE. 


234. COLUMBIA COLLEGE. 
Columbia College, New-York. Engraved by V. Balch for the 
New York Mirror, 1828, and the Deaf and Dumb Asylum, 49". 
Street and Madison Avenue, the later home of Columbia Col- 
lege, signed by Smillie. (2) 
Not framed. 


235. CONSOLIDATED EXCHANGE. 


Lithograph. Rectangle, 26.14 x 18.9 
Consolidated Stock And Petroleum Exchange. | 


236. COURTLANDT ST. 1856. 


Lithograph. Rectangle, arched, 17.14 x 37.14 
Lith. of F. Heppenheimer, 22. William St, N. Y. | Courtlandt 
St. New-York | from Broadway to Greenwich Street. | South 
Side | Published by W. Stephenson & C°. Gilsey Building 
Bdwy. N. Y. | A. D. 1856. 


Before Church Street was opened. Slightly injured. Two orHEeRs KNOWN. 


[ Illustrated | 


CRYSTAL PALACE 


237. CRYSTAL PALACE. 


Lithograph. Rectangle, 21.8 x 31.6 
Drawn From Nature—& On Stone By J. Bachman, | [Copy- 
right 1858, by J. Bachman,| | Birds Eye View Of The | New 
York Crystal Palace. | and Environs. | Published By John 
Bachman, 37 City Hall Place New York. | 


Of unusual merit and interest, showing the lower part of the City. Fine 
copy. Colored. Very scarce, ; 


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238. CRYSTAL PALACE. 


Another impression. 


239. CRYSTAL PALACE. 


Lithograph, tinted. Rectangle, 17.12 x 28.14 
Figures by Doepler. | Designed by Carstensen & Gildemeister 
74 Broadway N. Y.—[Copyright 1852 by Theodore Sedgwick | 
—Lithography of Nagel & Weingiirtner 74 Fulton St. N. Y. | 
New York Crystal Palace for the Exhibition of the Industry 
of all Nations. | This building, . . . City. | The Ground Plan 

. acres. | Directors: | Eleven names in two columns and 
names of seven other officers.) | Published by Goupil & C°. 289 
Broadway New York. 


Publication line covered. 


| 240. CRYSTAL PALACE. 

Lithograph in colors. Rectangle, 7.14 x 12.6 
Lith. & Pub. By N. Currier,—152 Nassau. Street N. Y. | New 
York Crystal Palace. | For The Exhibition Of The Industry 
Of All Nations. Constructed Of Iron And Glass. | The ex- 
treme length and breadth of the building are each 365 feet. 
Height of Dome to top of Lantern, 148 feet. Entire | space 
on Ground Floor, 111,000 square feet, Galleries, 62,000 square 
feet. Whole area, 173,000 square feet, or 4 acres. | 110. | 
Title only exposed. Colored. 


VV 241. CRYSTAL PALACE. 
Lithograph. Rectangle, 13. x 18.8 
Paris V° Turgis, éditeur rue Serpente, 10, et & New-York, 
Léonard S‘. 99.—Lith. de Turgis r. Serpente, 10, 4 Paris.— 
Lith. par F. Courtin. | Palais De Cristal De New-York. | pour 


Exposition de Vindustrie de toutes les Nations. || New-York 
Crystal Palace. | for the Exhibition of the Industry of all 
Nations. | 


Fine example. Colored. 


242. CRYSTAL PALACE. 
Line. Rectangle, 15.6 x 22.12 
Drawn & Engraved By—| [Copyright 1853 by Capewell & Kim- 
mel ]—Capewell & Kimmel. | The New York Crystal Palace, | 
And Latting Observatory. | Printed By W. Pate. | Published 
By Capewell & Kimmel. 208 Broadway, N. Y.| 


First ISSUE BEFORE PLATE WAS CUT DOWN. 


243. CRYSTAL PALACE. 
Oil-color print. Rectangle, 12.12 x 5.12 
Crystal Palace, New York Published Sep". 1°. 1858, by | 
George Baxter. | Proprietor & Patentee | London. | 


The only New York subject in this series. Very scarce. 


244. CRYSTAL PALACE. INTERIOR. 


Lithograph in colors. Rectangle, 13.8 x 20.9 
C. Parsons, Del And Lith.—Printed By Endicott & C°. N. Y. 
| An Interior View Of The Crystal Palace. | New York, Pub- 
lished by Geo. S. Appleton, 356 Broadway N. Y. | (Copy- 
right 1853)! 


VERY SCARCE. 


245. BURNING OF THE CRYSTAL PALACE. 


Lithograph. Rectangle, 16.12 x 25.4 
Currier & Ives, Lith. N. Y.— | Burning Of The New York 
Crystal Palace, | on Tuesday, Oct. 6'",, 1858. | During Its 
Occupation For The Annual Fair Of The American Institute. | 
New York Pub". By Currier & Ives, 152 Nassau Street. | 


Colored. AN UNUSUALLY FINE COPY OF A VERY SCARCE PRINT. 


[ Illustrated | 


246. CUSTOM HOUSE. 


Lithograph. Rectangle, 6.8 x 9. 
—J. Bornet. | 

Mounted, as published, on an irregular rectangle, 8.10 x 11.8, printed in 
gold and lettered: Views | of | New-York | Drawn by C. Autenrieth.— 
Published by Hoff & Bloede 180 William Str. New-York. | Custom-House. | 
(Copyright 1850) 

Colored. VERY scarce. 


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247. DAVIS AND IMBERT’S VIEWS. TITLE-PAGE. 


Lithograph. Vignette, 15.4 x 11.6 
Views | P. Desobry. Scripsit. | Of | The Public Buildings | in 
the | City of New-York | (vignette of the Rotunda) | Dedicated 
to the | Fine Arts | Correctly drawn on Stone by | A. J. Davis. | 
Printed & Published | by | A. Imbert | Lithographer N°, 79 
Murray S‘. | New-York. 

The Rotunda, erected by John Vanderlyn for art exhibitions, was situated 


on the southwest corner of Chambers Street and Tryon Row. No orwer 
KNOWN. 


248. DE PEYSTER MANSION. 


Water-color. Rectangle, 6.8 x 7.6 
The De Peyster Mansion | Queen now Pearl St: opposite Cedar 
St: | Residence of Gov: Geo: Clinton, | in 1783. | 


249. DISEMBARKATION OF THE ENGLISH TROOPS. 
Line. Rectangle, 6.6 x 5. 
In de Mercurius May 1777. Eerste Stuk, Pag. 156. | Ont- 
scheeping der Engelsche Troepen op Lang-Eiland | teegan de 
Americaanen, den 22 Augustus 1776. | B. Mourik Excudit. | 


The earliest pictorial record of the Disembarkation of the Troops at 
Gravesend Bay, under Sir George Collier, before the Battle of Long 
Island. Very scarce, 


250. ELEVATED RAILROAD. 1872. 
Lithograph. Rectangle, 9.6 x 14.13 
Bonwill del— | C. E. H. Bonwill, N°. 7 Murray St. N. Y.— 
Marshall & Nisbit, Arch’t’s & Eng’r’s. | Plan of an Elevated 
Street Railroad. | Proposed By Gen'. F. Sigel. | New York 
January 1872. | 


251. FIFTH AVENUE HOTEL. 


Lithograph. Rectangle, 19.9 x 81.10 
—J. H. Bufford’s Lith. 813 Wash". St. Boston.— | Fifth Ave- 
nue Hotel, New York. | —Hitchcock, Darling & Co Pro- 
prietors. 


ONE OTIIER KNOWN, 


[ Illustrated | 


FIRE OF 1835 


252. FIRE OF 1835. 
Oil-paintings. Octagons, 6.8 x 26.8 


Contemporary, well done, and showing the fire at the Merchants’ Ex- 
change and at Coenties Slip. The border and sides of gold, with swans 
and conventional leaf decoration. On boards 9.8 x 48.8. In unusually fine 
and perfect condition and of great interest. 


253. THE GREAT FIRE OF 1835. 


Lithograph. Rectangle, 16.4 x 23.10 
The Great Fire of the City of New-York, 16 December 1835. | 
Published January 1836, by the Proprietor H. R. Robinson 
N°. 48 Courtland street New York. | Drawn from life and 
nature and on Stone by Hoffy.—[Copyright 1886 by H. R. 
Robinson, ]—Printed and colored by J. T. Bowen. | 


It shows the Merchants’ Exchange, the offices of “The New York Amer- 
ican,’ “The Fulton Insurance Company,” ete. The figures are portraits, 
as is evidenced by the twenty-one reference numbers immediately under 
the rectangle. Slight repairs. Tur scaArcestT AND MOT IMPORTANT REPRE- 
SENTATION. 


254. THE GREAT FIRE OF 1885. 


Aquatints. Rectangles, 16.4 x 23.10 
Painted by N. Calyo.—Engraved by W. J. Bennett. | View 
Of The Great Fire In New-York, Dec’. 16. & 17. 1835 | As 
Seen From The Top Of The Bank Of America, Cor. Of Wall 
& W™. St. | Published by L. P. Clover, New York. | [Copy- 
right 1836 by L. P. Clover.] | 


View Of The Ruins After The Great Fire in New-York, Dec’. 
16, & 17. 1885. As Seen From Exchange Place. 


Both of these attractive prints are of the original first issue, beautifully 
colored. From the Holden Collection. VeEry scarcn. 


255. FIRE OF 1835. 


Lithographs. Rectangles, 9.5 x 1204 
View Of The Great Conflagration Of De®. 16 and 17" 1835; 
From Coenties Slip. | Sketched and drawn on Stone by J. H. 
Bufford | (Ete. two lines) 


N. Currier’s Press. | Ruins Of The Merchants’ Exchange N. Y. | 
After the Destructive Conflagration of Dec””. 16 & 17. 1835. | 
(Ete. two lines) (2) 
Colored. 


256. FIRE OF 1835. 


Another pair; colored. Framed to third lines. 


257. FIRE OF 1835. 
Lithograph. Rectangle, 10.4 x 13.15 
A View Of The Great Conflagration. (Merchants Exchange.) 
Dec. 16 1835. | New-York. | 


VERY SCARCE. 


258. THE GREAT FIRE OF 1835. 


Lithograph. Rectangle, 9.8 x 11.12 
H. Sewell Del. | Hanington’s Dioramic Representation Of 
The | Great Fire in New York Dec, 16. and 17. 1835. Now 
exhibiting with other moving dioramic scenes, at the Amer- 
ican Museum every evening.| 

Colored; from the Holden Collection. A fine copy. ExcessiveLy scarce. 


FIRE OF 1845 


259. FIRE OF 1845. FROM BOWLING GREEN. 
Lithograph. Rectangle, 8.4 x 12.13 
[Copyright 1845 by N. Currier] | Lith. & Pub. by N. Currier, 
—2 Spruce St. N. Y. | The Bowling Green Fountain. | View 
Of The Great Conflagration At New York July 19™ 1845. | 
From The Bowling Green. | Nearly 300 Buildings Destroyed. 
—KEstimated loss of Property $7,000,000. | 


Fine proof impression from the uncleaned plate. Very scarce. 


260. GREAT CONFLAGRATION FROM BROAD ST. 
Lithograph. Rectangle, 8.2 x 12.6 
(Copyright 1845 by N. Currier.) | Lith. & Pub. by N. Currier, 
—2 Spruce St. N. Y. | Trinity Church. | View Of The Great 
Conflagration At New York July 19° 1845. | Nearly 800 
Buildings destroyed.—From Cor. Broad & Stone St*.—Esti- 
mated loss of Property $7,000,000. 


Dust soiled but sound. Colored. Very scarce. 


261. TERRIFIC EXPLOSION. 
Lithograph. Rectangle, 8.1 x 12.5 
Lith. & Pub. by N. Currier,—(Copyright 1845 by N. Currier) 
—2 Spruce St. N. Y. | View Of The Terrific Explosion At The 
Great Fire In New York. | Engine N°,, 22 destroyed, and 
several lives lost.—From Broad St.—July 19. 1845.—17 
Stores blown up. | 


Fine example. Colored. Very scarce. 


262. FIREMAN’S CERTIFICATE. 


Line. Irregular rectangle, 8.1 x 9.5 
Voluntary Aid | These are to Certify that | is pursuant 
to Law nominated and appointed | of the Firemen of 
the City of | New York. | Godwin Sculp‘, | 

At the top, a representation of firemen at work; at the bottom, a fire- 
engine. Reproduced in Valentine’s Manual. 

Made out to William Rollinson, 1762 + 1842, the engraver of No. 42, 


and signed by “Robt: Benson Clk Decr. 28th: 1796” Endorsed by “Willm. 
Rollinson.” From the Holden collection. 


2638. FIREMAN’S CERTIFICATE. 


Line. Rectangle, 13.9 x 10. 
| These are to certify | that is pursuant to Law | nomi- 
nated and appointed one of the | Firemen of the City of New 
York. | Engraved by Peter Maverick, from a Drawing by 
Archibald Robertson. | March, 1807. | 


At top, fireman’s helmet, “N. Y.,” and bucket; “A. R. | 79 Liberty | Street” 
over circle, “Voluntary Aid” in margin, with Neptune chaining Pluto. 
Below, firemen at work. The certificate is made out to Sylvanus Hallock, 
and signed by “J. Morton, Clk. Augt. 28th, 1815.” Reproduced in Valentine’s 
Manual, 1850. 

An early issue, before changes in lettering. Colored. 


264. THE CITY FIREMEN’S VETO, ETC. 


The City Firemen’s Veto! | Written by a Chap vot | knows 
‘ow! and respectfully | dedicated to the abdicated | Gotham 
Fire-Eaters! 

Printed broadside with four wood-cuts of “Squire Twinkenbadus!” “His 


particuar friends!” “His Pet-Pup!” and “His nice ’oman!” 
See No. 364. 


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LIFE OF A FIREMAN 


265. THE LIFE OF A FIREMAN. 


Lithograph in colors. Rectangle, 16.15 x 25.14 
L. Maurer. | L. Maurer Del.—[ Copyright 1854 by N. Currier, | 
—Lith. By N. Currier. | The Life Of A Fireman. | The night 
alarm.—‘Start her lively boys.” | New York, Published By N. 
Currier, 152 Nassau Street. | 


266. THE LIFE OF A FIREMAN. 
Lithograph in colors. Rectangle, 16.12 x 25.10 
L. Maurer, Del.—[Copyright 1854 by N. Currier ]—Lith. 
By N. Currier. | The Life Of A Fireman. | The race. “Jump 
her boys, jump her!” | New York, Published By N. Currier, 
152 Nassau Street. | 


Down Park Row, alongside City Hall Park, Engine Co. 21 being urged 
along by the Foreman, Matthew T. Brennan, and passing Hose Co. No. 
60. The City Hall and the Bell Tower, illuminated by the conflagration, 
in the background. 


267. THE LIFE OF A FIREMAN. 


Lithograph in colors. Rectangle, 17.2 x 25.14 
L. Maurer. | L. Maurer, Del.—[ Copyright 1854 by N. Currier | 
—Lith. By N. Currier. | The Life Of A Fireman. | The Fire. 
—“Now then with a will—Shake her up boys! | New York, Pub- 
lished by N. Currier, 152 Nassau Street. | 


268. THE LIFE OF A FIREMAN. 
Lithograph in colors. Rectangle, 17.2 x 26.1 
—L. Maurer. | L. Maurer, Del.—[ Copyright 1854 by N. Cur- 
rier |—Lith. By N. Currier. | The Life Of A Fireman. | The 
Ruins. “Take up.”—‘“Man your rope.” | New York, Pub- 
lished By N. Currier, 115 Nassau Street. | 


269. THE LIFE OF A FIREMAN. 
Lithograph in colors. Rectangle, 17. x 25.8 
C. Parsons Del—[ Copyright 1861, by Currier & Ives ]—Lith. 
Currier & Ives, N.Y. | The Life Of A Fireman. | The new era. 
Steam and Muscle. | 


Location at the northeast corner of Murray and Church Streets, the then 
dry goods district, Chief John Decker in the foreground. The City Hall, 
illuminated by the flames, in the background. 


270. THE LIFE OF A FIREMAN. 
Lithograph in colors. Rectangle, 17. x 26. 
—J. Cameron |—[ Copyright 1866, by Currier & Ives, ]—Currier 
& Ives, Lith. N. Y. | The Life Of A Fireman. | The Metropolitan 
System. | New York, Published by Currier & Ives, 152 Nassau 
Street ! | 


Horse apparatus, Engine Co. No. 29 and Hook and Ladder Co. No. 10, 
proceeding south on Broadway below Dey Street to fire at lower corner. 


271. FIREMEN PAST AND PRESENT. 


Lithograph in colors. Rectangle, 17:8 x 24: 


A proof before all letters of the Thomas & Wylie, Firemen, Past And 
Present, with the Burning of the Crystal Palace. 


272. FIRST DIVISION Ne Yoon: 3. 


Lithograph. Rectangle, 17.8 x 2604 
F. J. Fritsch Del.— | Morris Cadets, Hussars—German, La- 
fayette, Montgomery, Washington and Brooklyn Horse Guards 
—National G, and Washington Greys Troop, Horse Artillery, 
Lancers. | First—Division | New York—State Artillery. | 
[Copyright 1844 by F. J. Fritsch. | 


In center of margin an American eagle, flags and war emblems. The view 
shows Castle Garden, the Battery and Bay. Colored. First issue. Very 
scarce. See No. 315. 


273. FISHER & BIRD’S MARBLE YARD. 


Line. Rectangle, 8:11 x 7.12 
Fisher & Bird’s Marble Y | 287 | Marble Mantels & Statuary. 
| Chimney Piece Wareroom. | Entrance To The Wareroom. 
—Fisher & Bird. | Drawn & Engraved | By | John Baker | 359 
Houston St | N. Y. | Fisher & Bird’s | Marble Yard | 287 
Bowery | New York. | 


About 1840. ONr oTHER KNOWN. 


274. FULTON THE FIRST. 


Line. Rectangle, 9.13 x 14.10 
Drawn by J. J. Barralet, from a Sketch by Morgan, taken 
on the spot.—B, Tanner, direx*. | Launch Of The Steam Frigate 
Fulton The First, At New York, 29". Oct". 1814. | 150 feet 


[No. 274—Continued | 
long and 50 feet wide, will mount 28 long 82 pounders, and 2 
50 pounders. (Columbiards.) | Philadelphia; Published 27**. 
March 1815 by B. Tanner N°. 74 South 8™ S¢*. | 


VERY SCARCE. 


275. FULTON STREET AND MARKET. 
Aquatint. Rectangle, 9.5 x 13.6 
W™. IL. Bennett Pinx*. et Sculp‘. | Fulton St. & Market. | Henry 
I. Megarey New York. 


Very scarce. See Nos. 156 and 359. 


276. FORT GANSEVOORT OR OLD WHITE FORT. 


Lithograph. Rectangle, 8.14 x 12.1 
Published by James Van Valkenburgh, N. York 1834—Lith. 
of. Endicott & Swett. | Baptising Scene. | Near the White 
Fort Hudson River, New-York. | 


Colored. OwN®r oriEeR KNOWN. 


277. GAS LIGHT CO. 


Lithograph in colors. Rectangle, 12.2 x 18.4 
E. Jones & G. W. Newman, Lith. & Printed In Colors—128 
Fulton S‘. N. York. | The New-York Gas Light Co*. Works. 
| 215. & 22"¢ Streets & Avenue A. | Erected 1847. | John Mow- 
ton, Engineer. Edward Jones, Architect. | (Six names of ar- 
tisans in two columns, and “Plan.”) | Incorporated with per- 
petual Charter March 1823. Capital $1,000,000 | Commenced 
lighting from their Works corner of Hester & Rynders (Cen- 
tre) || Streets, March 1825. Extended the Works to the corner 
of Centre and | Canal St*. 1828. The C°. supply Gas south of 
Grand Street. | —W. W. Fox, Pres‘. C. L. Everitt Secy. | 


No OTHER KNOWN. 


278. GEM SALOON. 1854. 
Lithograph. Rectangle, 19.2 x 25.2 
Corner Broadway and Worth formerly Anthony Street. A 
Famous Hostelry known as having the largest mirror in the 
City. The figures are portraits of Mayor Fernando Wood, 
James Lawrence and other noted men of the fifties. 
Cut to the rectangle. 


279. GOVERNMENT HOUSE. 


Lithograph in colors. Rectangle, 14010 x 21:4 
C. Milbourne, Delint. Et. Excu’. | 1797 | From The Original 
Drawing By W. J. Condit.—| [Copyright 1847, by H. R. 
Robinson,| | From An Original Drawing In The Possession Of 
Thomas N. Campbell Esq.—Lith. & Printed In Colours By C. 
Currier, 33, Spruce St. N. Y. | The Government House. | This 
. occupied it, | It. . . down. | Drawn expressly for D. T. 
Valentine’s Manual.| 
Second issue. VERY SCARCE. 


Vv 280. GOVERNMENT HOUSE. 


Another copy; seventh issue. 


281. GOVERNOR’S ISLAND. 
Blue plate. 10.8 
View of | Governor’s | Island | By W. G. Wall Esq’. N. Y 


Fine and perfect. The title is on the back in a panel supported by a seated 


boy. The impressed stamp a crown and: “A. Stevenson. Warranted. 
Staffordshire.” : 


[ Illustrated | 


282. HAMILTON SQUARE. 


Lithograph. Rectangle, 8. x 12.5 
Lith & Pub. By J. Baillie—(Copyright 1847)—87. St. Near 
3° Avenue N. Y. | The Grand “Washington Monument” Pro- 
cession. | As it appeared on Hamilton Square during the Cere- 
mony of laying the Corner-stone, October 19. 1847. | On 
Stone from a Drawing taken on the Spot by J. L. Magee. | 


A large float, drawn by six horses, with bust of Washington and young 
woman as Liberty. In background pedestal and stand. Colored. No 
OTHER KNOWN. 


283. HANOVER BUILDINGS. 


Lithograph. Rectangle, 8.10 x 10.8 
On stone by J. P. Newell—J. H. Bufford’s Lith. Boston. | Han- 
over Buildings, Hanover Square, N. Y. | 


VERY SCARCE, 


284. HARLEM BRIDGE. 1864. 
Lithograph. Rectangle, 13:4 x 32. 
Endicott & Co Lith. 59 Beekman St New York | Harlem Bridge. 
| Now Being Erected Across The Harlem River, At The Ter- 
mination Of The Third Avenue, New York. | (Four lines of 
description and at sides names of officers) | 
Colored. 


285. HARLEM LANE. 


Lithograph in colors. Rectangle, 18.8 x 28.11 
—J. Cameron. Del, | (Copyright 1870, By Currier & Ives) | 
Lith. Of Currier & Ives.—152 Nassau Street New York | Com. 
Vanderbilt with | Myron Perry and Daisy Burns. | Bonner with 
Dexter. | Fast Trotters On Harlem Lane N. Y. | New York 
Published By Currier & Ives 152 Nassau Street | 


The “Club House” is Toppy Me.Guire’s at about 187th Street and Eighth 
Avenue. 


286. HELL GATE. 


Aquatint. Rectangle, 5.5 x 7oll 
Drawn under the direction of the Author and Engraved by M. 
Merigot. | View of Hell Gate; the Entrance from Long Island 
Sound to New York. | Published March 1,-1807, by James 
Cundee, Albion Press, London. | 


287. HELL GATE. 
Aquatint. Rectangle, 1001 x 138.18 
Painted by J. Shaw.—Engraved by J. Hill. | Hell Gate. | Pub- 
lished by Thomas T. Ash Philadelphia. | 


View taken from the Gracie house. Colored. 


288. HELL GATE FERRY HOTEL. 
Lithograph. Rectangle, 8.2 x 12.4 
View Of J. M. Dunlap’s Hurlgate Ferry Hotel, Foot Of 86™.. 
Street And East River, New-York. | An obliging Host, beautiful 


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kt | 


[ No. 288—Continued | 

scenery and cool summer retreat, Refreshments of the first 
quality, with Horses and pleasure Wagons to let, also Boats 
and Tackle for fishing-parties, renders this place second | to 
none in the vicinity of New-York. Murphy’s Stages from City 
Hall, Pell St. and Bowery, run every 15 minutes and carry 
passengers to this place for 6 cents. | —Published by James 
Baillie, 87*".. St. near 87 Avenue N. Y.— | 249. | 


Colored. VERY sCARCE. 


289. HIGH BRIDGE. 


Lithograph. Rectangle, 8.2 x 12.11 
Lith. & Pub. By N. Currier,—(Copyright 1849 by N. Currier,) 
—152 Nassau St. Cor Of Spruce N. Y. | Length 1450 f*,,—The 
High Bridge At Harlem, N. Y.—Height 114 f*,, | This mag- 
nificent bridge of stone forms a part of the immense works 
erected to bring the water of the Croton river to the City of 
New York.—The length of the aquaduct from the Croton fiver 
| to the City Hall, is 4414 miles, and cost about $13,000,000. 
| 699. | 

Colored. Masked to title. 


290. HIPPODROME. EXTERIOR. 


Lithograph, tinted. Rectangle, 7.4 x 10.12 
(Copyright 1853 by T. S. Berry) | Composed for the Piano 
Forte | and respectfully dedicated to the Visitors of the | 
Hippodrome | Lith. of Sarony & Major N. Y.—871%4 Cts. 
nett. | 

Site occupied by the Fifth Avenue Building. 


INTERIOR. 
Lithograph, tinted. Rectangle, 7.12 x 11. 
Entered . . . 1858, by Geib & Jackson, . . . N. Y. | Hippo- 


drome Scottisch. | 38 Cents nett. | Published by Geib & Jack- 
son, 499 Broadway, N. York. 


Inscriptions partly masked. In one frame. 


291. HOSPITAL. 


Wood-cut. Folio broadside. 
N®. 1 | Charity Extended To All. | State of the New-York 
Hospital for the Year 1797. | 

The wood-cut view of the New York Hospital is on the front page of the 
First Report of two folio leaves. It gives a short history of the building 
(Broadway, between Duane and Worth Streets), undertaken 1770, incor- 


porated 1771, and the corner-stone laid in 1775, and is of unusual interest 
and importance for the medical statistics. 


[ Illustrated | 
292. HOSPITAL. 
Line. Rectangle, 6.15 x 11. 
John R. Murray delin—Leney sc‘. | View of the New York 


Hospital. | 


293. HOWARD HOTEL. 


Lithograph. Rectangle, 18. x 24.8 
On Stone by C. Parsons—Lith. Of G. & W. Endicott, 59, Beek- 
man St. N. York.— | Howard Hotel, Broadway, New York. | 
Corner Of Maiden Lane. | —By Thomas & Roe. | 


Shows the east side of Broadway, Maiden Lane to north corner of John 
Street. Two other impressions known. 


[ Illustrated | 


SOCIETY OF ICONOPHILES 


FIRST SERIES 


TWELVE ENGRAVINGS ON COPPER BY Epwin D. Frencu. 


294. 1. St. Paul’s Chapel; 2. Interior of St. Paul’s; 3. Fraunces’ Tavern; 
4. Roger Morris House; 5. Hamilton Grange; 6. St. Mark’s 
Church; 7. City Hall; 8. Halls of Justice (““Tombs’’) ; 9. Acad- 
emy of Design; 10. St. John’s Chapel; 11. Reservoir; 12. Bowl- 
ing Green. 


101 impressions issued on Japan paper. In original wrappers. 1895. 


SECOND SERIES 


TWELVE LITHOGRAPHS BY CHARLES FEF. W. MiIciatz 


295. 1. Battery and Castle Garden; 2. Morningside Park and St. Luke’s; 
3. Aaron Burr House; 4. Clinton Hall; 5. High Bridge; 6. Har- 
lem River; 7. South St.; 8. Oyster Market, near Christopher 
St.; 9. Dutch Reformed Church, Kingsbridge Road; 10. Five 
Points; 11. Poe Cottage, Fordham; 12. Old Mill, Van Cort- 
landt Park. 


132 impressions issued on India paper. In original wrappers. 1898. 


THIRD SERIES 
Earty AMERICAN Printers AND ENGRAVERS. 


ExXGRAVED ON COPPER BY Francis 8S. Kine. 


296. Isiah Thomas. 


297. Paul Revere. 
298, Alexander Anderson. 


299, Amos Doolittle. 


132 Impressions issued on India paper. 1897-1901. 
Hugh Gaine is missing and James Rivington, framed, with the Gazetteer 
1773, is No. 355. 


FOURTH SERIES 
Mew anv Events ConnECTED WITH THE CITY 


Six ENGRAVINGS ON COPPER RY Francis S. Kine 


300. 1. Lafayette and his Landing Aug. 16. 1824; 2. Washington and 
the Evacuation Nov. 25, 1783; 8. DeWitt Clinton and Erie 
Canal celebration, 1825; 4. Admiral Dewey and the Arch, 1899; 
5. Aaron Burr and Richmond Hill house; 6. Alexander Hamil- 
ton and the Grange. 
120 impressions issued on Japan paper. In original wrappers. 1899-1902. 


ee es) Ye] ee 
Bes) LS) po) 
0 SI | 
Hie) I] BS) 


EXCHANGE 


HOWARD Mowe, - 


CORNER OF- 


No. 293 


‘ 
; 
, 
4 
Q is ¥ 
i 


FIFTH SERIES 
Facsimites or Earty Encravep Views 
ENGRAVED ON CoppER BY Stpney L. Surru 
301. 1. Federal Hall; 2. Middle Dutch Church; 3. Columbia College; 4. 
Trinity Church; 5. Richmond Hill House; 6. St, Paul’s Chapel ; 
7. Government House; 8. City (Federal) Hall; 9. Belvidere 
House; 10. Battery, Harbor and “Ambuscade” Frigate. 


103 impressions issued on Japan paper. In original wrappers. 1899-1903. 


SIXTH SERIES 
Earty New York Avuruors 
ENGRAVED ON CopPpER BY Francis S. KING 


302. Fitz-Greene Halleck. Joseph Rodman Drake. 


103 impressions issued on Japan paper. 1903-4. (2) 


SEVENTH SERIES 
New York on SrarrorpsHirE Porrery 


Eicutr Aquatints py Cuarues F. W. Mieiarz 


303. 1. New York from Fulton St. B’klyn; 2. Battery, Esplanade and 
Castle Garden; 3. Alms House (Bellevue); 4. City Hotel; 5. 
Castle Williams; 6. Brooklyn Ferry; 7. St. Paul’s Chapel, 
etc.; 8. Castle Clinton and the Battery. 


104 impressions issued on Japan paper. In original wrappers. 1904-06. 


EIGHTH SERIES 
SkyY-scRAPERS OF New York 


TWELVE LITHOGRAPHS BY JOSEPH PENNELL 


304. 1. Battery Park; 2. Broadway from Bowling Green; 3. “Broadway 
Towers”; 4, Stock Exchange; 5. Nassau Street; 6. Pine Street; 
7. William Street; 8. “Building the Building”; 9, “The Flat 
Iron”; 10. Union Square; 11. Broadway above 23" St.; 12. 
The “Times” building. 


100 impressions issued. In original cover. 1905. 


NINTH SERIES 
TWELVE VIEWS FROM OIL PAINTINGS, ETC. ENGRAVED BY WALTER M. 


AixmMAN, Francis S. Kine anp Sipney L. Smiru. 


305. 1. S. E. Prospect of N. Y. 1756; 2. Broadway N from Grand Street; 
3. Clinton Hall; 4. Custom House, 1799; 5. S. W. Prospect, 
1806; 6. Novum Amsterodamum; 7. Kings (Columbia) Col- 
lege; 8. State Street; 9. N. Y. (“Wooded Heights”) in 1775; 
10, Broadway and Grand St. 1880; 11. Grace and Trinity 
Churches; 12. St. Paul’s Chapel, 1812. 


100 impressions issued on Japan paper. In original wrappers. 1905-08. 


TENTH SERIES 
PicturEsquE New York 


TweLve Poorocravures From Monotyres By C. F. W. Mrexrarz 
306. 1, Van Cortlandt Manor House; 2. Oyster Market, West St.; 3. St. 
John’s Chapel. 4. Fraunce’s Tavern; 5. Old Houses Battery 
Park; 6. Rose Street}; 7, Broadway at Great Jones St.; 8. 
Third Ave. & 122% Str, doorway; 9. Jumel Mansion; 10. Coen- 
ties Slip; 11. N°. '7.State Str.; 12. Fourth Ave. & 28'™St. 


One hundred impressions issued. In original wrapper. 1908. 


ELEVENTH SERIES 
Ercuines spy Sipney L. Situ 
307. 1. Broadway in 1865. 3. New York Hotel, Broadway, 1867; 4. 
Bowling Green and State Street, 1880. 6. North Dutch Church. 
1769-1875. 
Lacks 2. Astor House, and 5. Wall Street 1883. 


TWELFTH SERIES 
Pustic Monuments By F. S. Kine 
308. 1. George Washington. (Union Square). 3, William Tecumseh Sher- 


man. (Plaza) 
2. Farragut, is missing. 


ISLAND INSURANCE CO 
ea tania ae 


i 


Bie 


MAIDEN: LANE, | NEW. YORK. 


Jewelry Centre of the World. A Space Less than Two Blocks Containing 308 Jewelry Firms. 


No. 3820 


320. MAIDEN LANE. 


Lithograph. Rectangle, 34.4 x 23.8 
Copyrighted. Published By J. J. Fogerty, 118 Nassau Street, 
New York.—Am. Photo. Litho. Co. N. Y. | Maiden Lane, New 
York. | Jewelry Centre of the World. A Space Less than Two 
Blocks Containing 308 Jewelry Firms. | 


Colored. Issued for advertising purposes but has become very scarce. 


| Illustrated | 


321. MANHATTAN COLLEGE. 
Water-color. Rectangle, 22.4 x 35.6 


A very beautiful drawing taken from the river and showing the “Man- 
hattan” railroad station, locomotive, passenger and baggage car, archaic 
and interesting, in the foreground. Manhattan College is prominent in 
the center with the Church of the Annunciation at the right and the tower 
of the Convent of the Sacred Heart in the background. A turn-table and 
receding street car, “Manhattan | To | Harlem,” is just disappearing at 
the right. The Rectory House is shown north of the College. The rural 
aspect and the billets of wood, instead of coal, in the locomotive tender, 
suggest the period of about 1855. The site was purchased in 1853 and 
the Academy of the Holy Infancy erected. In 1863 it was raised in rank 
and incorporated as Manhattan College by the “Christian Brothers.” The 
corner stone of the Church of the Annunciation was laid in November 
1853 and it was dedicated in 1854. At that time it was the only Catholic 
church on the west side of the island north of forty-second street. It was 
later razed and a new church erected at the corner of Convent Ave. and 
131st Street. 

It is one of the most attractive exhibits of the collection. 


[Illustrated in color. See Cover | 


322, MANHATTANVILLE. 


Lithograph. Rectangle, 9.2 x 13.10 
From Nature by J. W. Hill—hLitho: of Endicott, 359, Broad- 
way Manhattanville, New York. | Entered . . . 1884, by 
George Endicott, . . . N. York. | 

Of unusual interest as showing the marvelous growth of the city. This 


village did not become a part of the municipality until thirty years later. 
Fine original coloring. ‘THREE OTHER COPIES KNOWN. 


323. MASONIC HALL, 
Lithograph. Vignette in rectangle, 11.14 x 9.14 
On Stone by A. J. Davis—H. Reinagle Architect.—Imbert’s 
Lithography. | Masonic Hall. | Front on Broadway 50 feet. | 


Nos. 314-316 Broadway, between Duane and Pearl Streets. To the left 
is Luke’s Bakery. 


324. MECHANIC’S AND TRADESMEN’S CERTIFICATE. 
Line. Rectangle, 16.8 x 21.2 
Oblong oval with man offering purse to seated woman with child 
in her arms and boy at her knees; to right a man points out to 
barefoot boy building of ‘‘Mechanic’s School & Apprentice’s 
Library”. To left a shipyard and in background a steamboat. 
In upper part of oval border: “To Dry The Tear From 
Misery’s Eye, To Succour The Afflicted And To Save The Sink- 
ing Is Our Aim.”, and in lower part forty-two five-pointed 
stars. In the angles, cupids typifying Agriculture, Time, 
Sculpture, and Architecture. An eagle supporting seal and 
holding scroll in talons in centre of inscription space. 


—— was elected a member of the | General Society of—Me- 
chanics and Tradesmen | of the City of New York on the 
| Attest Secretary. 
President. | Drawn by Charles Canda.—Engraved by B. Tan- 
ner. | Printed By Brother Samuel Maverick. | 


The certificate is made out to Stephen Allen, Mayor 1821-22, and is wit- 
nessed by J. Hopson and Robert Boyd, Dec. 8th, 1823. Very scarcer. 


day of —— Anno Domini 


325. 


bo 
OU 


MELROSE. 


Lithograph. Rectangle, 17. x 25.2 
Del & Lith. By Valois.—Print. By G. Schlegel 97 William S*. 
N. Y. | (Reference numbers—16) | View Of Melrose | And Sur- 
roundings. | Taken from the Ursuline Convent, Westchester C°. 
N. Y. 1868. | (References—sixteen in two columns at sides of 
title) | 


Clipped at sides and creased on bottom. VeEry scarce. 


ae 


THIRD EVENING’S SALE 
WEDNESDAY, FEBRUARY 7, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


Catalogue numbers 326 to 562, inclusive 


MERCHANTS’ EXCHANGE 


326. MERCHANTS’ EXCHANGE. 


Lithograph. Vignette in rectangle, 12. x 10. 
E. M. Thompson Architect. | Imbert’s Lithography.—On Stone 
by A. J. Davis. | Merchants Exchange. | New York. | 


India proof. 


327. MERCHANTS’ EXCHANGE. 
Water-color. Vignette, 7.2 x 8.7 
Exchange. |—J. R. Brady Arc‘. | Drawn by A. J. Davis 1826. 


A front view. 


328. MERCHANTS’ EXCHANGE. 


Lithograph, tinted. Rectangle, 15.12 x 22: 
I. Rogers Arch':—On Stone by Bufford——Drawn by C. L. 
‘Warner. | Merchants’ Exchange, New York. | (Copyright 
1837.) | 


Colored. Framed to title; stained. Tur scarcest AND MOST DESIRABLE REPRE- 
SENTATION. 


329. MERCHANTS’ EXCHANGE. 
Lithograph. Rectangle, 8.6 x 12.8 
Lith. & Pub. By N. Currier,—(Copyright 1848 by N. Currier) | 
Merchant’s Exchange, New York. | Wall Street. | 613. | 


Colored. Scarce. 


330. METROPOLITAN HOTEL. 


Lithograph in colors. Rectangle, 16.6 x 23.2 
Lith. & Printed In Colours By Sarony & Major New York.— 
Trench & Snook, Architects, New York. | Metropolitan Hotel. | 
Broadway, New York. | Simeon Leland And Company, Pro- 
prietors. 

Framed to third line. Two others known, 


331. MURRAY STREET. 


Water-color. Rectangle, 10213 x 14013 
Murray Street Broadway to North River. 1822. With D’. 
Mason’s Church, 


The original drawing, probably by Peter Maverick, for Hayward’s litho- 
graph published in Valentine’s Manual, 1852. 


332. NATIONAL THEATRE BURNING. 


Lithograph. Rectangle 8:15 x 12-11 
—N. Sarony—N. Sarony. | 


The Burning of the Old National Theatre, corner of Leonard and Church, 
the Church of Saint Esprit corner of Church and Franklin, and the- Dutch 
Reformed Church on Franklin street, September 23rd, 18389, 

An unlettered proof; repaired at top. ONE orHER KNOWN. 


333. NATIONAL THEATRE. 


Lithograph. Rectangle, 8.6 x 11.14 
Day & Haghe, lith. 17. Gale S‘. London.—-from a Drawing by 
R. Bengough. | National Theatre | New York | J. W. Wallack 


Esq’. Lessee. | 


Corner of Church and Leonard Streets. Destroyed by fire May 29th 1841. 


Water-color of the above, with fewer figures and with slight 


differences in the neighboring houses, signed: ‘“‘Bengough fecit” 
In one frame. 


334, NATIONAL THEATRE REBUS. 


Lithograph, tinted. Vignette, 10.9 x 6.12 
Rebus N°. 1. | S | P—S. | ’s 25—1215. | Purdy’s National 
Theatre, New-York. | Tragedy, Comedy, Spectacle, Farce. | 
Prices. Boxes 25 C'.. Pit. 121% | 

Drawn in the form of a rebus, giving a view of the theatre, of the city 
from the river, and portraits of Alexr. H. Purdy, J. B. Booth, Barney 


Williams, Charles Burke, Geo. L. Fox and Thomas D. Rice. 
Not framed. 


LEE “ON 


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353. RHINELANDER SUGAR HOUSE 


Water-color. Rectangle, 6:14 x 5.7 
The “Rhinelander” Sugar House, L. Oram Pinx*. | 


Destroyed 1892. Liberty Street, site of the Mutual Life Insurance Com- 
pany’s building. 


354. RIGGING HOUSE. 


Lithograph, tinted. Rectangle, 11.4 x 9,2 
[Copyright 1846, by H. R. Robinson,] | Lith. & Pub. By 
H. R. Robinson—142, Nassau S‘. N. York. | The Rigging 
House, | 120 William Street.— . . . | Here Methodism was 
first rigged out in the port of New York, and started on her 
prosperous Voyage in North | America; This rigging house, 
now the last relic of the Old Dutch architecture of New-Am- 
sterdam, will soon be | among the things that were. This is a 
fine front view as it now stands. (ete., seven lines) | —This 
building is now occupied by Doty & Bergen, Engravers, Label 
& Copper-plate Printers, & | Manufacturers of Fancy & Trunk 
Papers. | New York, Sep‘. 1846. | 


VERY SCARCE. 


355. RIVINGTON’S GAZETTEER. 


Newspaper. Folio. 
Rivington’s | New York Gazeteer; | Thursday, May 27 | 1773. 
RIVINGTON JAMES. 

Engraved by F. S. King for the Iconophiles 1901. (2) 


356. RUTGERS FEMALE COLLEGE. 


357. ST. 


Wash-drawing. Vignette, 8.4 x 9.4 
—H. D. S. | —1869 | Rutgers Female College | Fifth Avenue 
And 42"" Street. 

Not framed. 


NICHOLAS HOTEL. 


Lithograph in colors. Rectangle, 7.14 x 10.8 
[Copyright . . . 1853 by Horace Waters] | 


From a music sheet. Framed to copyright line. 


358. SOCIETY LIBRARY. 


Lithograph. Rectangle, 8.6 x 13.6 
G. Moore, delt—Day & Haghe, Lith’. to The Queen. | The 
New York Society Library. | Frederick Diaper, Arch*. 


346-348 Broadway, South East corner of Leonard Street, 1840-1853. Later 
Appletons the publishers. The site now occupied by the New York Life 
Ins. Co’s building. 

VERY SCARCE. 


,/ 859. SOUTH STREET. 


Y) 
Aquatint. Rectangle, 9.7 x 13.9 
W™. I. Bennett Pinx'. et Sculp*. | South St. from Maiden Lane. 
| Henry I. Megarey New York. | 


Very scarce. See Nos. 156 and 275. 


360. QUARANTINE, STATEN ISLAND. 


Aquatint. Rectangle, 15.8 x 22.2 
Painted & Engraved by—W. J. Bennett. | View Of The New 
York Quarantine, Staten Island. | Printed by J. Neale | Pub- 
lished by Parker and Clover 180 Fulton Street New York. | 


Entered . . . 1833 by Parker & Clover . . . New York, | 
An artistic and decorative subject. Colored. Very scarce. 
[ Illustrated | 


361. A. T. STEWART 


Lithograph. Vignette, 13. x 13. 
Im. Godard, Q. des Augustins, 55.—A. L. | Robe Marie An- 
toinette. | A. T. Stewart & C'®. | Rue Bergére, 18. | Paris. 


A female figure in very wide crinoline; showing Stewart’s building, Broad- 
way and Chambers street, and upper corner of Park railing. Colored 
fashion plate. Very scarce. 


362. STUYVESANT’S ARMY ENTERING NEW AMSTERDAM. 


Oil-painting. Rectangle, 28. x 85s 
The original of Peter Stuyvesant’s Army entering New Amster- 
dam, by William Mulready. 

An excellent composition in which the artist has caught the spirit of 
Irving’s satire. A reproduction, from a reduced drawing by William 


Heath, was issued by the lithographers Sarony & Major, and appears in 
Knickerbocker History of New York 80. 1854. 


[Illustrated in color | 


098 “ON 


Ce) Prep Mmm * ao ONT acer 


PES dip aig vctiuig, gist Daipt ny «Ie 
pe a ae 7) 


LLMW AVG SOLOS. 4 


3863. STUYVESANT’S ARMY /ENTERING NEW AMSTERDAM. 


Process. Rectangle, 7.2 x 2604 
—E. C. Caswell, 1900/ SES: Stuyvesant’s Army Entering New 
Amsterdam. 


Not framed. 


364. TAMMANY HALL. 


Lithograph. Rectangle, 9.2 x 19. 
Printed & Published by H, R, Robinson,—48 and 52 Courtlandt 
Street New York. | The Funeral Of Old Tammany. | This 
mournful ceremony took place in the City of New York on the 
10,, day of November 1836. The lamented individual had 
been long subject to a vast complication of disorders, which | 
though combatted with great skill and perseverance by, Doc- 
tors, Humbug, Monopoly, & Office; at last carried him off. 
The symptoms became extremely alarming on the 7'",, and the | 
danger continued to encrease ’till the evening of the 10*., when 
Old Tammany gave up the ghost. A vast concourse of people 
followed the corpse to the grave, composed of all the office 
holders in the State; all the | possessors of exclusive priveliges ; 
and the members of the New York Regency. A funeral ora- 
tion was delivered by the District Attorney, and a funeral dirge 
sung by Signor Garry Gilbertini. 


To the right, a view of “Tammany Hall” with flag~at half-mast. The 
hearse is driven by the editor of “The Courier and Enquirer,” and among 
the mourners are the editors of “The Times” and “The Truth Teller.” 
From the mouths of the principal figures issue inscriptions. A fireman 
in background asks, “Who killed Old Tammany” and is answered by 
another: “James Gulick!”’ 

This caricature and No. 264 refer to the political excitement at the time 
of the election of James Gulick, deposed chief of the Fire Department, 
to the office of Register. No orHer KNOWN. 


365. THALIA THEATRE, ETC. 
Water-color Rectangle, 19.14 x 27.12 
W™. Kramer, Esq. Proprietor—W™. José, Architect. | Thalia 
Theatre and Atlantic Garden. | Nos. 46, 48 & 50 Bowery, New 
York. 


A well-executed and interesting piece. The buildings recently razed. 


e 


366. THE TIMES. 


Lithograph. Rectangle, 11.14 x 18.13 
Clay fec. | Printed & Published by H. R. Robinson,—52 Court- 
landt Street, New York | Entered . . . 1887, by H. R. Robin- 
son. . . New York. | The Times. | 


A curious and interesting caricature on the Panic of 1887. Colored. Two 
OTHERS KNOWN. 


367. TOMBS. 


The Tombs Halls of Justice Centre Street engraved by John 
Popple, 1850 | and the Townsend House, N. W. Cor, 34 Street 
and 5‘" Ave. 

Not framed. (2) 


UNION PARK 


368. UNION PARK. 


Lithograph, tinted. Rectangle, 11.138 x 16.7 
James Smillie del—Entered . . . 1849 by Willian & Stevens, 
. . . N. York.—Lith. of Sarony & Major, New York | View 
of Union Park, New York, from the head of Broadway. | The 
Church Of The Puritans, Rev*. G. B. Cheever D.D. Pastor. 
The Spingler Institute, erected by the Family of the late Henry 
Spingler Esq. | and occupied by Abbott’s Collegiate Institution 
for Young Ladies, Rev°. Gorham D. Abbott. Principal. In 
the Distance Calvary Church, on the extreme Right, the Free 
Academy. | Pulished by Williams & Stevens, 353 Broadway 
N. Y. | 


Injured in lower margin. See No, 228. 


369. UNION PARK. 


Lithograph, tinted. Rectangle, 7.7 x 10.6 
(Copyright 1852) | Print by Nagel & Weingiirtner N. Y. | 
Union Park Schottisch. | 


The view overlooks the Square from the northeast corner of Fourteenth 
Street, and shows an old style Harlem R. R. car drawn by four horses. 
Inscription partly covered. Colored. 


370. UNION SQUARE. 


Chromo-lith. Rectangle, 16.8 x 22.7 
Halte Des Grenadiers Rochambeau | A | Union Square | New 
York. | “Decoration day” 30 Mai 1884. || Halt Of The Grena- 
diers Rochambeau | In | Union Square | New York. | “Decora- 
tion day” May 380. 1884. 


Repaired. VERY scarce. 


No. 362 


STUYVESANT’S ARMY ENTERING NEW AMSTERDAM 


[No. 380—Continued | 


From Nassau street to N°. 46, corner of William street. 

Howes | & Macy. | Bankers. | Livermore | Clews & Co., | epee & 
Hatch., | Bankers, | National | Bank. | Bank Of | N-America | Bank el 
America. 

A. Tallis. Engraver—(Wall St.)—Tallis | Views Of New York. 

From N°. 48 to N°. 62. 


Bank Of New York | City Bank | Mechanics & Traders | Fire Insurance 
Co. | American Fire Ins Co. | National | Fire | Ins Co. | Royal | Fire & 
Life | Ins Co. | Aitna | Insurance Co | Of Hartford | 

Tallis’ Views Of New York—(Wall St.)—A. Tallis, Engraver. 

From N°. 64 to N°. 82. 


Howard | Fire | Ins Co. | New York | Fire & Marine | Ins. Co. | Taylor 
Bro’s | Bankers. | Seamens Bank. | 

A. Tallis, Engraver—Wall st.—Tallis’ Views Of New York. 

1863. In one frame. VERY scarce. 


381. WALTON HOUSE. 
Lithograph. Vignette, 10. x 10.8 
A. J. Davis del—Lithography of Imbert. | Walton House. | 
328 Pearl-St. Franklin-Square. | Simon Backus. 


Framed with it the original drawing by Davis. OnE orHER KNOWN. 


STEPHENSON’S WARREN STREET 


882. WARREN STREET. 
Lithograph. Rectangle, arched, 19.3 . 36.8 
—Lithogr. & printed by F. Heppenheimer 22 North William 
St. N. Y. | View of Warren Street New York | from Broadway 
to Church Street | North Side | Published by W. Stephenson & 
Co. 252. Broadway N, Y. | A. D. 1854. 


Colored, No orHrr KNOWN. 


383. WASHINGTON SQUARE. 

Lithograph. Rectangle, 2404 x 35.13 
On Stone by C. Gildemeister, 289 Broadway, N. Y.—(Copy- 
right 1852 by Otto Botticher)—Print by Nagel & Weingaertner 
N. Y. | National Guard—7'. Regt. N. Y. S. M. | From the 
Original picture by Major Bétticher, in the possession of the 8. 
Co. N. G. | The principal heads from Daguerreotypes—by 
Meade Brothers 233 Broadway N. Y. | New York, Published 
by Otto Botticher, 289 Broadway. | 

Colored, Washington Square, showing the University Building, ete. 


/ 384. WHARF AND SHIPPING. 


Line. Rectangle, 8.9 x 18. 
S. Coleman.—[Copyright 1869 by W. Pate & Co.]—H. S. 
\i/ Beckwith. | Wharf And Shipping, New York. | From the Origi- 
nal Painting in the possession of the Publishers. | William Pate 

& C°. New York. | Colored. 


385. JOHN WILLIAMS. 


Line. Vignette, 2.6 x 3.14 
Gentlemen’s Fashionable Wearing Apparel Warehouse. | John 
Williams | Clothier | N°. 212 Broad-way New York. | Corner of 
Fair Str’. 


386. GERMAN WINTER-GARDEN. 


Water-color. Rectangle, 21.8 x 29.8 
Fritz Meyer ft. New-York, Oct. 1856; | Innere Ansicht Des 
Deutschen Volks-Winter-Gartens. | Interior Of The German 
Winter-Garden, | 45 Bowery, New York. | —Henry Hoffman, 
Architect. | ; 


387. WORTH MONUMENT. 
Lithograph, tinted. Rectangle, 12.2 x 18.2 
A. Weingiirtner’s Lith’. N. Y. | Ceremonies of Dedication of the 
Worth Monument. | (Noy. 25, 1857) | 


388. VARIA. 
New York in 1775 (Fort George from the Harbor) ; New York 
from Weehawk, Smillie; Castle Garden 1841, music sheet ; Astor 
House; Landing of Lafayette; S'. Paul’s (from the Mirror) ; 
Park & City Hall. Not framed. (7) 


389. VARIA. 


The Clermont Steamboat from the N.Y. Historical Society’s 
original; Merchants’ Exchange, (3), Fort Hamilton; Phenix 
Bank (enlargement) etc. Not framed. (10) 


O66 “ON 


i 


AMERICAN CITIES, ETC. 


390. ALBANY. 


Aquatint. Rectangle, 15.10 x 2401 
Drawn by I. W. Hill. Engraved, Printed & Colored by I. Hill. 
| Albany. | From Greenbush, | New York, Published 1¢. April 
1834 by Betts & Anstice No 151 Pearl St Copy Right secured 
according to Law. | 


Colored. Fine example. Very scarce. 


[Illustrated in color | 


391. BAKER’S FALLS. 


Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | Baker’s Falls. 
N®. 8 of the Hudson River Port Folio | Published by Henry I 
Megarey New York. | ete 

Colored. Not framed. 


BALTIMORE 


392. BALTIMORE. 


Aquatint. Rectangle, 16.11 x 28.15 
Baltimore in 1752, | From a Sketch then made by John Moale 
Esq’. deceased, corrected by the late | Daniel Bowly Esq’. | 
“from his certain recollection, and that of other aged | 
Persons, well acquainted with it; with whom he compared 
Notes.” | (The Writing by H. S. Tanner.) | (Twenty-nine num- 
bered references in four columns at sides of title) | 

Repaired. Colored. 


393. BALTIMORE. 


Aquatint. Rectangle, 16.7 x 22.8 
—Published January 1**. 1802, by Atkins & Nightingale, N°. 
143.—Leadenhall Street, London, & N°. 100. Chestnut Street, 
Philadelphia.—| Drawn by G,, Beck, Philadelphia.—Engrav’d 


[No. 893—Continued | 


394. 


395. 


396. 


397. 


398. 


by T,, Cartwright, London. | East—| View Of—| Baltimore— 
Maryland. | 
In centre of inscription space a spread eagle, with motto in beak, sur- 


rounded by sixteen stars. 
Fine example. Colored. Very scarce. See Nos. 453 and 481. 


[Illustrated in color | 


BALTIMORE. 
Aquatint. Rectangle, 16.4 x 2404 
Pain’. & Eng*. By—W. J. Bennett. | Baltimore Taken Near 
Whetstone Point. | New York Pub by H I Megarey—Printed 
By J. Neale. | (Copyright 1831 by Megarey) 


Colored. VERY SCARCE. 


BALTIMORE. 
Aquatint. Rectangle, 16.8 x 242 
Pain*. & Eng’. By—W. J. Bennett | Baltimore From Federal 
Hill. | New York, Pub. by H I Megarey. | Printed By J. & G. 
Neale. 
Colored. 


BALTIMORE. 


Another impression; colored. 


BALTIMORE. 
Lithograph in colors. Rectangle, 17.12 x 41. 
Printed In Colors—Drawn From Nature And Engraved By E. 
Whitefield—By F. Michelin, 111, Nassau S‘. N. Y. | View Of 
Baltimore, M‘. | From Federal Hill. 


BALTIMORE. 


Lithograph. Rectangle, 14.3 x 1801 
Published by Edward Weber & Co. Baltimore. | Baltimore. 
Colored. 


399. 


400. 


401. 


402. 


403. 


BALTIMORE. 


Lithograph. Rectangle, 13.11 x 19.4 
Lithographed and printed in colours—by E. Sachse & Comp. 
3 N. Libertystr. Baltimore. | Calvert Street. | Baltimore. | 
1835 


Inscription is on frame. Colored. 


BERGEN, N. J. 


Lithograph. Rectangle, 13.14 x 19. 
The Reformed Dutch Church At Bergen, New Jersey. | Two 
lines. 


Repaired. Not framed. Very scarce. 


BETHLEHEM. 
Line. Rectangle, 11.7 x 17.4 
Z| N. Garrison, delin'—I. Noual Sculp. | A View of Bethle- 
hem, one of the Brethren’s Principal Settlements, | in Pensyl- 
vania, North America. || (‘Title repeated in French, two lines) | 
London Printed for Rob‘. Sayer N°. 58 Fleet Street. 
Colored. About 1761. 

BETHLEHEM. 
Aquatint. Rectangle, 12.10 x 19. 
T. Birch pinx.—Strickland se | Bethlehem—Pennsylvania 
Slight tear at bottom. Colored. Very scarce. Not framed. 

BOSTON 

BOSTON. 

Line. Rectangle, 12. x 20. 


A View of the City of Boston the Capital of New England,— 
in North America.—|| Vue de la Ville de Boston, Capitale de la 
Nouvelle Angleterre, | dans |’Amérique Septentrionale. | Drawn 
on the Spot by his Excellency, Governor Pownal; Painted by 
M’. Pugh, & Engraved by P. C. Canot. | London, Printed for 
John Bowles, at N°. 13 in Cornhill; Rob‘. Sayer, at N°. 53 in 
Fleet Street ; Tho*. Jefferys, the Corner of S‘. Martins Lane in 
the Strand; Carington Bowles, at N°. 69 in S*. Pauls Church 
Yard; & Hen’. Parker, at N°. 82 in Cornhill. 


Colored. Very scARcE. 


404. BOSTON. 

Line. Rectangle, 10.12 x 17.5 
London. Printed for Bowles & Carver, N°. 69. St. Paul’s 
Church Yard.—I. Carwitham sculp. | 34— | A South-East 
View of the City of Boston in North America. 


Colored. About 1775. VERY SCARCE. 


405. BOSTON. 


Another impression of the same state. Colored. 


406. BOSTON. 
Aquatint. Rectangle, 13. x 18.7 
(References) | Painted & Engraved by Rob‘. Havell. | View Of 
The City Of Boston | From Dorchester Heights. | Coloured by 
Havell & Spearing.—Printed by W. Neale. | Published by 
W. A Coleman 205 Broadway for Rob‘. Havell Sing Sing N. 
York | (Copyright 1841 by Rob‘. Havell) 


Artistic and attractive. Colored. VEry scarce. 


407. BOSTON. 
Lithograph in colors. Rectangle, 10.10 x 14.14 
M K Kipps del— | L. Prang & Co. Lith. 34 Merchants Row, 
Boston.— | Old Warehouse—Dock Square, Boston. | Built— 
1680 Taken down—1860. 


408. BUFFALO. 
Aquatint. Rectangle, 16. x 24.6 
Pain’, by W. J. Bennett from a— | Sketch by J. W. Hill.— 
Pub: by Henry J. Megarey New-York.—Engraved by W. J. 
Bennett. | Buffalo, From Lake Erie. | Dedication two lines, 
copyright 1836 one line) 


Injured at bottom. Finely colored. VERY SCARCE. 


409. CANTON OHIO. 
Lithograph. Rectangle, 14.6 x 19.12 
Drawn from nature by Adolphus Wever.—Lith. by Klauprech 
& Menzel, Cincinnati, O. | View of Canton, | State of Ohio, 
North America. 


Colored. VERY SCARCE. 


as 


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NOLSATYVHO 


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CHARLESTON 
410. CHARLESTON. 


Line. Rectangle, 18.4 x 55.8 
To his Excellency James Glen Esq, Capt. General, Governor, 
& Commander in Chief in, and over his Majestys Province of 
South Carolina, and Vice Admiral within the | same. This 
Prospect of Charles Town is most humbly Inscrib’d by his much 
Obliged humble Servant—B: Roberts. | Roberts Delin—(Ref- 
erences, eight lettered)—Printed & Sold by Dicey & Co. in 
Aldermary Church Yard London || Charles-Town the Metropo- 
lis of y° Province of South Carolina, is pleasantly Situated 
between Cooper & Ashley Rivers, which form a Spacious & con- 
venient Harbour, & lieth in 32°. 52’ of N. L. and 78°, 45’ W. I. 
from London, (etc. seven lines) | Published according to Act of 
Parliament by | B. Roberts & W. H. Toms, June 9. 1749.—W. 
H. Toms scu | 


In centre of inscription space Arms with mottoes. VERY scarce. 


411. CHARLESTON. 


Water-color. Rectangle, 15. x 43.6 
The original unfinished sketch of the above; a portion missing 
at extreme right. 


[Illustrated in color | 


412. CHARLESTON. 


Aquatint. Rectangle, 15.10 x 24010 
Painted by G. Cooke.—Engraved by W. J. Bennett. | Published 
by L. P. Clover New-York. | City of Charleston S Carolina | 
Looking across Cooper’s River | (Copyright 1838) 


A fine impression with original coloring. Very scarce. 


418. CHARLESTON. 1774. 
Line. Rectangle, 16.4 x 28.11 
Painted by Tho’. Leitch.—Engraved by Sam’. Smith | A View 
of Charles-Town, The Capital of South Carolina. | (Etc. two 
lines) 
VERY SCARCE, 


414. CHARLESTON. 
Another impression of the same state; framed to second line. 


Colored. 


e 


415. CHARLESTON. 
Lithograph. Rectangle, 13.5 x 21.10 
Drawn from Nature by William Keenan.—[ Copyright ]|—Litho- 
graphed & Published by W. Keenan 250 King cor Hasel S*. | 
Eastern View Of The City Of Charleston S. C. | “[ Front. ]” | To 
the Hon the Mayor, Aldermen, & Citizens of Charleston this 


series of Views are very Respectfully Dedicated by | —w™. 
Keenan, Engraver & Lithographer | S H Mellen Printer. | 
Colored. 


416. CHICAGO. 


Lithograph. Rectangle, 8.12 x 13.8 
The Kellogg & Bulkeley Co—Hartford Conn, | Chicago In 
Flames | Scene in Deaborn St Burning of the Tremont House 
| All of the business portion of this beautiful city was com- 
pletely destroyed by fire in two days, Commencing Oct. 9th, 
1871. It was the most destructive fire ever known, | completely 
annihilating property valued at over Three Hundred Million 
of dollars. Two thousand lives were lost, and over one hundred 
thousand people made homeless. 

Colored. The last two lines are printed from type. 


CINCINNATI 


417. CINCINNATI. 


Lithograph. Rectangle, 17. x 22. 
View of Cincinnati. | Taken From The Residence Of W™. South- 
gate, Esq, Covington, Ky. 


Colored. VERY sCARCE. 


[Illustrated in color] 


418. CINCINNATL 


419. 


420. 


421. 


422. 


Lithograph in colors. Rectangle, 15. x 19.10 
—Klauprech & Menzel’s Lithography, Johnstons Row, Cincin- 
nati. | Pearl Street House, Corner of Pearl & Walnut Str, 
Cincinnati. | Thorougly renovated and elegantly refurnished. | 
Mrs. Judith Goddard & F. M. Cockrell, late of the Eagle Hotel, 
Maysville, Ky, Proprietors. 


= 
VERY SCARCE. 


[Illustrated | 


CINCINNATI. 


Lithograph. Rectangle, 14.8 x 21.9 
Published by George Degen, 51 Chatham St., New York.— 
(Copyright 1869)—Deutz Brothers, 197 William St. N. Y. 
Imp. | Cincinnati. 

Colored. 


CLEVELAND. 


Line. Rectangle, 9.7 x 14011 
Tho*. Whelpley Del. 1833.—M. Osborne Sculp*. | Cleveland, 
Ohio. | From The Buffalo Road, East Of The Court House. | 
Published, N. York 1834, by Thos. Whelpley, of Cleveland. 


Colored. VERY SCARCE. 


COLUMBIA, &. C. 
Lithograph. Rectangle, 11.138 x 19.18 
E. Dovilliers, del—C. B. Graham, lith’. Wash”. D. C. | South 
Carolina College | Published by E. Dovilliers, Columbia, 5S. C. 
The University of South Carolina; founded 1804. Colored. VERY SCARCE. 


CORNWALLIS SURRENDER. 
Line. Rectangle, 12.8 x 2004 
—68 | Reddition de Armée Angloises Commandée par Mylord 
Comte de Cornwallis aux Armees Combinées des Etats unis de 
VAmerique et de France aux ordres des Generaux Washington 
et de Rochambeau a Yorck touwn | et Glocester dans la Vir- 
ginie. le 19 Octobre 1781. II s’est trouve’s dans ses deux postes 
6000 hommes de troupes reglées Angloises ou Hessoises et 22 


[ No. 422—Continued | 

Drapeaux 1500 Matelots 160 Canons de tout Calibre dont 75 
de Fonte 8 Mortiers | 40 Batimens dont un Vaisseau de 50 
Canons qui a été Brulé 20 Coules Bas; Ce jour a Jamais mem- 
orables pour les Etats unis en ce quil assura definitivement leurs 
indépendances | (References, nine lettered, in two lines) | —A 
Paris chez Mondhare rue S*. Jean de Beauvais prés celle des 
Noyers. 


Colored. A crude, interesting contemporary print. Very scarce. Not 
framed. 


423. DELAWARE WATER GAP. 
Aquatint. Rectangle, 12.10 x 19. 
T. Birch pinx.—Strickland sc. | View of the Water Gap and 
Columbia Glass Works River Delaware. 
Repaired. Colored. Not framed. 


424, DETROIT. 


Aquatint. Rectangle, 15.7 x 24.8 
Painted by W. J. Bennett from a sketch by Fred*. Grain.— 
Henry I. Megarey New York—Eng*. by W. J. Bennett | City 
of Detroit, Michigan. | Taken from the Canada shore near the 
Ferry. | (Copyright 1837) 


Fine example. Colored. Very scarce. 


425. ERIE LAKE & FORT. 


Aquatint. 14.4 x 20.12 
E. Walsh 49'", Reg‘. delin‘-—Engraved by John Bluck. | A 
View of the Lake & Fort Erie, from Buffalo Creek. | London: 
Publish’d Jan’. 1, 1811, at R. Ackermann’s Repository of Arts, 
101, Strand. | 


Fine example. Colored. Very scarce. 


[ Illustrated | 


SLIP “ON 


pay 
COATT. @ TEVES £6 TEMES 


¢ 


A YIRS EOP DPMP OY ARG tye 
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AGUA LFONOLOY T, 
CERO DEERE TEVES 
na ST IEA Se SUN I LIAB MLTR IMER E YESE 


426. FISHKILL. 
Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall—Engraved by I. Hill. | View Near 
Fishkill | N°. 18 of the Hudson River Port Folio | Published 
by Henry I. Megarey New York. 
Colored. Framed to title. 


427. FORT EDWARD. 
Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | Fort Edward. | 
N°. 10 of the Hudson River Port Folio | Published by Henry I. 
Megarey New York. 
Colored. Framed to title. 


428. FORT MILLER. 
Aquatint. Rectangle, 14. x 21. 
Painted By W. G. Wall.—Engraved By J. Hill. | View Near 
Fort Miller. | N°. 10 of the Hudson River Port Folio. | Pub- 
lished by Henry I. Megarey New York. 
Colored. Not framed. 


429. FORT MONTGOMERY. 
Aquatint. Rectangle, 14. x 21. 
Painted by G. W. Wall—Engraved by J. Hill. | View Near 
Fort Montgomery. | N°. 22 of the Hudson River Port Folio. | 
Published by Henry I. Megarey New York. 
Colored. Framed to title. 


430. FULTON CITY, ILL. 
Lithograph. Rectangle, 13.8 x 18.5 
Lith. of Endicott & C°. N. Y.—- | Dement House, Fulton City, 
Ill. | By James L. Watkins. 


Colored. Very scarce. Not framed. 


431. GLENNS FALLS. 
Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | Glenns Falls. | 
N°. 6 of the Hudson River Port Folio | Published by Henry I. 
Megarey New York. | 


Colored. Not framed. 


432. GLOUCESTER. 


Lithograph. Rectangle, 13.2 x 201 
Drawn from Nature, & on stone by F. H. Lane.—Pendleton’s 
Lithography, Boston. | View of the Town of Gloucester, Mass. 


Presentation inscription: “Nathan P. Morse Jr from his friend Isaac A. 
Smith Gloucester May 2nd 1837” 
In fine proof condition, with wide margins, though spotted. Very scarce. 


433. HADLEY’S FALLS. 


Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. R. Smith | Finished 
by J. Hill | Hadley’s Falls. | N°. 5 of the Hudson River Port 
Folio | Published by H. I. Megarey & W. B. Gilley New York 
and John Mill Charleston S. C. | ete. 


Colored. Not framed. 


434. HADLEY’S RAPIDS. 


Aquatint. Rectangle, 14. x 21: 
Painted by W. G. Wall.—Engraved by I. Hill. | Rapids Above 
Hadleys Falls. | N°. 4 of the Hudson River Port Folio | Pub- 
lished by Henry I. Megarey New York. | (etc) 


Colored. Not framed. 


435. HARRISBURG, PA. 


Lithograph. Rectangle, 14.9 x 23.4 
Drawn From Nature By E. Whitefield—Lith. By Lewis & 
Brown. | View Of Harrisburg, P*. | From the West. | Published 
by Lewis & Brown 37 John St. New York. 


Colored. Very scarce, 


SGV “ON 


LAE , We ote. mf Me, LIL FOG?! NP AID rr el eg ¢ 2 
, OV ETI 


, 


436. HUDSON, N. Y. 


Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | Hudson. | N°. 
13 of the Hudson River Port Folio | Published by Henry I. 
Megarey New York. 


Colored. Framed to title. 


437. HUDSON, N. Y. 


Aqutatint Rectangle, 140 x 21. 
Painted by W. G. Wall.—Engraved by J. Hill. | View Near 
Hudson. | N°. 15 of the Hudson River Port Folio. | Published 
by Henry I. Megarey New York. 

Colored. Framed to title. 


438. ISLAND “NUMBER TEN.” 


Lithograph. Rectangle, 15.10 x 22.2 
Published by Currier & Ives,—(Copyright 1862)—152 Nassau 
St. New York. | (References) | Bombardment And Capture Of 
Island “Number Ten.” | On The Mississippi River, April 7". 
1862, By . . . Com. A. H. Foote. | (Two lines) 

Colored. 


439. JESSUPS LANDING. 


Aquatint, Rectangle, 14. x 21. 
Painted by W. G. Wall.—Finished by I. Hill. | View Near Jes- 
sups Landing. | N°. 3 of the Hudson River Port Folio | Pub- 
lished by H. I. Megarey & W. B. Gilley New York and John 
Mill Charleston S. C. | Printed by Rollinson 

Colored. Not framed. 


440. LITTLE FALLS. LUZERNE. 


Aquatint, Rectangle, 14. x 21. 
Painted by W. G. Wall—Engraved by I. Hill, | Little Falls 
At Luzerne. | N°. 1 of the Hudson River Port Folio | Published 
by Henry I Megarey New York. 

Colored. Framed to title. 


441. 


442, 


443. 


444, 


AAD, 


LOUISVILLE. 


Lithograph. Rectangle, 21.11 x 37.12 
On Stone by B. F, Smith, J'.—Lith’. of P. S. Duval Philad*. | 
Louisville, K®., | From Jeffersonville, I*.—1850. | —Published 


by Smith, Brothers & Co. 


Colored. VERY SCARCE. 


LOWELL. 
Lithograph. Rectangle, 14.6 x 23. 
Pendleton’s Lithography, Boston. | View Of Lowell, Mass. 
Taken From The House Of Elisha Fuller Esq: In Dracutt, by 
E, A. Farrar. | [Copyright . . . 1834 by Jacob Farrar | 
Sides extended. Colored. Very scarce. 

MATTEAWAN, N. Y. 


Aquatint. Rectangle, 16.12 x 23.8 
Drawn by O. Neely.—Engraved, Printed, & Coloured, by J. 
Hill. | Matteawan. | Manufacturing Village, | Near Fishkill 
Landing N. York. | Published June 15, 1832 by O. Neely N. 
York. 


Fine example. Colored. First stare. 


MOBILE. 
Aquatint in colors. Rectangle, 17. x 25.8 
Painted by W. J. Bennett from a sketch by Wm. Todd.—En- 
graved by W. J. Bennett Esq. | Henry I. Megarey—New York. 
| Mobile. | Taken from the Marsh opposite the City near 
Pinto’s residence | (Copyright 1842) 
VERY SCARCE. 

MOUNT VERNON. 


Aquatint. Rectangle, 12.11 x 17.138 
Alexander Robertson Delineavit—Francis Jukes Sculpsit | 
Mount Vernon in Virginia | The Seat of the late Lieu‘. General 
George Washington | Commander in Chief of the Armies of the 
United States | London Pub*. March 31*. 1800 by F. Jukes 
N°. 10 Howland Street—and by Al. Robertson Columbian 
Academy Liberty Street New York. 


Colored. See No. 40. Very scarce. 


446. 


447, 


448. 


449, 


450. 


451. 


MOUNT VERNON. 


Another impression. Colored. 


NATCHEZ. 
Lithographed. Rectangle, 13.6 x 21.8 
Sketched by James Tooley—Lithographed by Risso & Browne. 
N. Y | Natchez. | On The Hill, From The Old Fort. 
Colored. 

NEW BEDFORD. 


Lithograph. Rectangle, 16.7 x 25.8 
F. H. Lane det. from a sketch by A. Conant—Published by A. 
Conant.—Lane & Scott’s Lith. Tremont Temple, Boston. | 
View of New Bedford. | From the Fort near Fairhaven. | [Copy- 
right 1845 by A. Conant] 


Colored. VeEry scarce. 


NEWBURG. 
Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | Newburg. 
N°. 14 of the Hudson River Port Folio. | Published by Henry 
I. Megarey New York. 
Colored. Framed to title. 

NEW ORLEANS. 


Aquatint in colors. Rectangle, 16.12 x 25.8 
Painted by W. J. Bennett from a sketch by A. Mondelli—Eng 
by W. J. Bennett | Henry I. Megarey, New York. | New Orleans, 
| Taken from the opposite side, a short distance above the middle 
or Picayune Ferry | [Copyright 1841 by H. I. Megary ] 


Fine example. 


NEW ORLEANS. 
Aquatint. Rectangle, 10.10 x 27. 
Published by Louis Schwarz—B. Dondorf, Frankfort *M.— 
Germany— | View Of New Orleans, | taken from the Lower 


Cotton Press. 
India proof. Colored. 


452. NEWPORT, R. I. 
Lithograph in colors. Rectangle, 11. x 33318 
Drawn & Lith by J. P. Newell.—Printed by J. H. Bufford | 
Newport ,R. L. | View from Fort Wolcott, Goat Island. 


NIAGARA 


458. NIAGARA. 
Aquatint. Rectangle, 16.7 x 22.10 
Drawn by G. Beck.—Engraved by T. Cartwright. | The Falls 
Of Niagara. | Published Nov’. 1. 1805, by Geo. Nightingale, 
N°. 143, Leadenhall Street, London. 


Colored. Very scarce. See Nos. 893 and 481. 


454. NIAGARA. 


Aquatint. Rectangle, 17.12 x 27.6 
Iris Island.—Ferry House.—American Fall 164 ft. high, 300 
ft. wide.—Horse Shoe Fall 158 ft. high, 600 yds, wide.—Ferry. 
Table Rock.—Stairs. | [Copyright 1845, by Rob‘. Havell] | 
Niagara Falls. | Printed in Colours by W. Neale.— | Painted 
from the Chinese Pagoda, Point View Gardens, by Robert 
Havell, Sing Sing. | Published by Rob‘. Havell, Sing Sing,— 
W. A. Colman, 203 Broadway,—R. F. Fraser, American Art 
Union, 322 Broadway & Havell & Spearing, 117 Fulton S*. 
New York. | Ackermann & C°. 69 Strand London. 


A beautiful example. Colored. 


455. NORWICH. 


Lithograph in colors. Rectangle, 11.12 x 16.10 
— (Copyright 1849 by A. Conant)—Sketched from Nature by, 
Lane.—Lith. & Printed in Colors by Sarony & Major 117 
Fulton St. New York. | View Of Norwich, From The West 
Side Of The River. 


456. PALISADES. 


Line. Rectangle, 14. x 21o4 
Painted by W. G. Wall.—Engraved by I. Hill. | Palisades. | 
N°. 19. of the Hudson River Port Folio | Published by Henry 
I. Megarey New York. | 

The first issue. Colored. See No. 50. 


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457. PASSAIC FALLS. 


Aquatint. Rectangle, 13.2 x 18.8 
Alexander Robertson Delineavit—F. Jukes Sculpsit | Passaic 
Falls in the State of New Jersey London Pub‘. Jan. 1°‘. 1802, 
by F. Jukes N°. 10 Howland Street and by A Robertson Co- 
lumbian Academy Liberty Street New York 


Colored. Very scarcer. 


458. PATERSON. 


Lithograph. Rectangle, 9:10 x 146 
From Nature by J. W. Hill.—Litho. of Endicott 359 Broad- 
way. | Paterson. N. J. | 

Clipped at top and sides. Copyright line covered. Colored. 


459. PAXTON EXPEDITION. 


Line. Rectangle, 7.4 x 13310 
The Paxton Expedition. Inscribed to the Author of the Farce, 
by H D. | 


Beneath there are six stanzas of four verses each, in three columns. 
Engraved by Henry Dawkins at Philadelphia in 1764, The view repre- 
sents the old Court House on Second street, Philadelphia, the Barracks, the 
Market-shed and adjacent buildings. ‘The speaker on the Court House 
steps has a scroll issuing from his mouth with legend: “Gentlemen the 
Affair is punctuly settled, for it, the Goyr, returns you thanks and dismisses 
you.” 

Companies of Militia, four cannon, horsemen and a _ pillory surmounted 
by a British flag appear in the square. 

Stauffer, No. 467, mentions the print and describes it from a reproduction, 
but was unable to give the dimensions as no original was known to him, 
This impression is the only one that can be located, 


[ Illustrated | 


PHILADELPHIA 


460. PHILADELPHIA. 


Line. Rectangle, 8.10 x 36. 
An East Prospect of the City of Philadelphia; taken by George 
Heap from the Jersey Shore, under the Direction of Nicholas 
Scull Surveyor General of the Province of Pennsylvania. | A 
Description of the Situation, Harbour &c. of the City and 
Port of Philadelphia. | (Twenty lines in four columns) | Refer- 
ences. | (Fourteen numbered, in one line) 


At bottom a: “Plan of the City of Philadelphia.” and views of: “The Bat- 
tery” and “The State House’—Engrav’d & Publish’d according to Act 
of Parliament by T. Jeffereys, near Charing Cross. 
Fine example. VERY SCARCE. 


461. PHILADELPHIA. 
Line. Rectangle, 9.9 x 16.4 
An East Perspective View of the City of Philadelphia, in the 
Province of Pensylvania, in North America; taken from the 
Jersey Shore. | (References, fourteen numbered in two lines. 
“The other Streets are not to be seen from this point of 
Sight.’’) 


Colored. Inscription masked. 


462. PHILADELPHIA. 


Line. Rectangle, 18.14 x 24.2 
Drawn by Tho* Birch—Engraved by Samuel Seymour | The 
City of | Philadelphia In The State Of Pennsylvania North 
America. | Published May 1°. 1801. by W™. Birch Enamel 
Painter, on Nashaminy, near Bristol Pennsylvania. 

Stained. See No. 43. Very scarce. 


463. PHILADELPHIA. 
Water-color, Rectangle, 23. x 35.8 


From the Camden Ferry on the opposite shore. Smith Island, long since 
removed, the old shot tower, Court House and Christ Church are prominent. 
A very interesting and important original, about 1815. In fine condition. 


| Illustrated in color | 


464. PHILADELPHIA. 


Aquatint. Rectangle, 16.2 x 23.11 
Painted by I. W. Hill. Engraved, Printed & Coloured by 
I. Hill. | Philadelphia. | From Fair Mount, looking down the 
River Schuylkill. | Published by James E. Betts N°. 214 Broad- 
way New-York. 


VERY SCARCE. 


465. PHILADELPHIA. 


Aquatint. Rectangle, 16.2 x 23.13 
Philadelphia. | From the Ship House in the Navy Yard looking 
up the River Delaware | New York, Published by John Levison, 
341 Broadway. 


Colored. Very scarce. 


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466. PHILADELPHIA. 


Aquatint. Rectangle, 12.6 x 17.14 
Garneray Pinxt.—Hymely sculp. | Vue Du Port De Phila- 
delphie. | A Paris chez Hocquart Rue S‘. Jacques N°. 64.— 
Déposé. | New-Yorck. Published by Bailly, Ward and C*.— | 


A beautiful colored example of an artistic composition of unusual deco- 
rative value. See No. 68. VeERy scarce. 


467. PHILADELPHIA. CHESTNUT ST. 


Lithograph. Rectangle, 9.1 x 15.5 
—Lith. of J. T. Bowen, Phil*.— | View Of Chesnut Street | 
Philadelphia. | Published by J. T. Bowen at his Lithographic 
& Print Colouring Establishment, N°. 94, Walnut Street, Phila- 
delphia. | (Copyright 1840 by J. T. Bowen) 


A proof intended for coloring; full margins. Very scarce. 


468. PHILADELPHIA. COMMISSIONERS HALL. 
Lithograph. Rectangle, 17.10 x 24.6 
—C, Kuchel | P. S. Duval’s steam lith press. Phil— | Com- 
missioners Hall, | Spring Garden. | Published by John N. Hen- 
derson, Philadelphia. 
Colored. 


469. PHILADELPHIA. FAIRMOUNT. 


Aquatint. Rectangle, 15.8 x 23.10 
Painted by T. Doughty, Engraved Printed & Coloured by I. 
Hill. | Fair Mount Water Works. | Dedicated to the Select and 
Common Councils of the City of Philadelphia. | By their much 
obliged Servants, T. Doughty & J. Hill. | F. Graff, Esq’. Archi- 
tect & Engineer | Published at H. C. Carey & I. Lea Phil*. 
& H. I. Megarey, Broadway N. York 


Colored. VERY SCARCE. 


470. PHILADELPHIA. FAIRMOUNT. 
Lithograph. Rectangle, 8. x 11:10 
From Nature & on Stone G. Lehman.—Philad*.. Pub*.. by C. G. 
Childs & G. Lehman 1833.—Childs & Inman Lith"™.. | Fairmount 
Waterworks. | From the Forebay. 
Colored. Not framed. 


471. PHILADELPHIA. 

Aquatint. Rectangle, 12.9 x 18.8 
Painted & Engraved by Geo: Lehman | The Great Elm Tree 
Of — Shackamaxon (Now Kensington) | Under which William 
Penn concluded his Treaty—with the Indians in 1682 it fell 
during a storm in 1810. | This block of marble was placed by 
the Penn — Society A.D. 1827 to mark scite of the Elm tree 
and | Treaty Ground of William Penn & the Indian Natives — 
in 1682 & bears the inscriptions. “Unbroken Faith.” “By 
Deeds of Peace.” 


A curious feature of the print is a goat on a lower branch of the tree. 
Colored. 


472. PENNSYLVANIA HOSPITAL. 


Line. Rectangle, 9.18 x 16.12 
South Front Of The Pennsylvania Hospital. | W™. Strick- 
land F. S. A. del‘—Sam'. Seymour A. A. sculp'. | This Build- 
ing by the bounty of Government and of many private Persons 
was piously founded for the Relief of the Sick and Miserable 
Anno 1755, 

Colored. 


473. PENNSYLVANIA HOSPITAL. 


Line. Rectangle, 11.7 x 18.1 
Drawn and Engraved by John G. Exilious, 1814. | South East 
View Of The—Pennsylvania Hospital 


Under the rectangle a vignette of the Good Samaritan, inscribed: Take care 
of him and I will repay thee. | C. P. Harrison Printer. 
Repaired. Colored. Very scarce. 


474—PHILADELPHIA. JAIL. 


Etching. Rectangle, 8.3 x 10.8 
Designed Engraved & Published by W. Birch Enamel Painter— 
| Jail in Walnut Street Philadelphia | 

Colored. 


475. PHILADELPHIA. MASONIC HALL. 


Aquatint. 21.4 x 17.6 
Painted by S. Jones the Figures by I. L. Krimmell—W™. H. 
Morgan N°. 100 Arch S‘, Phil*.—Engraved by J. Hill. | The 
Conflagration of the Masonic Hall Chestnut Street Philadel- 
phia. | which occurred on the Night of the 9™.. of March 1819. | 
This Plate is respectfully dedicated to the active and much 
esteemed Fire Engine & Hose Companies, by their Obed*.. 


Serv’... | —S. Kennedy and 8S. S. West. | Published June 1819. 
by S. Kennedy, & S. S. West, N°. 72 Chesnut Street, Phila- 
delphia. | 

Colored. 


476. PHILADELPHIA. MERCHANTS HOTEL, 


Aquatint. Rectangle, 11.12 x 18.13 
Drawn And Engraved By J. R. Smith Philad*. | Merchants 
Hotel. 


First issue, but lacks Sanderson line. Colored. VeEry scarce. 


477. PHILADELPHIA. SECOND ST. 
Line. Rectangle, 8.6 x 1lol 
Drawn & Engraved by W. Birch & Son.—Published by R. 
Campbell & C°. N°.. Chestnut Street Philad*. 1799. | Second 
Street North from Market S‘. * Christ Church. | Philadelphia. 
Colored. by: 


478. PHILADELPHIA. WHITE’S CATTLE SHOW. 

Lithograph. Rectangle, 14.4 x 23.7 
Drawn (after J. L. Krimmell 1821) on Stone by L. Haugg 600 
Chestnut Str. Phila.—Published by A. Clement Phil*.—Lith 
of F. Bourquin & C°. 602 Chestnut St. Ph | White’s Great Cattle 
Show, | And Grand Procession Of The | Victuallers of Phila- 
delphia. | (Arms and motto, and sixty-four lines in two 
columns) | 

Colored, 


479. PITTSBURGH FIRE. 
Lithograph. Rectangle, 8.4 x 12.8 
[Copyright 1845 by N. Currier] | Great Conflagration At 
Pittsburgh Pa. | April 10° 1845. | Nearly 1200 houses de- 
stroyed.—Estimated loss of Property $9,000,000. | Pub. by 
Turner & Fisher, 15 North 6. St. Phil*. & N. Currier 2 Spruce 
STAN Y. 


Colored. VERY SCARCE. 


480. PORTLAND. ME. 


Lithograph. Rectangle, 11. x 18. 
J. Mayer & C°. Lith. 4 State St. Boston—Photo, Edw. F. 
Smith. | View Of Portland, Me. | Taken From Cape Elizabeth 
Before The Great Conflagration Of July 4", 1866. | Published 
By B. B. Russell & C°. Boston.—& John Hankerson, Portland. | 
Colored. 


481. POTOMAC FALLS. 


Aquatint. Rectangle, 16.6 x 22.8 
—Published January 1**. 1802. by Atkins & Nightingale, N°. 
143.—Leadenhall Street, London, & N°. 100. Chestnut Street, 
Philadelphia.— | Drawn by G,, Beck, Philadelphia.—Engrav’d 
by T,, Cartwright, London. | Great Falls. of—the Potomac. 


In centre of inscription space a spread eagle, with motto in beak, surrounded 
by sixteen stars. 
Colored. Very scarce. See Nos. 393 and 453, 


482. POUGHKEEPSIE. 


Lithograph. Rectangle, 16.13 x 34.13 
Whitefields Views Of North American Cities N°. 27. | [Copy- 
right 1852 by E, Whitefield] | (References in one line) | Lith. 
Of Endicott & C°. N. Y.—Drawn From Nature And On Stone 
By E. Whitefield. | Poughkeepsie. | From the opposite side 
of the Hudson River. | New York Published by E. Whitefield. 


Colored. VeEry SCARCE. 


483. 


484. 


485. 


PROVIDENCE. 


Lithographs Rectangles, 16.6 x 37.15 
Whitefield’s Original Views Of American Cities. N°. 12. |Drawn 
On Stone By C. W. Burton.—From A Drawing By E. White- 
field. | View Of Providence R. I. From The North. 1849. | 
—Printed by F. Michelin 111. Nassau S*. N. Y. | Published 
by Whitefield & Smith.—(Copyright 1849 by E. Whitefield. ) 


—The companion: View Of Providence R. I. From The South. 


1849. (2) 


PROVIDENCE STORM. 


Lithograph. Rectangle, 13.3 x 19.9 
—On Stone by A. Fleetwood. | A Representation of the Great 
Storm at Providence, Sept 23'.. 1815. | New York, Published 
at the Emporium of Arts, 325, Broadway. 


An early and interesting specimen of American lithographic art. Colored. 
VERY SCARCE. 


QUEBEC. 


Aquatint. Rectangle, 17.4 x 26.10 
From a Drawing by Lieut,, Col,, Cockburn.—Engraved by H. 
Ryall. | —This View of— | Quebec From Below Aubigny 


Church, Point Levi, | Is by Special Permission dedicated to 
His Most Excellent Majesty William the Fourth. | London, 
Pub*. 1833, By Ackermann & C°. 96, Strand. | 


A beautiful example. Colored. 


486. RICHMOND. 


487. RICHMOND. 


RICHMOND 
Line. Rectangle, 11.2 x 22.5 
The City of | Richmond Metropolis of Virginia. | 
Colored. 
Aquatint. Rectangle, 17.11 x 25.7 
Richmond, | From The Hill Above The Waterworks. | Engraved 
by W. J. Bennett from a Painting by G. Cooke. | (Copyright 


1834) 
Copyright line covered. Colored. 


488. RICHMOND MONUMENTAL CHURCH. 

Aquatint, Rectangle, 18.4 x 30. 
Perspective & Drawing by W™. Strickland F. S. A. Architect 
Philad*.—Designed & Erected by Rob‘. Mills F. S. A. P. A. 
Architect Philadelphia.—Aquatinted by William Kneass, | To 
the Citizens of Virginia this — Plate representing the Monu- 
mental Church | at Richmond is most respectfully — inscribed 
by the Publisher W. Kneass. 


In centre of inscription space Arms and motto: “Independence— 
MDCCLXXVI.” 

Inscription on building: “Within These Consecrated Walls Are Entombed 
The Remains Of Citizens Friends & Dear Connections Who Perished On 
This Spot During The Conflagration Of The Theatre On The Night Of 
The 26 Decem. 1811 etc” 

Colored. VERY SCARCE. 


489. RICHMOND MONUMENTAL CHURCH. 


Aquatint. Rectangle, 11. x 14.12 
A Representation of the New Church at Richmond Virginia. | 
On the ground where the Theatre stood which was destroyed 
by fire Dec’. 26". 1811. | 


Injured at upper left. Colored. 


490. RICHMOND THEATRE BURNING 


Aquatint. Rectangle, 11.5 x 15. 
The Burning of the Theatre in Richmond, Virginia, on the 
Night of the 26". December 1811, | By which awful Calamity, 
upwards of One Hundred of its most valuable Citizens sud- 
denly lost their lives, and many others, were much injured, | 
Published Feb’. 25". 1812 by B. Tanner. N°. 74 South 8*. 
S*. Philadelphia. 


Fine example; full margins. Colored. 


491. SACANDAGA RIVER. 


Aquatint. Rectangle, 14. x 21. 
Painted by W. G, Wall.—Finished by I: Hill. | The Junction 
Of The Sacandaga And Hudson Rivers. | N°. 2 of the Hudson 
River Port Folio | Published by H. I. Megarey & W. B. Gilley 
New York & John Mill Charleston S, C. | 

Colored. Not framed. 


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mn ae Ae i re 
Ce oe be 


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492. ST. 


493. ST. 


494, ST. 


495. ST. 


496. ST. 


ANTHONY FALLS. 


Aquatint. Rectangle, 10. x 13.8 
Painted by J. Shaw.—Engraved by J. Hill. | Falls Of S*. 
Anthony On The Mississippi. | Published by M. Carey & Son 
Philadelphia. 

Colored. 


SAINT LOUIS 


LOUIS. 


Lithograph. Rectangle, 10.3 x 15.8 
—Copyright Secured. | North East View Of S‘ Louis | From 
the Illinois Shore. | Published by George Wooll, No 71 Market 
St. Louis. Mo. 


Colored. VERY SCARCE. 


LOUIS. 


Lithograph. Rectangle, 10.3 x 15.6 
Published & Lithgraphed By J. O. Wild At The Missouri Re- 
publican Offic | View Of S‘ Louis | —Copy Right Secured | 
From South Of Chouteaus Lake 1840 | 

Colored. 


LOUIS. 


Lithograph. Rectangle, 15.8 x 25.2 
St. Louis 
Title in ink. Colored. 


LOUIS. 


Line. Rectangle, 6.8 x 10.1 
F. Piercy.—C. Fenn. | St Louis. | F D Richards Liverpool 
Colored. Not framed. 


SAN FRANCISCO 


497. SAN FRANCISCO. 
Lithograph. Rectangle, 16.14 x 20.6 
Executed By T Bosqui Eng. & Print. Co.—Copyrighted— 
Designed & Copied From Views Taken At The Time & Pub- 
lished By | —Capt. W. Swasy | —A Continuous Resident Since 
1845. | View Of San Francisco, Formerly Yerba Buena, In 
1846-7 | Before The Discovery Of Gold | (etc.) 


Colored. 


[ Illustrated | 


498. SAN FRANCISCO. 


Lithograph. Rectangle, arched, 18.4 x 32.4 
Lith. Of Endicott & C°. N. Y.— | (Copyright 1849 by G. T. 
Devereux for W. H. Jones) | San-Francisco | 1849, | Drawn On 
The Spot By Henry Firks For | W. H. Jones Esq. Of San- 
Francisco, U. C. | (References, 46, at sides of title) 


Fine colored impression. VERY scarce. 


499. SAN FRANCISCO. 


Lithograph. Rectangle, arched, 16.8 x 25.6 
S. F. Marryat, Del‘—M. & N. Hanhart. Chromo Lith Imp* 
London. | San Francisco, | London, Published 1*. July 1851 
By Henry Squire & Comp’. (Late Colnaghi & Puckle) 238 
Cockspur Street | 

One of the most important and interesting of the early views. A fine 


example, beautifully colored. VeEry scarce. 


| Illustrated | 


500. SANDY HILL. 


Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | View Near 
Sandy Hill. | N°. 7 of the Hudson River Port Folio | Published 
by Henry I. Megarey New York. 

Colored. Framed to title. 


667 ON 


0-2: 8 LW Al W Bde 3 ve 


501. SARATOGA. 


Lithograph. Rectangle, 8.2 x 12.8 
3™° Livraison—Amérique Septentrionale——Pl 11. | Deroy 
lithog.—J. Milbert del'. | Bains de Saratoga.—Saratoga 
Bath. | 4 Paris, chez E Ardit éditeur rue Vivienne N° 2— 
Imp. lith de E, Ardit.—London by Engelmann. Graff. Coin- 
det et C” 

Colored. Not framed. 


502. SAVANNAH. 


aa 


U 


pi 
hy ty 
OL 


4 


Aquatint. Rectangle, 10. x 13. 
Painted by J. Shaw.—Engraved by J. Hill. | Burning Of Sa- 
vannah. | Published by M. Carey & Son Philadelphia. | 
Colored. Not framed. 


5038. SPIRIT CREEK. 


Aquatint. Rectangle, 10. x 18: 
Painted by J. Shaw.—Engraved by J. Hill. | Spirit Creek; 
Near Augusta, Georgia. | Published by M. Carey & Son Phila- 
delphia. 

Colored: Not framed. 


504. SPRINGFIELD. ILLS. 


Lithograph. Rectangle, 15.6 x 20.7 
Published by William F. Staines.— | Mr. Lincoln On Horse At 
His Old Residence. | In Springfield, Illinois, as they appeared 
on his return at the close of the Campaign with Senator 
Douglas. 


Very scarce. Not framed. 


505. TRENTON. 


Lithograph. Rectangle, 14.14 x 24 
J. Notman Archt.—A. Ibbotson del—T. Sinclairs lith. | S. E. 
View Of State House | —Built 1794—Trenton N. J.—Altered 
& Enlarged 1845-6— | Commissioners— || Samuel R. Gummere 
— | Samuel R. Hamilton— | Stacey A Paxson 

Stained. Not framed. 


YH 


se Sad 
bifn 


506. TROY. 

Aquaint. Rectangle, 14. x 21. 
Painted by W. G. Wall—Engraved by I. R. Smith | Finished 
by J. Hill | Troy From Mount Ida. | N°. 12 of the Hudson 
River Port Folio | Published by H. I. Megarey & W. B. Gilley 
New York and John Mill Charleston S. C. | Printed by Rol- 
linson 

Colored. Framed to title. 


507. TROY. 
Aquatint Rectangle, 15.9 x 25.5 
W. J. Bennett.—Eng*. by W. J. Bennett. | New York, Pub- 
lished by John Levison, 341 Broadway. | Troy. | Taken from 
the West bank of the Hudson, in front of the United States 
Arsenal. | (Copyright 1833 by H. J. Megarey) 


Fine example. Colored. Very scarce. 


WASHINGTON 


508. WASHINGTON. 
Aquatint. Rectangle, 17.2 x 240 
G I Parkyns— | Washington | 


VERY SCARCE. 


| Illustrated | 


509. WASHINGTON. 


Aquatint. Rectangle, 17.10 x 24.10 
Painted by G. Cooke—Eng*. by W. J. Bennett. | City Of 
Washington | —Printed by Cammeyer & Acock N. York | 
From beyond the Navy Yard, | Published by Lewis P. Clover, 
180 Fulton S*. N. Y. | 

Repaired. Colored. 


510. WASHINGTON. CAPITOL . 
Lithograph. Rectangle, 20: x 30: 


An unusually interesting and important specimen of early American lithog- 
raphy, about 1880, showing the Capitol at Washington. An open two-horse 
carriage with negro postilion, a horseman giving alms to bearded man and 
a gorgeously uniformed officer talking to lady with band-box in the fore- 
ground. 

Framed to rectangle. Colored. Very scakce. 


80¢ “ON 


SOL STS VA 


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Pia’ ae 
(tad 
As 


511. WASHINGTON. CAPITOL. 


Aquatint. Rectangle, 8.1 x 16.5 
C. Bullfinch Architect. del'—H & J. Stone fecit. | Capitol | 
Washington, D. C. 1826. | Published by H. & J. Stone. | 


Colored. VeERyY scARCceE. 


512. WASHINGTON. PENNSYLVANIA AVE. 


Lithograph. Rectangle, 10. x 142 
Lith Of Endicott & C°. N. Y.—(Copyright 1853 by Horace 
P. Russ)— | Proposed plan for Paving Pennsylvania Avenue 
Washington City D. C. | Designed by Horace P. Russ, New 
York. 
Colored. 


518. WASHINGTON. SIXTH ST. WHARF. 
Lithograph. Rectangle, 9:7 x 16:6 
(Copyright 1863 by Chas Magnus) | Birds Eye View of Sixth 
Street Wharf, Washington, D. C. | Published by Cha* Magnus 
12 Frankford St New York & 520, 7". St. Washington, 
Colored. Not framed. 


514. WASHINGTON MONUMENT DESIGN. 


Water-colors. Rectangles, upright folios. 
Washington-Monument | 


The original design for a Gothic memorial, and a sheet with six plans Lie 
C. Pollard, Jr. | New York May, 1844. | 


WEST POINT 


515. WEST POINT AND THE “CLERMONT.” 
Lithograph. Rectangle, 8.8 x 12.12 
S. M— | Lithographie de F. Berthaux 4 Dijon.—Dessiné sur 
pierre de Dijon. | A View of West-Point | on the River Hudson, 
with the Steam-boat, invented by M. Fulton, going up from | 
New-York to Albany. | (—three lines repeated in French) | 


By Saint Memin. Unusually attractive, historically important, and, as a 
completed print, UNIQUE. 


[Illustrated in color | 


516. WEST POINT. 
Aquatint. Rectangle, 14. x 21. 
Painted by W. G. Wall.—Engraved by I. Hill. | West Point. | 
N°, 16 of the Hudson River Port Folio. | Published by Henry 
I. Megarey New York. 


Colored. Framed to title. 


517. WEST POINT. 
Aquatints. Rectangles, 11.14 x 18.4 
Drawn by G. Catlin—Engraved, Printed, & Coloured, by J. 
Hill. | To the Cadets of the West Point Military Academy, this 
print is respectfully dedicated, | by their friend and servant, 
Geo, Catlin. | (Copyright, May 15, 1828) 


Two prints; one showing parade ground, barracks and artillery drilling 
and the other, with view of the Hudson, and infantry drilling. 
An unusually choice pair of early uncolored proofs on India paper. Very 


SCARCE 
[ Illustrated | 


518. WEST POINT. 


Aquatint. Rectangle, 15.12 x 22.5. 
Painted and Engraved by—W. J. Bennett. | West Point, From 
Phillipstown. | To Colonel S. Thayer Superintendent of the 
U. S. Military Academy, West Point, this Print is respectfully 
inscribed by his obedient Servant | W. I. Bennett. | Coloured 
by Hill— | New York, Published by Lewis P. Clover, 180, 
Fulton Street, | (Copyright 1831 by Parker & Clover) 


Fine example. Colored. Very scarce. 


519. WEST POINT. 


Aquatint. Rectangle, 15.9 x 22.7 
Painted by Geo. Cooke-—Engraved by W. J. Bennett. | West 
Point, From Above Washington Valley | Looking down the 
River | Published by Parker & Clover 180 Fulton Street New 
York. | (Copyright 1834 by Parker & Clover.) 


Two slight repairs. Colored. VeEry scarce. 


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520. WEST POINT. 


Aquatint. Rectangle, 16.15 x 24.12 
(References, two lines) | View Of West Point, | United States 
Military Academy. | Painted by Rob‘. Havell, from Fort Put- 
nam. | Published by L. R. Menger 12 Dey St. New York. | 


Fine example. Colored. 


521. PLAYBILLS. 
Playbills of various American Cities. Not framed. (23) 


BOOKS RELATING TO THE HISTORY OF 
NEW YORK 


ANDREWS, WILLIAM LORING 


522. James Lyne’s Survey or, as it is more commonly known, The 
Bradford Map, a Plan of the City of New York at the 
Time of the Granting of the Montgomery Charter in 1781. 
An appendix to an account of the same compiled in 1893 
by William Loring Andrews. JTolding map. 12mo, cloth, 
uncut. New York, 1900 


One of an edition of 175 copies printed on Holland paper. 


ASHER, G. M. 


528. A BistiocrapHicaL AND Hisrorican Essay on the Dutch 
Book and Pamphlets relating to New-Netherland, and to 
the Dutch West-India Company and _to its possessions in 
Brazil, Angola, etc., as also Maps, Charts, etc., of New- 
Netherland. With a facsimile of the map of New-Nether- 
land by N. I. Visscher, and of the three existing views of 
New-Amsterdam. Royal 4to, half morocco, gilt top, uncut. 

Amsterdam, 1854-67 


LarceE Paper. 


BOOKBINDINGS. 


524. American Booxsinpincs in the Library of Henry William 
Poor. Described by Henri Péne du Bois. Illustrated in 
gold-leaf and colors by Edward Bierstadt.  8vo, cloth, 
uncut. New York: G. D. Smith, 19038 


One of an edition of 200 copies on Holland hand-made 
paper. 


BOOTH, MARY L. 

525. Hisrory or tHe Crry or New York. Portrait on India 
paper of Peter Stuyvesant, rubricated titles, and numerous 
illustrations taken from old prints and other sources, 
throughout the volumes. 2 vols. imperial 8vo, half blue 
morocco, gilt backs and tops, uncut, by Macdonald. 


New York, 1867 


Larce Paper. No. 6 of 100 copies printed. Signed by 
the author. 


BURR, D. H. 


526. Map or tHE Crry or New York. Drawn by D. H. Burr, 
for “New York As It Is in 1838.” Published by J. Dis- 
turnell. Engraved by S. Stiles & Co. Height, 12% 
inches; width, 1014 inches, folded to 18mo, in roan covers. 

New York [1838] 


This map bears copy-right date of 1833. 


DAWSON, H. B. 


527. Recorps or THE Crry or New Amsrerpam. Vol. I. Morri- 
sania, 1867; Gerarp (James W.). The Old Stadt Huys 
of New Amsterdam. 1875. Presentation inscription by 
the author; Dartixc (C. W.). New Amsterdam, New 
Orange, New York. Privately printed, 1889; New Yorx 
Illustrated. Appleton, 1874; Patmer’s Views of New 
York, 1909; Epwrx Barncocx Ho.wpen Collection. Cata- 
logue 1910; Napoteon and the French Revolution. Crane 
collection. Catalogue, 1913; New York in a Nut-shell. 
1853; New Yorx Directory, 1786. Facsimile. Together, 
9 vols. 8vo and 12mo, paper. 


DUNLAP, WILLIAM 


528. Hisrory or tHe New Netuerwanps, Province of New York, 
and State of New York. Engraved portrait, and folding 
maps. First Eprrion. 2 vols. 8vo, boards, bindings 
worn, and slightly foxed. 

New York: Printed for the Author, 1839 


FERNOW, BERTHOLD—Editor 


529. Tue Recorps or New Amsterpam, from 1653 to 1674 (com- 
prising the Minutes of the Court of Burgomasters and 
Schepens). 7 vols. Svo, sheep, uncut. 

New York: Published under authority of the City of 


New York, 1897 
Inserted are several autograph letters, by Mr. Fernow, 
Isaac 'T. Smith, the Chairman of the Mayor’s Committee 
on the publication of the above “Records,” and others. 


FISKE, JOHN 


530. THe Durcu anp Quaker Cotontes 1x America. Maps. 
First Enprrion. 2 vols. Boston, 1899; Van RENSSELAER 

(Mrs. Scuuyter). History of the City of New York in 

the Seventeenth Century. Facsimiles of two early maps. 

2 vols. New York, 1909; Vatentine (Davin T.). His- 

tory of the City of New York. Maps and views. New 

York, 1853. Together, 5 vols. €vo, and 12mo, cloth. 

New York and Boston, various dates 


FRANCIS, C. Cc. 


531. Francts’s New Guide to the Cities of New York and Brook- 
lyn. 1857; Grear Metropous, 1851. Map. [1850]; 
Woop’s [lustrated Hand-Book to New York, 1878; Macoy 
(Roserr) Centennial. Illustrated How to See New York. 
1876; Krxiury (F. B.). Historical Guide to New York. 
1909; Maneus’s lithographic map of New York, Brooklyn 
and Williamsburgh. Together, 7 vols. 12mo and 16mo, 
cloth. New York, v.d. 


FRANCIS, JOHN W. 
582. Otp New York: or, Reminiscences of the Past Sixty Years. 
With a memoir of the author, by Henry T. Tuckerman. 
Portrait on India paper. Royal 8vo, cloth, uncut, and 
partly unopened. New York, 1865 


Larcr Paper, limited to 100 copies. 


HARDIE, JAMES 
533. Tur Descrirtion oF THE Crry or New-York; containing its 
population, institutions, commerce, etc. (to which is pre- 
fixed an historical account of the city). With the large fold- 
ing map. 12mo, half sheep, map slightly torn, and text 
foxed. New York, 1827 


One of the most interesting of the comparative early his- 
tories of New York City. The important historical events 
are treated in a manner to show that the author was mi- 
nutely acquainted with the Colonial and Revolutionary 
history of the city. The appendix gives an account of the 
death of the original projector of this work, and of its 
continuation. This is followed by an “Ode for the Canal 
Celebration,” written at the request of the New York 
printers by Samuel Woodworth, printer. The map, which 
contains two views of public buildings, is an important 
feature of the present copy, being usually wanting. 


IRVING, WASHINGTON 


534. A History or New York, from the beginning of the world 
to the end of the Dutch Dynasty. By “Diedrich Knicker- 
bocker.” Engraved folding frontispiece. 2 vols. 12mo, 
full orange levant morocco, sides with panel design in gilt, 
consisting of a border of three lines, and tulip decoration 
in corners, gilt backs and inside borders of similar design, 
gilt edges. Top margin of plate cut down, two slight tears 
repaired, and backed with linen; small tear in first title 
repaired, By Stikeman. 


New York: Inskeep & Bradford, 1809 


Tue rare First Epirion, wirH THE FOLDING PLATE, A 
View or New Amstrerpam (New York) 1n 1640, copied 
from an ancient Etching of the same size, Published by 
Justus Danckers. Although this plate is somewhat dam- 
aged, the fact of its presence is of great importance. 
This is practically the author’s first book, being the first 
original work brought out by him without the assistance of 
other hands. 


[JUDAH, SAMUEL B.] 


535. GorHaM AND THE GoruHamires, a Medley. 18mo, new orange 
levant morocco, gilt inside and outside border lines, gilt 
back and top, uncut. By Stikeman. 

New York: Published by the Author, 182: 


A charming copy, with the exception of a small tear at 
lower outside corner of title, which has been skilfully 
repaired. 

A caustic Satire on New York City, and New Yorkers, for 
the perpetration of which the author was imprisoned and 
the book suppressed. The autograph signature, in pencil, 
of R. S. Livingston, on title-page. 


LADIES’ AND GENTLEMEN’S POCKET ANNUAL 


5386. Lapies’ AND GENTLEMEN’s Pocker ANNUAL, FoR 1836 
(The), containing an Almanac . . . blank spaces for 
memorandums, and a collection of Original and Selected 
pieces in Prose and Verse. With 2 engraved views of New 
York, one of the Penitentiary on Blackwell’s Island, the 
other of the New York University. 24mo, silk, binding 
worn. New York: J. Disturnell [1835 | 


LOSSING, BENSON J. 
537. Hisrory or New York Crry, 1609 to 1830. 2 vols. 184; 
The Empire State. 1888. Portraits, views, facsimiles, etc. 


Together, 3 vols. royal 8vo, sheep and cloth. 
New York and Hartford, 1884-1888 


MERCHANT’S MAGAZINE 
588. Mercuant’s Macazine (THe) and Commercial Review. 
Conducted by Freeman Hunt (and later edited by William 
B. Dana). Volumes 1 to 56, 59 to 63, and Year-Book for 
1871. Some volumes have engraved portrait. Together, 
62 vols. 8vo, half sheep (last volume in cloth), edges of 


all volumes, and some leaves with stenciled stamp. 
New York, 1840-1871 


An unusually long series, lacking only two volumes (57 


and 58). 


MONTULE, E. 

539. A Voyrace to Norru America, and the West Indies, in 1817 
[With a chapter on New York City.] With 4 engravings, 
one a view of New York from the West. London, 1821; 
Mackay (Cuarutrs). Life and Liberty in America; or, 
Sketches of a Tour in the United States and Canada, in 
1857-8. Tinted lithographs, including a view of the Fire- 
man’s Procession in Broadway. Firsr Eprrion. 2 vols. 
London, 1859; Norrnern Travetiter (Tue); containing 
the Routes to Niagara, Quebec, and the Springs, with the 
Tour of New-England, and the route to the Coal Mines of 
Pennsylvania. Maps and engravings. New York, 1826. 

Together, 4 vols. 8vo, and 12mo, various bindings. 
Various places and dates 


MOULTON, JOSEPH W. 

540. View or tHe Crry or New-Orance (Now New-York) As It 
Was in the Year 1673. With explanatory notes. With 
the folding view, engraved by Robt. M. Gaw. 8vo, half 
orange levant morocco, gilt top, lettered up back. By 


Stikeman. The plate is backed with linen, 
New York, 1825 


NATIONAL CYCLOPADIA 
541. Narionan Cyciopapia of American Biography (The) : Being 
the history of the United States as illustrated in the lives 
of the founders, builders, and defenders of the Republic. 
Edited by Distinguished Biographers, selected from each 
state. Revised and approved by the most eminent his- 
torians, schollars, and statesmen of the day. 14 vols. and 
the volume ef Index and Conspectus. Numerous vignette 
portraits, with autograph signature, and vignette views. 
Together, 15 vols. imperial 8vo, half russia, lettered backs. 


New York: James T.. White & Co., 1898-1910 


Fine clean set, 


NEW YORK CITY 


542. Francis (Joun W.). Old New York; or, Reminiscences of 
the past Sixty Years. With a Memoir of the Author, by 
Henry T. Tuckerman. Portrait. New York, 1866; VALEN- 
TINE (Davin T.). History of the City of New York. 
Maps and views. New York, 1838; Srone (Wittiam L.). 
History of New York City, from the Discovery to the 
present day. Fully illustrated with engraved portraits, 
views, maps and woodcuts. New York, 1872; Boor 
(Mary L.). History of the City of New York, from its 
earliest settlement to the present time. Illustrated with 100 
engravings. New York, 1860. Together, 4 vols. various 
sizes and bindings. New York, various dates 


NEW YORK CITY 


543. Direcrory or tHE Ciry or New York. Facsimile of the 
First Edition, 1786; Janvirr (Tuomas A.). In Old New 
York. Illustrations. 1894; New Yorx, the Metropolis 
of the Western World (a handbook). Illustrations. 1902; 
DisturNELL (JoHN). New York, as it was and as it is. 
Illustrated. 1876; Lonewortn (THomas). American 
Almanac, New York Register, and City Directory. 1804 
and 1821; Pueips (H.). Phelps’ New York City Guide. 
Large folding map, and woodcut views of buildings. 1854; 
Tanner (H. S.). The Stranger’s Guide to the City of 
New-York, and its Environs. With a plan of the city. 
[1845]; [Ruecres (Epwarp).] A Picture of New York 
in 1846; with a short Account of Places of its Vicinity. 
Folding map, and views of buildings, etc.; Hooker (Wi1- 
tram). New Pocket Plan of the City of New York. Height, 
1214 inches; width, 1514 inches, folded to 16mo, 1833. 
Together, 10 vols. various sizes and bindings. 

Various dates 


NEW YORK STATE 
544, Jenxins (Joun S.). History of Political Parties in the 
State of New York. Lithographic portraits. 1846; 
Byrpsaut (F.). The History of the Loco-Foco; or, Equal 
Rights Party. 1842; Tue Puysiotocy of New York Board- 
ing Houses. 1857; Tur Otp Brewery. 1854; [Irvine 


[ No. 544—Continued | 
(Wasurneron).] A History of New-York. New Edition. 
2 vols. 1840; Dunitae (Witiiam). A History of New 
York, for Schools. Frontispieces and woodcuts, Firsr 
Epirion. 2 vols. From the Frank Maier collection, with 
bookplate. 1837; [Curry (DanteL).] New-York; a His- 
torical Sketch. Illustrations. 18538. Together, 9 vols. 
various sizes and bindings. Various places and dates 


NEW YORK HISTORICAL SOCIETY 


545. Cottectrions. Volumes 1 to 5 (1809 to 1830). 5 vols. 8vo, 
calf, gilt, edges of bindings rubbed. 
New York, 1811-1830 


O’CALLAGHAN, E. B. 


546. THe Documentary History oF tHE Stare or New York. 
With numerous folding maps. 4 vols. thick 8vo, cloth. 
Albany, 1849-1851 


[OSBORNE, LAUGHTON] 


547. Tue Viston or Rusera, an Epic Story of the Island of Man- 
hattan. With numerous etchings by E. W. Bowve’s lith. 
8vo, rebound in cloth, with new label, uncut. 


Boston, 1888 


First Eprrion of this curious anomalous satire, which con- 
tains the rabid attack on Wordsworth. This edition is 
remarkable for its typographical excellence, 


POST, JOHN J. 


548. OLtp Srreets, Przers ann Wuarves or New York. 1882 
(only 800 copies printed); Jenkins (SrepHen). The 
Greatest Street in the World. The Story of Broadway. 
Illustrations. 1911; [Irvine (Wasuincton).] A History 
of New York. Illustrations by F. O. C. Darley. 1854. 
Together, 3 vols, 8vo, cloth and morocco. 


New York, v.d. 


PYNE COLLECTION 


549. CoLLEcTIonN or Percy R. Pyne II. A Catalogue of En- 
graved Views, Plans &c. of New York City. [By Robert 
Fridenberg.| Full-page reproduction of rare views, some 
in colors. Ato, boards, cloth back, uncut. 

New York: Privately printed, 1912 
The Privately Printed issue of which only 100 copies were 
printed. 


PYNE COLLECTION 


550. A Caratocust or Encravep Views, Piuans &c. or New Yor 
Crry. Colored and other illustrations. 4to, boards, cloth 
back, uncut. New York, 1912 


The Privately printed issue, same as preceding. 


PYNE COLLECTION 


551. A CatatocuEe or Eneravep Views, Puans, etc. or New 
York Crry, in the Collection of Percy R. Pyne, II. [By 
Robert Fridenberg.] 8vo, wrappers, 61 copies. 

[ New York]: Privately printed, 1911 


SKETCH OF NEW YORK 


552. SxetcH or THE Resources oF THE Ciry or New York. 
With a view of its Municipal Government, Population, etc., 
from the foundation of the city, to the date of the latest 
statistical accounts. 8vo, original boards, uncut, text 


foxed. New York, 1827 


SMITH, WILLIAM 


553. Tuer Hisrory or tHE Province or New York, from its Dis- 
covery to the appointment of Governor Colden, in 1762. 2 
vols. 8vo, original boards and labeis, uncut. 


New York, 1829-1830 


An unusually tall uncut copy, with wide margins. The 
present volumes, now for the first time associated, contain 
the author’s last alterations and additions from the ori- 
ginal manuscript; with a memoir by his son. The author’s 
Geographical description of New York, is in this edition, 
embraced in an appendix to the first volume, 


SOCIETY OF ICONOPHILES 


554. Tur Hupson-Futron Ceiesration MCMIX. By Gustav 
Kobbé. With a foreword by William Loring Andrews. 
Etched frontispiece, title-page, and vignettes, by Francis 
S. King. Royal 8vo, half morocco, gilt top, uncut. 

New York: Society of Iconophiles, 1910 


ne of an edition of 106 copies printed on O. W. hand- 
made paper. 


STEVENS, JOHN AUSTIN, JR. 


555. CotontaL Recorps or THE New York CHAMBER OF Com- 
MERCE, 1768-1784. With Historical and Biographical 
Sketches. With engraved portraits and plates on India 
paper. Imperial 8vo, cloth, uncut, and unopened. 

New York, 1867 


Larct Paper. 


VALENTINE, D. T. 


' 556. CompLere Ser or VALENTINE’s Manuats of the Corporation 
of the City of New York, 1841 to 1866; with the addition 
of Shannon’s Manuals for 1868 and 1869; Hardy’s Manual 
for 1870, and the Index of the Illustrations in the Manuals, 
published by the Society of Iconophiles. Illustrated with 
maps, plans, tinted lithographic views, facsimiles, etc. 'To- 
gether, 29 vols. 16mo, 12mo and 8vo, all in the original 
cloth bindings. New York, 1841-1906 


A complete file of all the Manuals, from 1841 to 1870. 
Several of the volumes being exceeding scarce. 

ALL THE VOLUMES ARE PERFECT, BOTH AS TO TEXT AND 
PLATES, A FACT OF THE UTMOST IMPORTANCE, AS MANY ARE 
USUALLY FOUND WITH ONE OR MORE PLATES EXTRACTED. 


ConTENTS oF SET: 


[ VaLentine (D. T.).] Manual of the Corporation of the 
City of New-York, for the years 1841 & 2. 16mo, 
original cloth, name written on preface-leaf. 


New York [1841] 


THE VERY RARE FIRST Manuva. Contains the genuine 
issue of the large folding map of the City of New 
York, with the Fire and Watch Districts. 


[ No. 


556—Continued | 
VALENTINE (D, T.). Manual. 1842 & 3. 16mo, original 
cloth. New York [1842] 


With all the plates, viz,—Map of the city; Facsimile 
of the Bradford map; Croton Dam; Nieuw-Amsterdam, 
1659. First map torn in fold. 


VALENTINE (D. T.). Manual. 1843 & 4. 16mo, original 
cloth. New York [1843 ] 


With all plates, including the three maps and plans. 
CHOICE COPY. 

VatentTInE (D. T.). Manual. 1844-5. 16mo, original 
cloth, New York, 1844 
With all the maps and plates. Contains bookplate of 
A. C. Bernheim, engraved by E. D. French. 

VatentIneE (D. T.). Manual. 1845-6. 16mo, original 
cloth. New York, 1846 
With all the maps and plates. 


Vatentine (D. T.). Manual. 1847. 16mo, original 
cloth. New York, 1847 


With all the maps and plates. CuHoicE copy. 


VaLentINE (D. T.). Manual. -1848. 16mo, original 
cloth. New York, 1848 


With all the maps and plates. Binding broken. 


VatentTine (D, T.). Manual. 1849. 12mo, original 
cloth. New York, 1849 


With all the maps and plates. Edges of binding 


rubbed, name on title, otherwise a fine copy. 


VaLentineE (D. T.). Manual. 1850. 12mo, original 
cloth. New York [1850] 


With all maps and plates. 


VALENTINE (D. T.). Manual. 1851. 12mo, original 
cloth. New York, 1851 


With all the maps and plates. Goop souND AND CLEAN 
COPY. 


[No. 556—Continued | 
VatentinE (D. T.). Manual. 1852. 12mo, original 
cloth. New York [1852] 


With all maps and plates. Sound copy. 


VaLenNTINE (D. T.). Manual. 1853. 12mo, original 
cloth. New York [1853 | 


With all maps and plates. 


VaLenTINE (D. T.). Manual. 1854. 12mo, original 
cloth. New York [1854] 


With all maps and plates. 


VaLenTINE (D. T.). Manual. 1855. 12mo, original 
cloth. New York [1855] 


With all the maps and plates. Goop sounD copy. 


VatenTINE (D. T.). Manual. 1856. 12mo, original 
cloth. New York [1856] 


With all the maps and plates. Slight tear in binding, 
otherwise a good sound and clean copy. 


VALENTINE (D. T.). Manual. 1857. 12mo, original 


cloth. New York [1857] 


With all the maps and plates. Binding torn, and 
plates slightly stained. 


VaLENTINE (D. T.) Manual. 1858. 12mo, original 


cloth. New York [1858] 
With all maps and plates. 


VaLENTINE (D. T.). Manual. 1859. 12mo, original 
cloth. New York [1859] 


With all maps and plates. 


VALENTINE (D. T.). Manual. 1860. 12mo, original 
cloth. New York [1860] 


With all the maps and plates. Good sound copy, but 
corners of binding slightly rubbed. 


[ No. 556—Continued | 
VatentiInE (D. T.). Manual. 1861, 12mo, original 
cloth. New York [1861 | 


With all the maps and plates. Goon sounp copy. 
Vatentine (D. T.) Manual. 1862. 12mo, original 
cloth. New York [1862] 
With all the maps and plates. Slight tear in first map. 
VatentTInE (D. T.). Manual. 1863. 12mo, original 
cloth, New York [1863 | 
With all the maps and plates. Slight stain on portrait. 


VatenTINE (D. T.). Manual. 1864. 12mo, original 
cloth. New York [1864] 


With all the maps and plates. Binding worn. 


VaLeNTINE (D. T.). Manual. 1865. 12mo, original 
cloth. New York [1865 ]| 


With all the maps and plates. 


VaLENTINE (D. T.). Manual. 1866. 12mo, original 
cloth. New York [1866] 


With all the maps and plates. 


SHANNON (JosepH). Manual, 1868. 8vo, original cloth. 
New York [1868 | 
With all the maps and plates. 


SHANNON (JosePH). Manual. 1869. 8vo, original cloth. 
New York [1869] 


With all maps and plates. One plate torn. 


Harpy (JonHn). Manual. 1870. 8vo, original cloth. 
New York [1870] 
With all the maps and plates. 


InpvEx to the Illustrations in the Manuals, 1841-1870. 


Portrait. 8vo, cloth. 
New York: Society of Iconophiles, 1906 


VALENTINE, D. T. 


557. MANvUAL OF THE CORPORATION OF THE Crry or New York. 
1849. Maps and plates. 12mo, roan, binding rubbed. 
New York, 1849 


With all the maps and plates. 


VAN PELT, DANIEL 


558. Lxesue’s Hisrory or Greater New York. Profusely illus- 
trated with steel and wood engravings. 3 vols. imperial 
8vo, half morocco, gilt tops. New York [1898 | 


559. Wart Srreer. [Greene (Asa).] The Perils of Pearl Street, 
including a Taste of the Dangers of Wall Street. 1834. 
[Name on title]; Fowrer (Witt1am W.). Twenty Years 
of Inside Life in Wall Street. 1880; Mrpperry (JAMES 
K.). Men and Mysteries of Wall Street. 1870; Hiri 
(Frepericx T.). The Story of a Street. 1908. Illustra- 
tions. Together, 4 vols. 12mo, cloth. 

New York and Boston, v.d. 


WILSON, JAMES GRANT 


560. Memortat History or THE Crry or New York and the Hud- 

son River Valley, from its first settlement to the year 

1892. With several hundred illustrations, including fine 

portraits of men famous in the early history of the city, 

facsimiles of rare maps and plans, reproductions of title- 

pages of rare and contemporary books, autographs of 

eminent characters, views, etc. 5 vols. royal 8vo, straight- 
grained calf, gilt backs and edges, bindings rubbed. 

New York, 1892-1896 


This set contains the fifth volume, with the continuation 
down to 1896. 


WILSON, JAMES GRANT 


561. MemorraL History or THE Crry or New Yorx. Volume I. 
1893; Pierce (Cart H.). New Harlem. 19038; Berrian 
(Wituiam). Historical Sketch of Trinity Church. 1847; 
HisroricaL SkeTcH OF THE SoutH CuHurcH. 1887; Bank 
Orricers of the National Banks of the City of New York. 
1883. Together, 5 vols. various sizes and bindings. 


New York, v.d. 


WATSON, JOHN P. 


562. Hisroric Tates or Otpen Time: concerning the Early Set- 
tlement and Advancement of New-York City and State. 
With 13 lithographic views, by Risso & Browne, including 
a view of the city in 1678. 12mo, original boards and label, 
binding worn, text foxed. New York, 1882 


With autograph signature of Benjamin Peter Hunt, of 
Chelmsford, Mass. The present copy, has the “Appendix,” 
a printed slip, certifying to the former owner and giving a 
sketch of his life. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


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